After storm drinks down the wreck and lost from deck are counted drowned voice of wind or wave on shore sound almost regretful... Tragedy can instill regret and grief, but also determination. Through prose and poem, Frost from Wings of Valkyries explores the shape of tragedy and the ways we are shaped by it. Benjamin Carruth acts as guide and confidant in this written journey from pain to strength, drawing eye to footprints of those who've walked this path before. Frost challenges and compels, stings, soothes, and speaks to people who crave a redemption of experience, vindication that our hurts have not been purposeless, that willingness to engage them should empower us to prevent their repetition.

Set in the jazzy, beatnik underground of 50s New York, John Cassavetes' first film features a score by Charles Mingus, improvised performances, a gritty naturalism and is widely considered to be a landmark in independent filmmaking. A black woman (Lelia Goldoni) begins an affair with a white man, creating family and racial tension.

Offbeat 1960s Hammer Studios fantasy horror. When Captain Lansen (Eric Portman)'s leaky cargo ship is blown off course, the crew members find themselves in a mysterious, fog-shrouded ocean where the seaweed eats human flesh and mutated crab-like creatures with huge claws are on the loose. The surviving crew and passengers then encounter a band of Spanish conquistadors who think it is still the 1500s and the Inquisition is still in progress.