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Showing 1 - 18 of
18 matches in All Departments
for SATBB unaccompanied By The Way, I Love You is a fun a cappella
number that sets words by Garth Bardsley in a big band style. Swing
and rhythmic groove is vital to the performance, with the catchy
melody held first by the sopranos before passing between the
voices, always over a bed of lively scat singing. There is great
interplay between the voice parts, with playful interjections from
the accompanying voices as the melody part recounts everything that
they love about the special person they are singing about.
for SATBarB unaccompanied This beautiful arrangement of the
17th-century lullaby features subtle jazz inflections and artful
imitation. The text seeks to create a calm and comforting
atmosphere for sleep, which Parry emulates through setting gently
rocking melodic lines over a rich cushion of harmonies.
for SATB unaccompanied This is a warm and contemplative setting of
the medieval Latin hymn, suitable for communion services or for
Lent, Passiontide, or Corpus Christi. Built around harmonic
sequences and an appealing opening phrase, and with a gently
romantic feel, Parry's setting offers a charming alternative to
more familiar settings of these words.
What can creativity achieve in an era of ecocide? How are people
using creative and artistic practices to engage with (and resist)
the destruction of life on earth? What are the relationships
between creativity and repair in the face of escalating global
environmental crises? Across twelve compelling case studies, this
book charts the emergence of diverse forms of artistic practice and
brings together accounts of how artists, scholars and activists are
creatively responding to environmental destruction. Highlighting
alternative approaches to creativity in both conventional art
settings and daily life, the book demonstrates the major influence
that ecological thought has had on contemporary creative practices.
These are often more concerned with subtle processes of feeling,
experience and embodiment than they are with charismatic
‘eco-art’ works. In doing so, this exploratory book develops a
conception of creativity as an anti-ecocide endeavour, and provides
timely theoretical and practical insights on art in an age of
environmental destruction.
Sarah gasped. She picked up the only thing close at hand, a large
wooden stirring spoon, and braced herself for his entrance. Hearing
footsteps. One, two, three... Jo Jo discovered Sarah shivering and
cornered in the kitchen. He took in the situation with aplomb,
dropping a handful of wet mail on the counter next to her keys.
"Wull ain't you the dutiful housewife an' such?" He hefted a metal
digging shovel from somewhere, possibly their own garage. Sarah
didn't glance back at the swinging door or shout for help. No
matter what, she was determined not to reveal that Brenda was in
the house. No need for both of them to become Jo Jo's victims...
Wash the Spider Out: Drastic Measures Volume Two is the continuing
pursuit of all the places the human mind goes when it's cornered. A
collection of short stories ranging from humor to horror by 13
extraordinary authors featuring Tommy B. Smith, Larry Lefkowitz,
Carl MacKenzie, Anibal Reyes, and more.
The tiny colony at Mars launched during an Earth emergency sits
uneasy, starved and hopeless until the astonishing news that a new
wave of political intrigue has landed it the Twenty Eighth Winter
Olympics in 2038. In this near-future tale, a wide cast of villains
and heroes each have conflicting visions of what comes next
including a new method of unleashing geothermal energy to be tested
on Mars' volcanoes like the dormant Olympus Mons where the Olympic
Village has been built. Olympian lovers Yves Loitte and Terri
Finney find themselves in the middle of a power struggle that may
end in the destruction of all they hold dear. MARS ARMOR FORGED is
a techno thriller for those who love a hard SF showcase and the
rich Mars subgenre. Praise from Advance Readers of MARS ARMOR
FORGED 2nd Edition: "Ben Parris is a great and memorable
storyteller. His characters are fantastic. The writing is wonderful
and the imagery is the crisp, logical sort that makes wonderful
science fiction." --Chyna B., Ann Arbor, MI "I must say, you really
do know how to work your stuff. This reminds me of a Shakespearean
play with emerging conflicts in each Act, your soliloquies,
intermission... making the viewer come back every time." --Matina
M., Sedona, AZ "I find your descriptions of Mars quite amazing,
your attention to detail is impeccable, and with every chapter I
read, I want to read more." --Justin L., Bridgeport, CT
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