At the cutting edge of political theory, this first volume in the "Taking on the Political Series" reflects the conceptual foundations of the series, opening up space to the political by engaging in and redefining polemics. In recognition of the collapse of the traditional belief in strong foundations for the political domain and the ungrounding of politics generally, the authors introduce and map the concept of afoundationalism while tackling such themes as social structure, ethical argumentation and political organization. Provocative and engaging, this book will change ways of thinking about and approaching political theory both in teaching and research.

At the cutting edge of political theory, this first volume in the "Taking on the Political Series" reflects the conceptual foundations of the series, opening up space to the political by engaging in and redefining polemics. In recognition of the collapse of the traditional belief in strong foundations for the political domain and the ungrounding of politics generally, the authors introduce and map the concept of afoundationalism while tackling such themes as social structure, ethical argumentation and political organization. Provocative and engaging, this book will change ways of thinking about and approaching political theory both in teaching and research.

New in Paperback This innovative exploration of ways of thinking about and doing politics presents a challenge to liberal assumptions. The author tackles four key areas in contemporary politics which work at 'the edges of liberalism': difference, populism, revolution and agitation. Each of these phenomena is selected on the basis that they push the envelope of liberalism or seek to go against and beyond it. Each chapter takes on one of these ideas, discussing the intellectual background and considering its position in relation to liberalism. Difference is explored in the context of the politics of the culture wars and its celebration of particularism over universalism. Populism is seen as a spectre of liberal democracy, able to both accompany it and haunt it. Agitation is considered in tandem with emancipatory politics and in relation to revolutionary politics. The final chapter aims to vindicate the use of revolution for contemporary thought, challenging the existing liberal-democratic consensus. The argument is interspersed with many examples drawn from history and contemporary politics to illustrate the author's claims. Arditi's engagement with the main thinkers in the field leads him to develop a novel interpretation of contemporary politics.

Populism raises awkward question about modern forms of democracy. It often represents the ugly face of the people. It is neither the highest form of democracy nor its enemy. It is, rather, a mirror in which democracy may contemplate itself, warts and all, in a discovery of itself and what it lacks. This definitive collection, edited by one of the world's pre-eminent authorities on populism, Francisco Panizza, combines theoretical essays with a number of specially commissioned case studies on populist politics in the US, Britain, Canada, eastern Europe, Palestine, Latin America and South Africa. A broadly shared understanding of the nature of populism gives the book a coherence rarely found in collective works and enhances the richness of the case studies.

Jacques Ranciere's work is increasingly central to several debates across the humanities. Distributions of the Sensible confronts a question at the heart of his thought: How should we conceive the relationship between the "politics of aesthetics" and the "aesthetics of politics"? Specifically, the book explores the implications of Ranciere's rethinking of the relationship of aesthetic to political democracy from a wide range of critical perspectives. Distributions of the Sensible contains original essays by leading scholars on topics such as Ranciere's relation to political theory, critical theory, philosophical aesthetics, and film. The book concludes with a new essay by Ranciere himself that reconsiders the practice of theory between aesthetics and politics.