In the late 1930s and early 1940s, Roger Martin du Gard was one of the most famous writers in the Western world. He won the Nobel Prize for Literature in 1937, and his works, especially Les Thibault, a multivolume novel, were translated into English and read widely. Today, this close friend of André Gide, Albert Camus, and André Malraux is almost unknown, largely because he left unfinished the long project he began in the 1940s, Lieutenant Colonel de Maumort. Initially, the novel is an account of the French experience during World War II and the German occupation as seen through the eyes of a retired army officer. Yet, through Maumort's series of recollections, it becomes a morality tale that questions the values of late nineteenth- and early twentieth-century European civilization. A fragmentary version of the novel was published in 1983, twenty-five years after its author's death, and an English translation appeared in 1999. Even incomplete, it is a work of haunting brilliance. In this groundbreaking study, Benjamin Franklin Martin recovers the life and times of Roger Martin du Gard and those closest to him. He describes the genius of Martin du Gard's literature and the causes of his decline by analyzing thousands of pages from journals and correspondence. To the outside world, the writer and his family were staid representatives of the French bourgeoisie. Behind this veil of secrecy, however, they were passionate and combative, tearing each other apart through words and deeds in clashes over life, love, and faith. Martin interweaves their accounts with the expert narration that distinguishes all of his books, creating a blend of intellectual history, family drama, and biography that will appeal to scholars, students, and general readers alike.  

The Great War that engulfed Europe between 1914 and 1918 was a catastrophe for France. French soil was the site of most of the fighting on the Western Front. French dead were more than 1.3 million, the permanently disabled another 1.1 million, overwhelmingly men in their twenties and thirties. The decade and a half before the war had been years of plenty, a time of increasing prosperity and confidence remembered as the Belle Epoque or the good old days. The two decades that followed its end were years of want, loss, misery, and fear. In 1914, France went to war convinced of victory. In 1939, France went to war dreading defeat. To explain the burden of winning the Great War and embracing the collapse that followed, Benjamin Martin examines the national mood and daily life of France in July 1914 and August 1939, the months that preceded the two world wars. He presents two titans: Georges Clemenceau, defiant and steadfast, who rallied a dejected nation in 1918, and Edouard Daladier,hesitant and irresolute, who espoused appeasement in 1938 though comprehending its implications. He explores novels by a constellation of celebrated French writers who treated the Great War and its social impact, from Colette to Irene Nemirovsky, from Francois Mauriac to Antoine de Saint-Exupery. And he devotes special attention to Roger Martin du Gard, the1937 Nobel Laureate, whose roman-fleuve The Thibaults is an unrivaled depiction of social unraveling and disillusionment. For many in France, the legacy of the Great War was the vow to avoid any future war no matter what the cost. They cowered behind the Maginot Line, the fortifications along the eastern border designed to halt any future German invasion. Others knew that cost would be too great and defended the "Descartes Line": liberty and truth, the declared values of French civilization. In his distinctive and vividly compelling prose, Martin recounts this struggle for the soul of France.

In the late 1930s and early 1940s, Roger Martin du Gard was one of the most famous writers in the Western world. He won the Nobel Prize for Literature in 1937, and his works, especially Les Thibault, a multivolume novel, were translated into English and read widely. Today, this close friend of André Gide, Albert Camus, and André Malraux is almost unknown, largely because he left unfinished the long project he began in the 1940s, Lieutenant Colonel de Maumort. Initially, the novel is an account of the French experience during World War II and the German occupation as seen through the eyes of a retired army officer. Yet, through Maumort's series of recollections, it becomes a morality tale that questions the values of late nineteenth- and early twentieth-century European civilization. A fragmentary version of the novel was published in 1983, twenty-five years after its author's death, and an English translation appeared in 1999. Even incomplete, it is a work of haunting brilliance. In this groundbreaking study, Benjamin Franklin Martin recovers the life and times of Roger Martin du Gard and those closest to him. He describes the genius of Martin du Gard's literature and the causes of his decline by analyzing thousands of pages from journals and correspondence. To the outside world, the writer and his family were staid representatives of the French bourgeoisie. Behind this veil of secrecy, however, they were passionate and combative, tearing each other apart through words and deeds in clashes over life, love, and faith. Martin interweaves their accounts with the expert narration that distinguishes all of his books, creating a blend of intellectual history, family drama, and biography that will appeal to scholars, students, and general readers alike.