The original essays collected in this book offer a comprehensive evaluation of realism as a theory of international relations. Realism has been the subject of critical scrutiny for some time and this examination aims to identify and define its strengths and shortcomings.
In the realist family there has been a flourishing of variants and interpretations, a fact that many critics of realism tend to obscure or dismiss. In the past decade and a half we have seen the emergence of neo-realism, structural realism, security realism, and other readings. Now is a good time to reflect on the richness and diversity of the realist family of theories, compare the variants, examine the differences among them, explore what unites them, and elucidate the policy implications of each. This unique book makes an important contribution to the study of international relations. The essays collected within it offer an incisive analysis of the logic and history of theories in the realist family. They also demonstrate the value of scholarship that looks beyond fleeting intellectual fads to the enduring themes of life in a crowded and dangerous world.

Amos Perlmutter has devoted his academic career to the study of comparative politics, international relations and modern authoritarianism. He has written 14 books and more than 70 articles in academic journals. He has also been a prolific contributor to newspapers in the United States and abroad and offered commentary on TV and radio shows.
Contents: Part 1 Introduction: The Restless Mind in its Element: The Study of Civil-military Relations and the Analysis of Politics in Israel Gabriel Ben-Dor. Part 1 Israeli Society and Politics: Messianism, Utopia and Pessimism in the 1950s: A Study of the Critique of the 'Ben-Gurion State' Yaacov Shavit. Military-civilian Elite Networks in Israel: A Case Study in Boundary Structure Daniel Maman and Moshe Lissak. Israel: The Shift from Self-reliance Efraim Inbar. Eban and Israeli Foreign Policy: Diplomacy, War and Disengagement Michael Brecher. The Hebron Massacre and the Problems of Intelligence Gabriel Ben-Dor. Part 3 The Middle East: Heroes and Knaves ofthe Kuwait Crisis Daniel Pipes. Demography as a Military Constraint: The Case of Saudi Arabia Jacob Goldberg. Part 4 Civil-military Relations: The Role of External Forces in Supporting Ethno-religious Conflict David C Rapoport. Spanish Praetorianism Revisited Stanley G Payne. Ideological and Military Factors in the Rise and Retreat of Totalitarianism Stanislav Andreski. Part 5 Miscellaneous: The Ukranian Pogroms during the Russian Civil War Richard Pipes. The Gains and Costs of Non-Lethal Warfare George H Quester. The Qualitative Revolution, or Why the Next World Order will be Better than its Predecessors Max Singer and Aaron Wildavsky.

Originally published in 1993, this volume was unique in its scope and approach: Unlike most literature on nuclear weapons proliferation at the time, the essays in this volume offer theoretical discussions and suggest testable hypotheses about the causes and effects of nuclear weapons proliferation. The proliferation of nuclear weapons is an ideal subject for social science scholarship, and such scholarship is especially timely now. Among the topics discussed in The Proliferation Puzzle are: The building of nuclear weapons is a complex task touching upon many of the subjects of study at the core of social science and international relations. Nuclear weapons may be acquired as a hedge against external threat, for reasons of national prestige, or as a result of pressures by domestic coalitions among scientists, bureaucrats, and the military. They may be sought for defensive purposes or to support hegemonic aspirations. Nuclear weapons also raise questions about civilian command and control, especially in crisis situations. During the last two decades the acquisition of nuclear weapons has been proscribed by the non-proliferation regime. The decisions countries made about acquiring these weapons and the manner they chose to build them serve as a test of the efficacy of this particular regime, and of international regimes more generally. Nuclear weapons were introduced at the time bipolarity became the international order. As the world moves away from bipolarity, there is a need to answer questions such as: What would be the effect of nuclear weapons in a multipolar order? How will the spread of nuclear weapons affect the distribution of capabilities among states? If nuclear weapons spread to additional countries, will they enhance stability or exacerbate instability? Can the spread of these weapons be managed or controlled? This book brings together scholars from different schools within international relations and the social sciences to address the question of why nuclear weapons spread. A disciplined, rigorous examination of proliferation is important not only for scholarship but also for informed policymaking. The purpose of social science is to formulate hypotheses and devise theories that advance our understanding of society and aid in the fashioning of enlightened policy. The essays in this volume show how explicit hypotheses about the causes and consequences of nuclear weapons proliferation provide a deeper understanding of the problem and suggest specific, theory-informed policy recommendations.

