This book presents an alternative approach to understanding fear and crime by examining those who are feared or who cause fear to others, as opposed to those who are fearful of crime. The existing research into the fearful and the fear of crime offers little insight into this particular experience and so this book represents a missing link in our understanding of how fear of crime is understood by all of those that experience it. It draws on some powerful interviews with juveniles, police officers, soldiers, muscular gym-goers and bouncers/doormen who can be interpreted as being feared. This book focuses on the perceptions, emotions and ensuing actions of those who are perceived as a threat to security by others. It provides an in-depth analysis of the perception of fear in interactions, how this is recognised within an encounter, how these perceptions are attributed and reacted upon, how these experiences relate to particular situations, and how they are structured in ongoing life experiences. It suggests 'pillars' of fear.

Alternately funny, tragic, and life-affirming, Ben Ellis' HOW WE GOT TO TODAY is a delightful mix of the everyday and the surreal, the romantic and the comic. Perfect for fans of Jill Mansell and Mhairi McFarlane. How can you find love, when you've lost sight of yourself? Sheridan doesn't know what he looks like. There's nothing wrong with his vision, it's just that he's the only person in the world who can't see his own face. Despite this, he has it all going for him - a good job as an optometrist, a nice home, and a wonderful girlfriend. All until Heidi, totally out of the blue, dumps him. And to make matters worse, not only has she broken his heart, but she's disappeared. Distraught, Sheridan begins to search for her, and ends up finding himself along the way. . . This is a story about how sometimes it's the people closest to us that see us the best and, if we lose sight of ourselves, can tell us who we really are.

Something strange is happening in the country town of Hollow-a mysterious syndrome that seems to strike only the young. The town is quarantined, schools are closed and fences go up. Guards patrol new enforced borders, but amongst the townsfolk denial runs deep. Part science-fiction, part satire, Falling Petals is a darkly humorous fable about the consequences of a culture of disposable youth and it also blasts the urban/rural fissure open.

Because power is fragile, it requires you naked. That is why the most powerful people in the world have sex in hotels. In fact, having sex in the best hotels makes you powerful. It doesn't matter how good the sex is, only how good the hotel is. Featuring three duologues, set in 2015, 1970 and 1981, all within the walls of London's Langham Hotel, The Armour is a site-specific drama about the lasting and changing effects of empire. The play received its world premiere at The Langham Hotel, in a promenade production, on 3 March 2015.