'By the summer of 1998, it had become clear that there was something wrong with my hearing. It didn't happen suddenly but softly, so softly I almost wasn't aware of it happening; sound seemed to have stolen away ...'

For twelve years, Bella Bathurst was deaf. She missed the punchlines and the jokes, avoided busy restaurants and raucous parties, and grew her hair long to cover hearing aids. But then, twelve years later, pioneering surgery on her ears gave her the chance to hear again.

Sound is the extraordinary story of Bella's journey into deafness and back to hearing. Mixing memoir with interviews with soldiers, sign language experts, musicians and mental health workers, Bella explores what it means to live with and without sound, and in the process uncovers a hidden world of sense and connection.

If sight gives us the world, then hearing - or our ability to listen - gives us each other. Warm, wry and honest, this is a story not just for the one in six of us with hearing loss, but for everyone who ever listened.

Published in partnership with the Wellcome Collection.

Wellcome Collection is a free museum and library that aims to challenge how we think and feel about health. Inspired by the medical objects and curiosities collected by Henry Wellcome, it connects science, medicine, life and art. Wellcome Collection exhibitions, events and books explore a diverse range of subjects, including consciousness, forensic medicine, emotions, sexology, identity and death.

Wellcome Collection is part of Wellcome, a global charitable foundation that exists to improve health for everyone by helping great ideas to thrive, funding over 14,000 researchers and projects in more than 70 countries.

wellcomecollection.org

'A priceless portrait of one of the least understood and frequently most vilified of people: farmers. It should really be read by all in this country who buys food - i.e. everyone.' Daily Mail 'Highly researched and deeply thoughtful ... Bathurst peers under the bonnet of these lives and reveals things that rarely make it into print.' James Rebanks, The Times 'A fine achievement: describing the indescribable' Rosamund Young, author of The Secret Life of Cows We think we know what makes Britain's countryside: drystone walls, stiles, sheep on a distant hillside. But for many of us, farmers themselves - the men and women who shape, maintain and care for that land - often remain a mystery: familiar but unpredictable, a secretive industry that's still visible from space. In Field Work, Bella Bathurst journeys through Britain to talk to those on the far side of the fence. From fruit farmers to fallen stock operators, from grassy uplands to polytunnels, she creates a portrait of modern Britain, exposing in the process the inextricable bonds that exist between land and the people who farm it. As farmers find themselves torn between time-honoured methods and modern appetites, these raw, wise and funny accounts reveal an ancient way of life changing beyond recognition.

An exciting new edition of Bella Bathurst's epic story of Robert Louis Stevenson's ancestors and the building of the Scottish coastal lighthouses against impossible odds. 'Whenever I smell salt water, I know that I am not far from one of the works of my ancestors,' wrote Robert Louis Stevenson in 1880. 'When the lights come out at sundown along the shores of Scotland, I am proud to think they burn more brightly for the genius of my father!' Robert Louis Stevenson was the most famous of the Stevensons, but not by any means the most productive. The Lighthouse Stevensons, all four generations of them, built every lighthouse round Scotland, were responsible for a slew of inventions in both construction and optics, and achieved feats of engineering in conditions that would be forbidding even today. The same driven energy which Robert Louis Stevenson put into writing, his ancestors put into lighting the darkness of the seas. The Lighthouse Stevensons is a story of high endeavour, beautifully told; indeed, this is one of the most celebrated works of historical biography in recent memory.

From the bestselling author of 'The Lighthouse Stevensons', a gripping history of the drama and danger of wrecking since the 18th-century - and the often grisly ingenuity of British wreckers, scavengers of the sea. A fine wreck has always represented sport, pleasure, treasure, and in many cases, the difference between living well and just getting by. The Cornish were supposedly so ferocious that notices of shipwrecks were given out during morning service by the minister, whilst the congregation concocted elaborate theological justifications for drowning the survivors. Treeless islanders relied on the harvest of storms to furnish themselves with rafters, boat hulls, fence-posts and floors. In other places, false lights were set up with grisly ingenuity along the coast to lure boats to destruction. With romance, insight and dry wit, Bella Bathurst traces the history of wrecking, looting and salvaging in the British Isles since the 18th-century and leading up to the present day. 'For a fully laden general cargo to run to ground in an accessible position is more or less like having Selfridges crash-land in your back garden,' she writes. 'A Selfridges with the prices removed'. Far from being a black-and-white crime, wrecking is often seen as opaque by its practitioners - the divisions between theft and recovery are small. No successful legal prosecution has ever been brought; the RNLI was founded by wreckers - even today lifeboat crews maintain the right to claim salvage. In settings ranging from the eerily perambulatory Goodwin Sands to the wreck-strewn waters off the coast of Durham, these murky tales of resourcefulness and quick-witted opportunism open a beguiling vista of life at the rough edges of our land and legality.

For centuries the seas around Scotland were notorious for shipwrecks.  Mariners' only aids were skill, luck, and single coal-fire light on the east coast, which was usually extinguished  by rain.  In 1786 the Northern Lighthouse Trust was established, with Robert Stevenson appointed as chief engineer a few years later.  In this engrossing book, Bella Bathhurst reveals that the Stevensons not only supervised the construction of the lighthouses under often desperate conditions but also perfected a design of precisely chiseled interlocking granite blocks that would withstand the enormous waves that batter these stone pillars.  The same Stevensons also developed the lamps and lenses of the lights themselves, which "sent a gleam across the wave" and prevented countless ships from being lost at sea.

While it is the writing of Robert Louis Stevenson that brought fame to the family name, this memorizing account shows how his extraordinary  ancestors changed the shape of the Scotland coast-against incredible odds and with remarkable technical ingenuity.