Critical theory meets Latin American fiction in this bold and challenging analysis of literature and literary criticism through post-structuralist analysis. Focusing on Latin American literary and critical production from the 1890s to the 1990s, Bernard McGuirk highlights the confrontation between theory, politics and literature.
The range of literatures discussed is extensive, including writings from Argentina, Brazil, Chile, Guatemala, Mexico, Nicaragua and Peru. The symptomatic differences between and within cultures are illuminated by analysis of texts by such authors as:
Cesar Vallejo
Jorges Luis Borges
Ruben Dario
Pablo Neruda
Julio Cortazar
Joao Guimaraes Rosa
Susana Thenon
Carlos Fuentes
Bernard McGuirk holds the Chair of Romance Literatures and Literary Theory at the University of Nottingham. He is currently President of the Association of Hispanists of Great Britain and Ireland.

Critical theory meets Latin American fiction in this bold and challenging analysis of literature and literary criticism through post-structuralist analysis. Focusing on Latin American literary and critical production from the 1890s to the 1990s, Bernard McGuirk highlights the confrontation between theory, politics and literature.
The range of literatures discussed is extensive, including writings from Argentina, Brazil, Chile, Guatemala, Mexico, Nicaragua and Peru. The symptomatic differences between and within cultures are illuminated by analysis of texts by such authors as:
Cesar Vallejo
Jorges Luis Borges
Ruben Dario
Pablo Neruda
Julio Cortazar
Joao Guimaraes Rosa
Susana Thenon
Carlos Fuentes
Bernard McGuirk holds the Chair of Romance Literatures and Literary Theory at the University of Nottingham. He is currently President of the Association of Hispanists of Great Britain and Ireland.

This volume of essays constitutes a critical reappraisal of a front-rank world author, Gabriel Garcia Marquez, who was awarded the Nobel Prize for Literature in 1983. Apart from extending critical appreciation of his work to an English-reading public, its principal objective is to reflect the breadth and variety of critical approaches to literature applied to a single corpus of writing; here, the major novels (including Love in the Times of Cholera, 1986) and a selection of his short fiction are considered. The aim of this collection, given these dual objectives, is to extend knowledge of the work of Garcia Marquez and introduce to both the general reader and to students of literature a plurality of current critical approaches to his rich variety of fictional techniques. The volume also includes a bibliography of criticism available in English and an English translation of the author's Stockholm Nobel acceptance address.