Knives Out and Clue meet Agatha Christie and The Thursday Murder Club in this "utterly original" (Jane Harper), "not to be missed" (Karin Slaughter), fiendishly clever blend of classic and modern murder mystery. "A witty twist on classic whodunits... Stevenson not only 'plays fair, ' he plays the mystery game very, very well." -- Maureen Corrigan, Washington Post Everyone in my family has killed someone. Some of us, the high achievers, have killed more than once. I'm not trying to be dramatic, but it is the truth. Some of us are good, others are bad, and some just unfortunate. I'm Ernest Cunningham. Call me Ern or Ernie. I wish I'd killed whoever decided our family reunion should be at a ski resort, but it's a little more complicated than that. Have I killed someone? Yes. I have. Who was it? Let's get started. EVERYONE IN MY FAMILY HAS KILLED SOMEONE My brother My stepsister My wife My father My mother My sister-in-law My uncle My stepfather My aunt Me

How do you catch a killer, when all your suspects know how to get away with murder?

When the Australian Mystery Writers' Society invited me to their crime-writing festival aboard the Ghan, the famous train between Darwin and Adelaide, I was hoping for some inspiration for my second book. Fiction, this time: I needed a break from real people killing each other. Obviously, that didn't pan out.

The program is a who's who of crime writing royalty:

the debut writer (me!)
the forensic science writer
the blockbuster writer
the legal thriller writer
the literary writer
the psychological suspense writer.

But when one of us is murdered, six authors quickly turn into five detectives. Together, we should know how to solve a crime.

Or commit one...

For fans of Richard Osman and Anthony Horowitz, a fiendishly fun locked room murder mystery from the author of the indie darling Everyone in My Family Has Killed Someone --this time set on a train full of mystery writers, agents, editors, and fans. Ernest Cunningham returns in a deliciously witty locked room (train) mystery. When the Australian Mystery Writers' Society invited me to their crime-writing festival aboard the Ghan, the famous train between Darwin and Adelaide, I was hoping for some inspiration for my second book. Fiction, this time: I needed a break from real people killing each other. Obviously, that didn't pan out. The program is a who's who of crime writing royalty: the debut writer (me!) the forensic science writer the blockbuster writer the legal thriller writer the literary writer the psychological suspense writer But when one of us is murdered, the remaining authors quickly turn into five detectives. Together, we should know how to solve a crime. Of course, we should also know how to commit one. How can you find a killer when all the suspects know how to get away with murder?

I was dreading the Cunningham family reunion even before the first murder. Before the storm stranded us at the mountain resort.

The thing is, us Cunninghams don't really get along. We've only got one thing in common: we've all killed someone.

When they find the first body in the snow, it's clear that only a Cunningham could have committed the crime - and it's up to me to prove it.

There are plenty of killers in my family. But only one murderer . . .

For fans of Richard Osman and Anthony Horowitz, a fiendishly fun locked room murder mystery from the author of the indie darling Everyone in My Family Has Killed Someone --this time set on a train full of mystery writers, agents, editors, and fans. Ernest Cunningham returns in a deliciously witty locked room (train) mystery. When the Australian Mystery Writers' Society invited me to their crime-writing festival aboard the Ghan, the famous train between Darwin and Adelaide, I was hoping for some inspiration for my second book. Fiction, this time: I needed a break from real people killing each other. Obviously, that didn't pan out. The program is a who's who of crime writing royalty: the debut writer (me!) the forensic science writer the blockbuster writer the legal thriller writer the literary writer the psychological suspense writer But when one of us is murdered, the remaining authors quickly turn into five detectives. Together, we should know how to solve a crime. Of course, we should also know how to commit one. How can you find a killer when all the suspects know how to get away with murder?

PERFECT FOR FANS OF THE DRY AND MAKING A MURDERER 'Outstanding . . . an absorbing thriller told with heart and wit. Morality and ambition clash on a journey full of twists as [this] takes readers from the cut-throat media landscape to a sleepy town full of secrets' Jane Harper, bestselling author of The Dry and Force of Nature Four years ago Eliza Dacey was brutally murdered. Within hours, her killer was caught. Wasn't he? So reads the opening titles of Jack Quick's new true-crime documentary. A skilled producer, Jack knows that the bigger the conspiracy, the higher the ratings. Curtis Wade, convicted of Eliza's murder on circumstantial evidence and victim of a biased police force, is the perfect subject. Millions of viewers agree. Just before the finale, Jack uncovers a minor detail that may prove Curtis guilty after all. Convinced it will ruin his show, Jack disposes of the evidence and delivers the finale unedited: proposing that Curtis is innocent. But when Curtis is released, and a new victim is found bearing horrifying similarities to the original murder, Jack realizes that he may have helped a guilty man out of jail. And, as the only one who knows the real evidence of the case, he is the only one who can send him back... 'A hugely-original premise, a guilt-ridden protagonist, a plot that won't lie down. A great debut' Chris Hammer, author of Scrublands