Yuri Lotman (1922-1993) was one of the most prominent and influential scholars of the twentieth century working in the Soviet Union. A co-founder of the Tartu-Moscow school of semiotics, he applied his mind to a wide array of disciplines, from aesthetics to literary and cultural history, narrative theory to intellectual history, cinema to mythology. This collection provides a stand-alone primer to his intellectual legacy in both semiotics and cultural history. It includes new translations of some of his major pieces as well as works that have never been published in English. The collection brings Lotman into the orbit of contemporary concerns such as gender, memory, performance, world literature, and urban life. It is aimed at students from various disciplines and is augmented by an introduction and notes that elucidate the relevant contexts.

Yuri Lotman (1922-1993) was one of the most prominent and influential scholars of the twentieth century working in the Soviet Union. A co-founder of the Tartu-Moscow school of semiotics, he applied his mind to a wide array of disciplines, from aesthetics to literary and cultural history, narrative theory to intellectual history, cinema to mythology. This collection provides a stand-alone primer to his intellectual legacy in both semiotics and cultural history. It includes new translations of some of his major pieces as well as works that have never been published in English. The collection brings Lotman into the orbit of contemporary concerns such as gender, memory, performance, world literature, and urban life. It is aimed at students from various disciplines and is augmented by an introduction and notes that elucidate the relevant contexts.

"The Flame of Eternity" provides a reexamination and new interpretation of Nietzsche's philosophy and the central role that the concepts of eternity and time, as he understood them, played in it. According to Krzysztof Michalski, Nietzsche's reflections on human life are inextricably linked to time, which in turn cannot be conceived of without eternity. Eternity is a measure of time, but also, Michalski argues, something Nietzsche viewed first and foremost as a physiological concept having to do with the body. The body ages and decays, involving us in a confrontation with our eventual death. It is in relation to this brute fact that we come to understand eternity and the finitude of time. Nietzsche argues that humanity has long regarded the impermanence of our life as an illness in need of curing. It is this "pathology" that Nietzsche called nihilism. Arguing that this insight lies at the core of Nietzsche's philosophy as a whole, Michalski seeks to explain and reinterpret Nietzsche's thought in light of it. Michalski maintains that many of Nietzsche's main ideas--including his views on love, morality (beyond good and evil), the will to power, overcoming, the suprahuman (or the "overman," as it is infamously referred to), the Death of God, and the myth of the eternal return--take on new meaning and significance when viewed through the prism of eternity.

The Romance of Teresa Hennert is a masterpiece of psychological realism and a still-shocking portrait of mixed motives and bad behavior. It renders a tragicomic vision of what happens when a society is suddenly deprived of the struggle that had defined it for more than a century. Written in 1922, just four years after Poland achieved independence from its neighboring empires, the novel focuses on a Warsaw community of officers, bureaucrats, intellectuals, wives, and lovers, all of them adrift in a hell of their own making-the long-sought freedom to shape their own destiny. At the center of this milieu is Teresa Hennert, whose youthful charm, modern habits, and apparent indifference to the emotional torment of those around her make her an inescapable object of their fascination and desire. Told in multiple voices and from numerous perspectives, Zofia Nalkowska's novel is a mosaic of dysfunction at all levels of the new Polish society, from a bumbling lieutenant who cannot stand his home life to a young Communist who believes his forebears have made a mess that only the next generation can clean up. In this world, ideological battles, personal animosity, postwar trauma, and infidelity become inextricably bound together, driving these colorful, increasingly confused characters toward corruption, suicide, and murder. Nalkowska (1884-1954), though long neglected in the West, was a central figure in the literary life of interwar Poland and was an early pioneer of feminist fiction in Central Europe. Her spare, witty prose will surprise contemporary readers with its frank sexuality and stark illustration of dreams gone horribly, humiliatingly, dramatically awry.