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A pioneer of architectural history Margarete Schütte-Lihotzky
(1897–2000) entered the modernist canon with her “Frankfurt
Kitchen.†She is also considered a pioneer of social
architecture, a women’s rights activist, and, last but not least,
a heroine of the resistance to the Nazi dictatorship. In this book,
available in English for the first time, recent research in the
fields of art history, contemporary history, pedagogy, and gender
studies provides a nuanced picture of Schütte-Lihotzky, whose
estate is archived at the University of Applied Arts Vienna. The
volume explores her rich architectural oeuvre, her transnational
experiences and professional networks, her political development as
a Communist, and her current reception. It breaks through the
mythology to present a rounded picture of Schütte-Lihotzky, an
icon of architectural history. First comprehensive publication on
Margarete Schütte-Lihotzky in English Cross-disciplinary research
contributions by renowned authors; foreword by Juliet Kinchin
Illuminates Schütte-Lihotzky’s fascinating work alongside the
Frankfurt Kitchen
Oskar Kokoschka hat sich als "Oberwildling" der Wiener Moderne, als
Multitalent in Bild und Wort, als Schoepfer eines viel rezipierten
Puppenfetischs und als prominenter, von den Nazis als "entartet"
diffamierter Kunstler und Antifaschist in den Kanon einer explizit
widerstandigen Moderne eingeschrieben - als Inbegriff des
radikalen, politischen Kunstlers. Kokoschka revisited: Die
Publikation versammelt als Ergebnis einer internationalen Tagung am
Oskar Kokoschka Zentrum der Universitat fur angewandte Kunst Wien
aktuelle Forschungen aus Kunst- und Kulturwissenschaft,
Zeitgeschichte, Literatur- und Theaterwissenschaft, Gender Studies
und Biografieforschung. Auf Basis bislang unbekannter Quellenfunde
beleuchtet sie Leben und Werk des faszinierenden Kunstlers neu und
hinterfragt kritisch seine wirkmachtigen Narrative.
The photographic estate of Oskar and Olda Kokoschka comprises
approximately 5.000 photographs. It contains portraits by renowned
photographers, including Madame d Ora (Dora Kallmus), Hugo Erfurth,
Brassai, George Platt Lynes, Rene Burri, Trude Fleischmann or Erich
Lessing. Apart from artistically composed images, the estate also
features numerous press photographs and astonishing snapshots. With
its extensive commentary, this first photo-biography of Kokoschka
provides an insight into the artist s many-faceted work and
eventful life. The publication offers a vivid record of the
evolution of photography and a historico-cultural journey through
the 20th century as reflected by the mirror of this extraordinary
artist."
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