It's risky work, handlin' men, my lass. For when a woman builds her life on men, either husbands or sons, she builds on summat as sooner or later brings the house down crash on her head - yi, she does. In Husbands and Sons, Ben Power has interwoven three of D. H. Lawrence's greatest dramas, The Daughter-in-Law, A Collier's Friday Night and The Widowing of Mrs Holroyd. Together, they describe the community Lawrence came from with fierce tenderness, evoking a now-vanished world of manual labour and working-class pride. On the cracked border of Derbyshire and Nottinghamshire stands the village of Eastwood. The women of the village, wives and mothers, struggle to hold their families and their own souls together in the shadow of the great Brinsley pit. Husband and Sons by D. H. Lawrence, adapted by Ben Power, premiered at the National Theatre, London, in October 2015 in a co-production with Royal Exchange Theatre.

'Here at least we shall be free. Better to reign in Hell, than serve in Heaven.' Defeated in battle and exiled from heaven, Satan burns in a lake of fire with his army of rebels around him. Consumed with envy, he plots his bitter revenge - to destroy God's delight in his newest creation. During his hunt for Paradise on Earth, Satan sweet-talks his way out of hell and tricks his way across the universe to tempt Eve and seduce humanity. "Paradise Lost", the greatest epic poem in the English language, is a richly theatrical vision of the Fall of Mankind. This version is produced by the Oxford Stage Company and begins a UK tour in April 2006. 'Sublime and thrilling, this will switch many people on to Milton for life'. 'Juicy and decadent, Ben Power's version makes voluptuous sense'. 'Wonderful...the choreography is inspired...an admirable adaptation'.

A thrilling version of Ibsen's epic play, charting the true odyssey of an astonishing man as he struggles to find spiritual fulfilment and political pre-eminence. Made Emperor in Rome, Julian attempts to abolish Christianity and restore the old gods. But met with fierce resistance, this great free-thinker becomes a tyrant more hated than his brutal predecessor, Constantius. And in arousing the Christians from their apathy he advances their cause, his life and death altering the course of history in stark opposition to his intent. Ibsen's little-known masterpiece sweeps across Greece and the Middle East from AD351, covering twelve crucial years in the history of civilisation. Completed and published in 1873, Emperor and Galilean was premiered in Leipzig in 1896. This newly created version by Ben Power was first staged at the National Theatre, London, in June 2011, marking the first time that Emperor and Galilean had been performed on the stage in English. The production was directed by Jonathan Kent, with Andrew Scott as the Emperor Julian, and Ian McDiarmid as Maximus.

Pirandello's classic play, updated for the twenty-first century by Headlong. Blurring the border between fiction and life, between the stage and the world outside, Luigi Pirandello's play Six Characters in Search of an Author exploded onto the stage in 1921 as one of the unique achievements of twentieth-century drama. Updated and recontextualised in this vertiginous new version, it becomes a dark parable for a media-obsessed age and an exhilarating exploration of how we define art, ourselves and 'reality' in the twenty-first century. This version by Rupert Goold and Ben Power was first performed at the Minerva Theatre, Chichester, in June 2008, in a co-production between Headlong and Chichester Festival Theatre.