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Medical Ethnomusicology is a new field of integrative and holistic
research and applied practice that approaches music, health, and
healing anew, engaging the biological, psychological, emotional,
social, and spiritual domains of human life that frame and inform
our experiences of health and healing, illness and disease, life
and death. The power of music to create health and healing at the
individual, community, and societal levels is not only linked to
these domains of human life, but is intimately interwoven with the
ever present and multifaceted frame of culture, which is often
where meaning lies, and is a key factor that creates or inhibits
efficacy.
The Oxford Handbook of Medical Ethnomusicology appeals to all those
interested in music, medicine, and culture, and represents a new
stage of collaborative discourse among researchers and
practitioners who embrace and incorporate knowledge from a
diversity of fields. Importantly, such knowledge, by definition,
spans the globe of traditional cultural practices of music,
spirituality, and medicine, including biomedical, integrative,
complementary, and alternative models; is rooted in new physics,
philosophy, psychology, sociology, cognitive science, linguistics,
medical anthropology, and of course, music, dance, and all the
healing arts.
The book is more than the first collected volume to establish the
discipline of medical ethnomusicology and express its broad
potential; it is also an expression of a wider paradigm shift of
innovative thinking and collaboration that fully embraces both the
health sciences and the healing arts. The authors encourage the
development of this new paradigm through an openness to and
engagement of knowledge from diverse research areas and domains of
human life conventionally viewed as disparate, yet laden with
potential benefits for an improved or vibrant quality of life,
prevention of illness and disease, even cure and healing.
Medical Ethnomusicology is a new field of integrative and holistic
research and applied practice that approaches music, health, and
healing anew, engaging the biological, psychological, emotional,
social, and spiritual domains of human life that frame and inform
our experiences of health and healing, illness and disease, life
and death. The power of music to create health and healing at the
individual, community, and societal levels is not only linked to
these domains of human life, but is intimately interwoven with the
ever present and multifaceted frame of culture, which is often
where meaning lies, and is a key factor that creates or inhibits
efficacy.
l The Oxford Handbook of Medical Ethnomusicology appeals to all
those interested in music, medicine, and culture, and represents a
new stage of collaborative discourse among researchers and
practitioners who embrace and incorporate knowledge from a
diversity of fields. Importantly, such knowledge, by definition,
spans the globe of traditional cultural practices of music,
spirituality, and medicine, including biomedical, integrative,
complementary, and alternative models; is rooted in new physics,
philosophy, psychology, sociology, cognitive science, linguistics,
medical anthropology, and of course, music, dance, and all the
healing arts.
The book is more than the first collected volume to establish the
discipline of medical ethnomusicology and express its broad
potential; it is also an expression of a wider paradigm shift of
innovative thinking and collaboration that fully embraces both the
health sciences and the healing arts. The authors encourage the
development of this new paradigm through an openness to and
engagement ofknowledge from diverse research areas and domains of
human life conventionally viewed as disparate, yet laden with
potential benefits for an improved or vibrant quality of life,
prevention of illness and disease, even cure and healing.
Peer-Gesprachen in der Schule wird von Erwachsenen gemeinhin wenig
Beachtung geschenkt. Was aus Perspektive mancher Erwachsener wie
belangloser Small-Talk unter Jugendlichen erscheint, erweist sich
aus Sicht der Gesprachsforschung als hoch funktional im
Schulalltag. Der Band prasentiert analytische Einblicke in
Gesprachsaufnahmen von Schulerinnen und Schulern im Schulalltag
verschiedener Schulformen und Altersstufen. Das Buch liefert neue
Erkenntnisse uber das Gesprachsverhalten,
Positionierungsaktivitaten, Themenfelder sowie jugend- und
institutionstypische Ausdrucksweisen der untersuchten Gesprache.
Der Band prasentiert die Gesamtergebnisse des Wuppertaler
DFG-Forschungsprojekts zu sprachlicher Hoeflichkeit bei
Jugendlichen an der Schnittstelle von linguistischer Hoeflichkeits-
und Jugendsprachforschung. Anhand von Tonaufzeichnungen in
Unterrichts- und Pausensituationen und dem Einsatz von Frageboegen
bei 1200 Jugendlichen und 170 Lehrkraften koennen ausgewahlte
Gebrauchs- und Verstandnisweisen sprachlicher Hoeflichkeit und
Unhoeflichkeit bei Jugendlichen im Schulalter analysiert werden.
Das Buch liefert insbesondere neue Erkenntnisse uber
Erscheinungsweisen jugendtypischer Hoeflichkeit und uber
soziolinguistische Differenzen zwischen Geschlechtern, Altersstufen
und Schultypen sowie Adressatendifferenzierungen.
Empirische und methodische Entscheidungen stellen fur die
Sprachforschung anhaltende Herausforderungen dar, die im Hinblick
auf das jeweilige Erkenntnisinteresse abzuwagen sind. Das Buch
tragt neben verschiedenen methodischen Ansatzen inhaltliche Befunde
aus Gesprachsforschung, Medienlinguistik und Variationslinguistik
zusammen, die empirisch gestutzte Einblicke in Interaktions- und
Sprechweisen Jugendlicher ermoeglichen. Es werden Einblicke in
vielfaltige Sprach- bzw. Kommunikationskompetenzen der Jugendlichen
in den Kontexten Schule, Freizeit, Mehrsprachigkeit und Medien
vermittelt, sei es argumentativ, narrativ oder reflexiv sowie im
Hinblick auf Adressatenorientierungen.
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