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Showing 1 - 9 of 9 matches in All Departments
Ben Sidran presents the classic rhythm and blues performances of the 1980s with his personal insight into each song, the artist and the performances. Artists featured are: Willie Murphy, John Sebastian, Bonnie Koloc, Lady Bianca, Tower of Power, Chick Corea, Valerie Wellington.
Ben Sidran presents the classic rhythm and blues performances of the 1980s with his personal insight into each song, the artist and the performance. Artists featured include: Long John Baldry, John Sebastian, John Mayall, Bonnie Koloc and Chick Corea.
Miles Davis, Gil Evans, Dizzy Gillespie, Jon Hendricks, Max Roach, Betty Carter, Jackie McLean, Don Cherry, Sonny Rollins, McCoy Tyner, Archie Shepp, Herbie Hancock, Tony Williams, Keith Jarrett, Wynton Marsalis, and Jack DeJohnette,these are just a few of the jazz musicians whose conversations with Ben Sidran are recorded in this volume. In stimulating, personal, and informative discussions, they not only reveal their personalities, but also detail aspects of the performance, technique, business, history, and emotions of jazz. Newly expanded with previously unpublished dialogues with David Murray, Dr. John, and Mose Allison, Talking Jazz is undoubtedly the best oral history of recent and contemporary jazz.
Black Music--whether it be jazz, blues, r&b, gospel, or soul--has always expressed, consciously or not, its African "oral" heritage, reflecting the conditions of a minority culture in the midst of a white majority. "Black Talk" is one of those rare books since LeRoi Jones's "Blues People" to examine the social function of black music in the diaspora; it sounds the depths of experience and maps the history of a culture from the jazz age to the revolutionary outbursts of the 1960s. Ben Sidran finds radical challenges to the Western, white literary tradition in such varied music as Buddy Bolden's loud and hoarse cornet style, the call and response between brass and reeds in a swing band, the emotionalism of gospel, the primitivism of Ornette Coleman, and the cool ethic of bebop. "The musician is the document," says Sidran. "He is the information himself. The impact of stored information is transmitted not through records or archives, but through the human response to life."
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