for SATBB unaccompanied By The Way, I Love You is a fun a cappella number that sets words by Garth Bardsley in a big band style. Swing and rhythmic groove is vital to the performance, with the catchy melody held first by the sopranos before passing between the voices, always over a bed of lively scat singing. There is great interplay between the voice parts, with playful interjections from the accompanying voices as the melody part recounts everything that they love about the special person they are singing about.

for SATBarB unaccompanied This beautiful arrangement of the 17th-century lullaby features subtle jazz inflections and artful imitation. The text seeks to create a calm and comforting atmosphere for sleep, which Parry emulates through setting gently rocking melodic lines over a rich cushion of harmonies.

for SATB unaccompanied This is a warm and contemplative setting of the medieval Latin hymn, suitable for communion services or for Lent, Passiontide, or Corpus Christi. Built around harmonic sequences and an appealing opening phrase, and with a gently romantic feel, Parry's setting offers a charming alternative to more familiar settings of these words.

What can creativity achieve in an era of ecocide? How are people using creative and artistic practices to engage with (and resist) the destruction of life on earth? What are the relationships between creativity and repair in the face of escalating global environmental crises? Across twelve compelling case studies, this book charts the emergence of diverse forms of artistic practice and brings together accounts of how artists, scholars and activists are creatively responding to environmental destruction. Highlighting alternative approaches to creativity in both conventional art settings and daily life, the book demonstrates the major influence that ecological thought has had on contemporary creative practices. These are often more concerned with subtle processes of feeling, experience and embodiment than they are with charismatic ‘eco-art’ works. In doing so, this exploratory book develops a conception of creativity as an anti-ecocide endeavour, and provides timely theoretical and practical insights on art in an age of environmental destruction.

Sarah gasped. She picked up the only thing close at hand, a large wooden stirring spoon, and braced herself for his entrance. Hearing footsteps. One, two, three... Jo Jo discovered Sarah shivering and cornered in the kitchen. He took in the situation with aplomb, dropping a handful of wet mail on the counter next to her keys. "Wull ain't you the dutiful housewife an' such?" He hefted a metal digging shovel from somewhere, possibly their own garage. Sarah didn't glance back at the swinging door or shout for help. No matter what, she was determined not to reveal that Brenda was in the house. No need for both of them to become Jo Jo's victims... Wash the Spider Out: Drastic Measures Volume Two is the continuing pursuit of all the places the human mind goes when it's cornered. A collection of short stories ranging from humor to horror by 13 extraordinary authors featuring Tommy B. Smith, Larry Lefkowitz, Carl MacKenzie, Anibal Reyes, and more.

The tiny colony at Mars launched during an Earth emergency sits uneasy, starved and hopeless until the astonishing news that a new wave of political intrigue has landed it the Twenty Eighth Winter Olympics in 2038. In this near-future tale, a wide cast of villains and heroes each have conflicting visions of what comes next including a new method of unleashing geothermal energy to be tested on Mars' volcanoes like the dormant Olympus Mons where the Olympic Village has been built. Olympian lovers Yves Loitte and Terri Finney find themselves in the middle of a power struggle that may end in the destruction of all they hold dear. MARS ARMOR FORGED is a techno thriller for those who love a hard SF showcase and the rich Mars subgenre. Praise from Advance Readers of MARS ARMOR FORGED 2nd Edition: "Ben Parris is a great and memorable storyteller. His characters are fantastic. The writing is wonderful and the imagery is the crisp, logical sort that makes wonderful science fiction." --Chyna B., Ann Arbor, MI "I must say, you really do know how to work your stuff. This reminds me of a Shakespearean play with emerging conflicts in each Act, your soliloquies, intermission... making the viewer come back every time." --Matina M., Sedona, AZ "I find your descriptions of Mars quite amazing, your attention to detail is impeccable, and with every chapter I read, I want to read more." --Justin L., Bridgeport, CT