It is hardly an overstatement to say that Soviet linguists had a monopoly over Tajik linguistics before the dissolution of the Soviet Union, when most studies on the language were accessible exclusively through Russian and Tajik. Today, however, linguists dealing with Tajik are diverse not only in terms of their location but also in terms of their disciplinary orientation within linguistics, making it difficult for the general linguist to work out the state of the art of the linguistic study of Tajik. This volume aims to address this difficulty by collecting in a handbook format recent (post-Soviet) developments in the study of Tajik that now lie scattered in different subdisciplines of linguistics. The volume thus showcases the state of the art of post-Soviet Tajik linguistics and can be used as a guide for linguists interested in the language.

This study is the first to introduce evidentiality to the stylistic analysis of literary works, specifically that of the great Persian writer Sa'di, focused on how he used linguistic means to illustrate a real or ideational world. The authors begin by introducing the concept of evidentiality; its definition, its coding in Persian, the rationale behind evidentiality analysis, and semantic-pragmatic functions of evidentiality. The book highlights how evidentiality can be accounted for as a stylistic device to reveal the validity of a narration, as well as the author's commitment and contribution to it. Three of Sa'di's major works are analysed - Bustan, Golestan and Sonnets - using Krippendoff's frequency approach. It is argued that Sa'di deployed an array of evidentials in his work, from direct visual evidentials in Golestan and Sonnets to heard and quoted evidentials in Bustan. To illustrate this, the book includes translations of Sa'di's poetry and prose. In addition, the authors consider historical and contemporary manifestations of the Persian narrative style, as well as exploring the cultural concerns of the Persian speech community. The book will be appeal to general linguists, practitioners of pragmatics and stylistics, literary critics, and those interested in contrastive analysis of literature and cultural studies.

The Iranian languages are one of the world's major language families. With an estimated 150 to 200 million native speakers, these languages constitute the western group of the larger Indo-Iranian family, which represents a major eastern branch of the Indo-European languages. Geographically, the Iranian Languages are spoken from Central Turkey, Syria and Iraq in the West to Pakistan and western edged of Xinjiang Uygur Autonomous Region of China in the east. Iranian languages have long been among the major interests of the philologists and general linguists, and European scholars have made tremendous contributions to the study of this language family. In light of such efforts, now we know that the Iranian languages can be historically divided into three phases, that are old, middle and new Iranian languages, and the new Iranian languages may be generally grouped as Eastern and Western. In recent years, the orientation towards typology has led to the appearance of somewhat more ponderance on the subject but the work has not included description of some of the very important languages of the Caspian, and or of the religious minorities (such as those of the Zoroastrians or the Jewish community), of the four-fold Central Plateau dial.