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Showing 1 - 8 of 8 matches in All Departments
A NEW TEAM OF POWER RANGERS IS HERE! After the stunning conclusion to the hit comic book event Power Rangers: Shattered Grid, an all-star team of Power Rangers are drawn together from across time and space to combat a never-before-seen evil. But even with Ranger Slayer (an alternate universe version of Kimberly Hart, the original Mighty Morphin Pink Ranger) leading some of the most powerful members from Zeo, Dino Charge, Ninja Storm. Lost Galaxy, Space, can this new group of heroes find a way to work together to defeat the onslaught of an unfamiliar, terrifying new villain? Just who is the mysterious Dark Ranger? And what is the secret of the all new Solar Ranger? Award-winning writer Marguerite Bennett (Batwoman, Animosity) and artist Simone di Meo (Doctor Who: The Tenth Doctor) present an all-new beginning for a new Power Rangers team unlike any other! Plus, donât miss the stunning celebration of the Power Rangers 25th Anniversary from some of the most exciting names in comics and an all-new from story Bennett and Valeria Favoccia (Doctor Who) delving into the history of the Solar Ranger! Collects Mighty Morphin Powers Rangers #31-39 along with Mighty Morphin Power Rangers Anniversary Special #1.
The Holocaust, civil war in Bosnia, drug wars in the cities, random violence in schools, streets, and homes - such events and their aftermath pose special problems for mental health professionals, educators, and others who must help children make sense of acts that endanger them physically and psychically. In this book, edited by Drs. Roberta J. Apfel and Bennett Simon, mental health professionals share their knowledge, experiences, and hopefulness in working with children exposed to war and violence. The result is a moving history of young lives affected by war, persecution, and communal violence, and an invaluable resource for anyone working with children subjected to such traumas. The contributors to this book - who include psychiatrists, psychologists, and social workers, all with direct experience working with children who are victims of war and violence - address the ethics involved in working with children in war zones, children's development under circumstances of war or violence, post-traumatic stress disorder and other stress reactions, refugee children, "survivor guilt", interventions and treatments, and the emotional health of the caretakers. The book includes case studies on children of war in Kuwait, on a program involving children of Holocaust survivors and children of Nazi perpetrators, and on the Child Development-Community Policing Program in New Haven.
"Rock and Popular Music" examines the relations between the policies and institutions which regulate contemporary popular music and the political debates, contradictions and struggles in which those musics are involved. International in its scope and conception, this innovative collection brings together some of the most authoritative writers on rock and popular music in North America, Europe and Australia. The essays explore and develop three main areas of debate. First, comparative examinations of the role played by governments in either supporting or inhibiting the development of popular music industries reveal a significant diversity of relations between the state and the musical sphere. A second theme demonstrates the important role of broadcasting policies in organizing the "audio-spaces" within which particular musical communities can be formed and seek expression, and finally the book reconsiders some of the classical political issues of rock and popular music theory and debate in the context of their specific policy and institutional settings.
This fascinating book, which presents an early psychoanalyst's session-by-session notes on a case of hysteria caused by severe sexual trauma and incest, offers a vivid portrait of psychoanalytic practice in the second decade of the twentieth century. Accompanying these notes are insightful commentaries by Elizabeth Lunbeck and Bennett Simon that situate the case historically and throw light on the many difficulties that both analyst and patient encountered in the treatment. The book will be of great interest to students of the history of psychoanalysis and other psychological therapies, to those interested in the history of women and gender, and to clinicians struggling with the treatment of severely traumatized patients today.
Ritual is usually understood as pointing to some essence beyond the ritual act itself. This ambitious interdisciplinary study offers a convincing challenge to this understanding. The authors begin by seeking to explain how the conventional idea arose in the first place. They locate its origin in a post-Protestant and post-Enlightenment vision of ritual action that emphasizes rituals as merely external signs of interior states. This approach, say the authors, is part of a far larger way of relating to the self and to the world, which they label "sincerity." But ritual, they say, is the very opposite of sincerity because it consists of stylized, repetitive interactions that construct an "as if" world, a world of role, propriety, play, and even fantasy, rather than pointing to the world as it actually is. In fact, that is ritual's great contribution. Ritual modes of behavior make a shared social world possible by helping to navigate between diverse people and groups, rather than attempting to transcend and efface boundaries. After setting forth this argument, the authors go on to build on it by showing how sincerity and ritual are stand-ins for two very different ways of being in the world. Although both modes are always present to some degree, modernity has deeply privileged sincerity and authenticity. And, they say, we are now paying a heavy price for this extreme and often totalizing projection of personality in contemporary political life.
One of the most important characteristics of tragic drama-as of psychoanalysis- is the focus on the family. Dr. Bennett Simon here provides a psychoanalytic reading of Aeschylus' Oresteia, Euripedes' Medea, Shakespeare's King Lear and Macbeth, O'Neill's Long Day's Journey into Night, and Beckett's Endgame, six plays from ancient to modern times which involve a particular form of intrafamily warfare: the killing of children or of the possibility of children.
Dr. Bennett Simon provides a psychoanalytic reading of Aeschylus' Oresteia, Euripedes' Medea, Shakespeare's King Lear and Macbeth, O'Neill's Long Day's Journey into Night, and Beckett's Endgame, six plays from ancient to modern times which involve a particular form of intrafamily warfare: the killing of children or of the possibility of children.
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