Originally published in 1993, this volume was unique in its scope and approach: Unlike most literature on nuclear weapons proliferation at the time, the essays in this volume offer theoretical discussions and suggest testable hypotheses about the causes and effects of nuclear weapons proliferation. The proliferation of nuclear weapons is an ideal subject for social science scholarship, and such scholarship is especially timely now. Among the topics discussed in The Proliferation Puzzle are: The building of nuclear weapons is a complex task touching upon many of the subjects of study at the core of social science and international relations. Nuclear weapons may be acquired as a hedge against external threat, for reasons of national prestige, or as a result of pressures by domestic coalitions among scientists, bureaucrats, and the military. They may be sought for defensive purposes or to support hegemonic aspirations. Nuclear weapons also raise questions about civilian command and control, especially in crisis situations. During the last two decades the acquisition of nuclear weapons has been proscribed by the non-proliferation regime. The decisions countries made about acquiring these weapons and the manner they chose to build them serve as a test of the efficacy of this particular regime, and of international regimes more generally. Nuclear weapons were introduced at the time bipolarity became the international order. As the world moves away from bipolarity, there is a need to answer questions such as: What would be the effect of nuclear weapons in a multipolar order? How will the spread of nuclear weapons affect the distribution of capabilities among states? If nuclear weapons spread to additional countries, will they enhance stability or exacerbate instability? Can the spread of these weapons be managed or controlled? This book brings together scholars from different schools within international relations and the social sciences to address the question of why nuclear weapons spread. A disciplined, rigorous examination of proliferation is important not only for scholarship but also for informed policymaking. The purpose of social science is to formulate hypotheses and devise theories that advance our understanding of society and aid in the fashioning of enlightened policy. The essays in this volume show how explicit hypotheses about the causes and consequences of nuclear weapons proliferation provide a deeper understanding of the problem and suggest specific, theory-informed policy recommendations.

A young pianist (Anne Todd) is prone to fits of depression and suicide attempts. With the help of a psychiatrist (Herbert Lom), she begins to unravel her past, rediscover her true identity and work out who she really loves, in order to enable her to play again. James Mason stars as her sadistic guardian.

The concept of identity has gained increasing currency in international relations scholarship, but it offers too many vague and imprecise definitions of the concepts that stand at its very core. Most of this scholarship does not go beyond the mere assertion that identity is important and that somehow, in one way or another, it plays a role in how many states define and pursue their national interests. As a consequence many scholars have argued that the identity school had little to offer, and that norms and institutions offered explanations similar to those drawn from identity. This text offers clear definitions of the concept of identity and the concepts surrounding the term, and aims to demonstrate the causal link between identity and the behaviour of states.

Realism has been the subject of critical scrutiny for some time and this examination aims to identify and define its strengths and shortcomings, making a contribution to the study of international relations. The essays offer an analysis of the logic and history of theories in the realist family, and demonstrate the value of scholarship that looks beyond fleeting intellectual fads to the enduring themes of life in a crowded and dangerous world.

This examination of nuclear arms control addresses the question of what kind of posture do second generation nuclear weapons states adopt in a world in which the presumption of non-proliferation is accepted?

Amos Perlmutter has devoted his academic career to the study of comparative politics, international relations and modern authoritarianism. He has written 14 books and more than 70 articles in academic journals. He has also been a prolific contributor to newspapers in the United States and abroad and offered commentary on TV and radio shows. These essays analyse and explain some of his thinking.

The concept of identity has gained increasing currency in international relations scholarship, but it offers too many vague and mimprecise definitions of the concepts that stand at its very core. Most of this scholarship does not go beyond the mere assertion that identity is important and that somehow, in one way or another, it plays a role in how many states define and pursue their national interests. As a consequence many scholars have argued that the identity school had little to offer, and that norms and institutions offered explanations similar to those drawn from identity. This text offers clear definitions of the concept of identity and the concepts surrounding the term, and aims to demonstrate the causal link between identity and the behaviour of states.

