This book documents the history of religious persecution, especially focusing on early Jewish and Christian experiences and the culmination of horrors in the Nazi era, in which six million Jews, over a million Catholics, and many others were put to death for their beliefs. The book then focuses on the many types of religious intolerance in the world today, particularly the genocide against Christians in the Middle East and Africa, and resurgent Anti-Semitism in the Middle East, Europe and even the United States. The book concludes by discussing how we work together to preserve the ancient civilizations that provided roots for both Christians and Jews so that their populace and historical artifacts are safe from destruction and their cultural and religious heritage are preserved.

Selected Stories gathers together some of the best examples of Benedict Kiely's work - a true and gifted man of letters. Edited by Ben Forkner, founder of The Journal of the Short Story. From 'Soldier, Red Soldier' and 'A Ball of Malt and Madame Butterfly' to 'A Letter to Peachtree', these stories sing in the unforgettable voice of an Irish master who inspired, and will continue to inspire, generations of readers and writers alike. These stories have a great deal taken from Ben's own experiences both abroad and at home in Ireland. Kiely captures various moments in Irish and American culture, many heavily influenced by his time as a lecturer in Georgia, writer-in-residence in Virginia, and as a reporter for the Irish Press. "Ben Kiely was - and therefore is - one of the great voices of 20th century literature, not just in Ireland but all over the world. That his stories survive, and indeed thrive, is a tribute to the power of literature. When it comes to storytelling there is really no such thing as an end, because the stories keep unfolding and influencing. Put him up there on the shelf alongside Joyce, Beckett, McGahern, O'Brien. With this version of Selected Stories, watch him develop a whole new readership." - Colum McCann.

'Do the Irish have, in relation to anybody else, any special capacity for the short story?' In this collection of thirty-eight short stories covering many generations and moods of Irish writing, this question is emphatically answered in the affirmative. These mercurial, intoxicating, witty and sometimes sad stories range from Lady Gregory's moving retelling of an ancient love story through to the extraordinary and prolific William Trevor.