Rebel Friendships considers the interplay between individuals and their friendships with social movements. The intersections between individual and community, the ways we experiment with social change, explore, create, and reduce the harms of modern living are the work of social movements. Yet, the process is rarely simple. Through auto-ethnographic reflections of experiences with the Beats, ACT-UP, Occupy Wall Street, anti-consumer, queer rights, and non-polluting transportation movements Shepard explores the way friendship infuses social movements with the social capital necessary to move bodies of ideas forward. Such innovation is rarely seen in more institutionalized social arrangements. Rebel Friendships offers a new take on the ties between friends who are connected through affinity and efforts aimed at social change.

From the birth of the Gay Liberation through the rise of the AIDS Coalition to Unleash Power (ACT UP) in 1987, the global justice movement in 1994, the largest day of antiwar protest in world history in February 2003, the Republican National Convention protests in August 2004, and the massive immigrant rights rallies in the spring of 2006, the streets of cities around the world have been filled with a new theatrical model of protest. Elements of fun, creativity, pleasure, and play are cornerstones of this new approach toward protest and community building. No movement has had a larger influence on the emergence of play in social movement activity than the gay liberation and queer activism of the past thirty years. This book examines the role of play in gay liberation and queer activism, and the ways in which queer notions of play have influenced a broad range of social movements.

In Narrating Practice with Children and Adolescents, social workers, sociologists, researchers, and helping professionals share engaging and evocative stories of practice that aim to center the young client's story. Drawing on work with a variety of disadvantaged populations in New York City and around the world, they seek to raise awareness of the diversity of the individual experiences of youth. They make use of a variety of narrative approaches to offer new perspectives on a range of critical health care, mental health, and social issues that shape the lives of children and adolescents. The book considers the narratives we tell about the lives and experiences of children and adolescents and proposes counternarratives that challenge dominant ideas about childhood. Contributors examine the environments and structures that shape the lives of children and youth from an ecological lens. From their stories emerge questions about how those working with young clients might respond to a changing landscape: How do we define and construct childhood? How do poverty and inequality impact children's health and welfare? How is childhood lived at the intersection of race, class, and gender? How can practitioners engage children and adolescents through culturally responsive and democratic processes? Offering new frameworks for reflecting on social work practice, the essays in Narrating Practice with Children and Adolescents also serve as a vehicle for exploration of children's agency and voice.

In Narrating Practice with Children and Adolescents, social workers, sociologists, researchers, and helping professionals share engaging and evocative stories of practice that aim to center the young client's story. Drawing on work with a variety of disadvantaged populations in New York City and around the world, they seek to raise awareness of the diversity of the individual experiences of youth. They make use of a variety of narrative approaches to offer new perspectives on a range of critical health care, mental health, and social issues that shape the lives of children and adolescents. The book considers the narratives we tell about the lives and experiences of children and adolescents and proposes counternarratives that challenge dominant ideas about childhood. Contributors examine the environments and structures that shape the lives of children and youth from an ecological lens. From their stories emerge questions about how those working with young clients might respond to a changing landscape: How do we define and construct childhood? How do poverty and inequality impact children's health and welfare? How is childhood lived at the intersection of race, class, and gender? How can practitioners engage children and adolescents through culturally responsive and democratic processes? Offering new frameworks for reflecting on social work practice, the essays in Narrating Practice with Children and Adolescents also serve as a vehicle for exploration of children's agency and voice.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

In March 1987 a radical coalition of queer activists converged on Wall Street ... their target, 'Business, Big Business, Business as Usual ' It was ACT UP's first demonstration. In November 1999 a radical coalition of environmental, labor, anarchist, queer, and human rights activists converged in Seattle--their target was similar, a system of global capitalism. Between 1987 and 1999 a new project in activism had emerged unshackled from past ghosts. Through innovative use of civil rights' era non-violent disobedience, guerrilla theatre, and sophisticated media work, ACT UP has helped transform the world of activism.
This anthology offers a history of ACT UP for a new generation of activists and students. It is divided into five sections which address the new social movements, the use of street theater to reclaim public space, queer and sexual politics, new media/electronic civil disobedience, and race and community building. Contributions range across a diverse spectrum: The Northwest Bronx Community and Clergy Coalition, Jubilee 2000, Students for an Undemocratic Society, Fed Up Queers, Gender Identity Center of Colorado, Triangle Foundation, Jacks of Color, National Coalition for Sexual Freedom, Lower East Side Collective, Community Labor Coalition, Church of Stop-Shopping, Indy Media Collective, Black Radical Congress, The Theater of the Oppressed Laboratory, Adelante Street Theater; HealthGAP, Housing Works, SexPanic and, of course, ACT UP itself.

Brooklyn has all the features of a "global borough": It is a base of immigrant labor and ethnically diverse communities, of social and cultural capital, of global transportation, cultural production, and policy innovation. At once a model of sustainable urbanization and overdevelopment, the question is now: What will become of Global Brooklyn? Tracing the emergence of Brooklyn from village outpost to global borough, Brooklyn Tides investigates the nature and consequences of global forces that have crossed the East River and identifies alternative models for urban development in global capitalism. Benjamin Shepard and Mark Noonan provide a unique ethnographic reading of the literature, social activism, and changing tides impacting this ever-transforming space. Cover and interior images of a rapidly transforming global borough by photographer Caroline Shepard.

From the birth of the Gay Liberation through the rise of the AIDS Coalition to Unleash Power (ACT UP) in 1987, the global justice movement in 1994, the largest day of antiwar protest in world history in February 2003, the Republican National Convention protests in August 2004, and the massive immigrant rights rallies in the spring of 2006, the streets of cities around the world have been filled with a new theatrical model of protest. Elements of fun, creativity, pleasure, and play are cornerstones of this new approach toward protest and community building. No movement has had a larger influence on the emergence of play in social movement activity than the gay liberation and queer activism of the past thirty years. This book examines the role of play in gay liberation and queer activism, and the ways in which queer notions of play have influenced a broad range of social movements.