Political realism sees politics as a permanent struggle for power and security. When applied to international relations, it has sought to explain how states seek to preserve themselves in an environment characterized by anarchy and the ever-present threat of aggression. The essays in this volume examine the tradition of realist political analysis of international relations from the Sophists and Thucydides to the modern era.

On board the Orient Express as it pulls out of the Gare De Lyon is a man named Poole, who has stolen an important political diary and is being pursued by two people who want it back. Valya wants the diary to avenge her father's political assassination, while Zurta is the thief who acquired it for her. Poole throws them off the trail by hiding the diary in the compartment of pompous author Alastair McBain.

Classic comedy directed by Ralph Smart. A close family bond allows Victor Hemsley (Ronald Squire) and his daughter, Clare (Peggy Cummins), to pose as husband and wife. Using this to their advantage, the pair perform an elaborate scam to yield money from other guests living in hotels throughout the Riviera. But when Clare meets British Treasury worker Terence Winch (Terence Morgan) her outlook changes. Seeking a life away from the scamming and scheming, Clare sees Terence as a way out, but before leaving for good she agrees to stage one more scam with her father. However, when their latest plan goes wrong and the pair then flee to Italy, Terence begins pursuing Clare for different reasons altogether.

Anthony Kimmins directs this classic British drama. Burgess Meredith stars as Felix Milne, a psychiatrist whose latest patient is Adam Lucian (Kieron Moore), a fighter pilot who has recently returned from combat deeply traumatised from his experiences in a Japanese POW camp. As Milne gets to know Lucien and learns more about his ordeal, he begins to wonder if he is out of his depth with this particular case...

Collection of three films from Britain's Ealing Studios all starring Alec Guinness. In 'Kind Hearts and Coronets' (1949) an embittered aristocrat sets out to murder the eight heirs that stand between him and succession to the family title. Louis Mazzini (Dennis Price) holds no love for the aristocratic family he counts as relations, the D'Ascoynes. The family cast his mother out when she decided to marry a 'commoner', Louis's father, and on her death refuse to allow her to be buried in the family vault. An outraged Louis vows revenge and begins working his way into the trust of the family to provide him with the opportunity to bump off the male heirs (all played by Guinness) one by one. However, complications arise when he becomes romantically entangled with one of the widows of his victims, Edith D'Ascoyne (Valerie Hobson). Will Louis be able to stay the course and murder his way to a Dukedom? In 'The Lavender Hill Mob' (1951) Guinness stars as a mild-mannered bank clerk whose sudden compulsion to rob the bank he works for causes all manner of chaos. Henry Holland (Guinness) has been trusted with delivering gold bullion for 20 years and is considered a safe pair of hands by his employers. However, Henry harbours dreams of becoming rich and hatches a plan to steal the gold when he makes the acquaintance of the artist, Alfred Pendlebury (Stanley Holloway). The pair realise that if Alfred melts the stolen gold into miniature statues of the Eiffel Tower, it could be smuggled safely to France and sold on. However, things go awry when the gold statues become mixed in with a group of ordinary statues, leading to a frantic chase as Henry and Alfred try to recover the gold without their crime being detected. The film features a brief cameo from a young Audrey Hepburn. In 'The Man in the White Suit' (1951) eccentric Sidney Stratton (Guiness) is a laboratory cleaner in a textile factory, who invents a material that will neither wear out nor become dirty. Initially hailed as a great discovery, Sidney's astonishing invention is suffocated by the management when they realise that if it never wears out, people will only ever have to purchase one suit of clothing.

Eccentric Sidney Stratton (Alec Guiness) is a laboratory cleaner in a textile factory, who invents a material that will neither wear out nor become dirty. Initially hailed as a great discovery, Sidney's astonishing invention is suffocated by the management when they realise that if it never wears out, people will only ever have to purchase one suit of clothing.

