This collection takes as its starting point the ubiquitous representation of various forms of mental illness, breakdown and psychopathology in Caribbean writing, and the fact that this topic has been relatively neglected in criticism, especially in Anglophone texts, apart from the scholarship devoted to Jean Rhys's Wide Sargasso Sea (1966). The contributions to this volume demonstrate that much remains to be done in rethinking the trope of "madness" across Caribbean literature by local and diaspora writers. This book asks how focusing on literary manifestations of apparent mental aberration can extend our understanding of Caribbean narrative and culture, and can help us to interrogate the norms that have been used to categorize art from the region, as well as the boundaries between notions of rationality, transcendence and insanity across cultures.

Caryl Phillips is one of the most respected writers of his generation. An award-winning author best known for his fiction, essays and stage plays, he has also written radio plays, nine of which were broadcast by the BBC between 1984 and 2016. Previously locked away in Phillips's archives, housed at the Beinecke Library at Yale University, these hidden gems are now published in Caryl Phillips's Radio Plays, the first collection of these important works of drama. Despite being previously overlooked, these radio plays are fully creative works and constitute an integral part of Caryl Phillips's literary universe. Not only do these dramatic texts display the author's hallmark mix of formal elegance and sharp social criticism, but they also offer compelling points of comparison with the rest of his wider writing. From the experience on an eighteenth-century slave ship and the life of a migrant family in 1980s England, to an account of James Baldwin's time in Paris and Marvin Gaye's stay in Belgium, these plays grapple with expansive themes in creative and dramatic ways. Contextualized by a scholarly introduction by Benedicte Ledent, this volume introduces these works in the published form for the first time, allowing readers a better grasp of Phillips's narrative techniques, offering fascinating vistas into his imaginary world, which ranges from the history of the African diaspora to the predicament of displaced individuals the world over.

Moving beyond the postcolonial literature field's traditional focus on the novel, this book shines a light on the "minor" genres in which postcolonial issues are also explored. The contributors examine the intersection of generic issues with postcolonial realities in regions such as South Africa, Nigeria, New Zealand, Indonesia, Australia, the United Kingdon, and the Caribbean. These "minor" genres include crime fiction, letter writing, radio plays, poetry, the novel in verse and short stories, as well as blogs and essays. The volume closes with Robert Antoni's discussion of his use of the vernacular and digital resources in As Flies to Whatless Boys (2013), and suggests that "major" genres might yield new webs of meaning when digital media are mobilized with a view to creating new forms of hybridity and multiplicity that push genre boundaries. In focusing on underrepresented and understudied genres, this book pays justice to the multiplicity of the field of postcolonial studies and gives voice to certain literary traditions within which the novel occupies a less central position. This book was originally published as a special issue of the Journal of Postcolonial Writing.

Moving beyond the postcolonial literature field's traditional focus on the novel, this book shines a light on the "minor" genres in which postcolonial issues are also explored. The contributors examine the intersection of generic issues with postcolonial realities in regions such as South Africa, Nigeria, New Zealand, Indonesia, Australia, the United Kingdon, and the Caribbean. These "minor" genres include crime fiction, letter writing, radio plays, poetry, the novel in verse and short stories, as well as blogs and essays. The volume closes with Robert Antoni's discussion of his use of the vernacular and digital resources in As Flies to Whatless Boys (2013), and suggests that "major" genres might yield new webs of meaning when digital media are mobilized with a view to creating new forms of hybridity and multiplicity that push genre boundaries. In focusing on underrepresented and understudied genres, this book pays justice to the multiplicity of the field of postcolonial studies and gives voice to certain literary traditions within which the novel occupies a less central position. This book was originally published as a special issue of the Journal of Postcolonial Writing.

Caryl Phillips is one of the most respected writers of his generation. An award-winning author best known for his fiction, essays and stage plays, he is also the author of radio plays, nine of which were broadcast by the BBC between 1984 and 2016. Previously locked away in Phillips's archives, housed at the Beinecke Library at Yale University, these hidden gems are now published in Caryl Phillips's Radio Plays, the first collection of these important works of drama. Despite being previously overlooked, these radio plays are fully creative works and constitute an integral part of Caryl Phillips's literary universe. Not only do these dramatic texts display the author's hallmark mix of formal elegance and sharp social criticism, but they also offer compelling points of comparison with the rest of his wider writing. From the experience on an eighteenth-century slave ship and the life of a migrant family in 1980s England, to an account of James Baldwin's time in Paris and Marvin Gaye's stay in Belgium, these plays grapple with expansive themes in creative and dramatic ways. Contextualized by a scholarly introduction by Benedicte Ledent, this volume introduces these works in the published form for the first time, allowing readers a better grasp of Phillips's narrative techniques, offering fascinating vistas into his imaginary world, which ranges from the history of the African diaspora to the predicament of displaced individuals the world over.

This collection of essays attempts to expand the notion of the "Black Atlantic" beyond its original racial, geographical, linguistic and cultural borders while acknowledging its remarkable ability to disturb established historical truths and to go beyond traditional dichotomies, thereby providing an essential tool for cross-cultural understanding. It is divided into four sections, each of them dealing with a different approach to the question of the "Black Atlantic". "Definitions" touches on the various limitations of Gilroy's original concept. "Readings" focuses on how the "Black Atlantic" can be productively used in readings of certain literary texts. "Practices" shifts towards the practical applications of the concept in order to explore the impact it has had on academic disciplines and examine to what extent it may have altered their epistemology and working procedures. Finally, "Dialogues" engages with the "Black Atlantic" from the perspectives of two creative writers whose work includes transatlantic themes and characters.