Classic thriller, directed by Terence Fisher and Antony Darnborough, about a woman whose brother mysteriously disappears whilst on holiday in Paris, and her struggle to find him. Vicky Barton (Jean Simmons) is dismayed when, upon waking on her first day in Paris, she goes to check on her brother Johnny (David Tomlinson) and finds that the place where his room door once was is now nothing but a blank wall. After appealing to British diplomats at the embassy, to no avail, Vicky reluctantly accepts a ticket home from the hotel manager, Madame Herve (Cathleen Nesbitt). However, before she can go, she meets George Hathaway (Dirk Bogarde), an aquaintance of her brother's, who may be able to help her in her quest.

School For Scoundrels sees in Terry-Thomas in his quintessential role of cad and bounder, using his lecherous ways to steal the heart of April away from her hapless suitor Henry Palfrey (Ian Carmichael). Sick of being one of life’s losers, Palfrey enrols at the college of ‘Lifemanship’ under the tutor ledge of the incomparable Alastair Sim and proceeds to learn the arts of one-upmanship and gamesmanship in an effort to outdo his caddish rivals and turn his life around.

Private's Progress teams Terry-Thomas once more with Ian Carmichael, this time in an army set comedy. Carmichael plays Stanley Windrush, a bookish and introverted flunkie from Officer candidate school, who is thrown into the deep end of rough and ready army life and must contend with rough-hewn fellow private Cox (Richard Attenborough), an eccentric crackpot Major Hitchcock (Thomas) and a nonplussed commanding officer played by Dennis Price.

Make Mine Mink is based on Peter Coke's West End comedy Breath of Spring and concerns the blundering excursions into crime of a bunch of pinheaded amateurs, who specialize in lifting valuable furs and apparently devoting the loot to charity. Terry-Thomas plays one of a group of lodgers who all team up as the thieves as a convenient escape from the meaningless routine of their daily lives. Along with their aging landlady Dame Appleby (Athene Seyler), the misfits conspire to carry out a series of daring raids, keeping the only ex-con member of the household in the dark – the beautiful housekeeper played by Billie Whitelaw.

Bungling thieves are the order of the day once again in Too Many Crooks that also stars fellow Comic Icon Sid James. When their planned robbery of the safe lecherous millionaire Billy Gordon (Terry-Thomas) actually results in the kidnap of his wife, Gordon couldn’t be happier to be rid of her. Refusing to pay the ransom sets the stage for Mrs Gordon’s sweet revenge…

The Naked Truth is the third in the trilogy of films here scripted by Michael Pertwee. Co-starring Peter Sellers in one of his early roles, the film centres around the exploits of four celebrities, including Terry-Thomas as politician Lord Mayley, who band together to assassinate from blackmailing low-life reporter Dennis (Dennis Price).

Brothers In Law sees Terry-Thomas star alongside Richard Attenborough and Ian Carmichael in this comedy about an hapless newly qualified barrister and his first disastrous appearances in court as he encounters a succession of cantankerous judges.

Hammer studios present their version of the Werewolf myth. Leon (Oliver Reed) is born on Christmas Day as the result of a horrific rape, and so finds himself condemned to a tormented life as a werewolf. His terrifying transformation can only be stopped by the unquestioning love of a good woman or a silver bullet.

Offers students different critical perspectives on major historical events, drawn from all time periods and from all parts of the globe. Each volume has a thematic, era or subject-specific focus and contains roughly 50 entries. Entries begin with a brief overview summarizing the controversy followed by two or more signed, point-counterpoint essays.

History in Dispute offers students different critical perspectives on major historical events, drawn from all time periods and from all parts of the globe. Each volume has a thematic, era or subject-specific focus that coincides with the way history is studied at the academic level. Each volume contains roughly 50 entries, chosen by an advisory board of historians and academics.

Offers students different critical perspectives on major historical events, drawn from all time periods and from all parts of the globe. Each volume has a thematic, era or subject-specific focus and contains roughly 50 entries. Entries begin with a brief overview summarizing the controversy followed by two or more signed, point-counterpoint essays.

Offers students different critical perspectives on major historical events, drawn from all time periods and from all parts of the globe. Each volume has a thematic, era or subject-specific focus and contains roughly 50 entries. Entries begin with a brief overview summarizing the controversy followed by two or more signed, point-counterpoint essays.