The Book of Kells is a masterpiece of medieval art – a brilliantly decorated version of the four Gospels with full-page depictions of Christ, the Virgin and the Evangelists as well as a wealth of smaller decorative painting. This new book, by the Keeper of Manuscripts at Trinity College Library, Dublin, represents on a generous scale the glories of the Book of Kells for today’s readers, revealing the astounding detail and richness of one of the greatest treasures of medieval art. Its illustrations feature 59 full-size reproductions of complete pages of the manuscript, and, in addition, enlarged details that allow one to relish the intricacy of elements barely visible to the naked eye. We explore the Book of Kells through its historical background; a display of the elements of the book, actual size; the spectacular openings of the texts that precede the Gospels; a study of earlier and comparable manuscripts; detailed examination of symbols and themes, with special enlarged details; a look at the scribes and artists who worked on the manuscript; and a consideration of technical aspects, illuminated by recent scientific research.

The Book of Kells, dating from about 800, is a brilliantly decorated manuscript of the four Gospels. This new official guide (French language edition), by the former Keeper of Manuscripts at Trinity College Library, Dublin, provides fascinating insights into the Book of Kells, revealing the astounding detail and richness of one of the greatest works of medieval art. The illustrations in the guide include reproductions of complete pages, and details that allow one to marvel at the intricacy of the decoration. The Book of Kells is explored through its historical background; its structure; its decorative elements, including the richness of its symbols and themes; the scribes and artists who worked on the manuscript; and the tools and pigments used in its creation.

The Book of Kells, dating from about 800, is a brilliantly decorated manuscript of the four Gospels. This new official guide (Spanish language edition), by the former Keeper of Manuscripts at Trinity College Library, Dublin, provides fascinating insights into the Book of Kells, revealing the astounding detail and richness of one of the greatest works of medieval art. The illustrations in the guide include reproductions of complete pages, and details that allow one to marvel at the intricacy of the decoration. The Book of Kells is explored through its historical background; its structure; its decorative elements, including the richness of its symbols and themes; the scribes and artists who worked on the manuscript; and the tools and pigments used in its creation.

The Book of Kells, dating from about 800, is a brilliantly decorated manuscript of the four Gospels. This new official guide, by the former Keeper of Manuscripts at Trinity College Library, Dublin, provides fascinating insights into the Book of Kells, revealing the astounding detail and richness of one of the greatest works of medieval art. The illustrations in the guide include reproductions of complete pages, and details that allow one to marvel at the intricacy of the decoration. The Book of Kells is explored through its historical background; its structure; its decorative elements, including the richness of its symbols and themes; the scribes and artists who worked on the manuscript; and the tools and pigments used in its creation.

The Book of Kells, dating from about 800, is a brilliantly decorated manuscript of the four Gospels. This new official guide (German language edition), by the former Keeper of Manuscripts at Trinity College Library, Dublin, provides fascinating insights into the Book of Kells, revealing the astounding detail and richness of one of the greatest works of medieval art. The illustrations in the guide include reproductions of complete pages, and details that allow one to marvel at the intricacy of the decoration. The Book of Kells is explored through its historical background; its structure; its decorative elements, including the richness of its symbols and themes; the scribes and artists who worked on the manuscript; and the tools and pigments used in its creation.

Impressive... for many readers of these papers their cumulative effect will be very great indeed... Admirable collaborative volume. JOURNAL OF ECCLESIASTICAL HISTORY Specialists explore the influence of twelfth-centuryDurham, in ecclesiastical affairs, Border politics, architecture, art, and religious and literary culture. Impressive... the cumulative effect [of these papers] is very great indeed. JOURNAL OF ECCLESIASTICAL HISTORY This study of Anglo-Norman Durham's history, architecture, art, and religious and literary culture covers much ground, including the Cathedral Priory and its relationship to monastic reform; the careers of the prince bishops; studies of the spectacular castle; the relationship between Durham and the Scottish kings; the architecture of the cathedral; and Durham manuscripts and texts, featuring historical compilations and the remarkable Old English poem De situ Dunelmi. Contributors: DONALD MATTHEW, JULIA BARROW, JANET BURTON, MERYL FOSTER,VICTORIA TUDOR, MICHAEL GULLICK, ALAN PIPER, DAVID BATES, MARK PHILPOTT, ERIC CAMBRIDGE, MALCOLM THURLBY, J. PHILIP McALEER, S.A. HARRISON, JOHN CROOK, THOMAS E. RUSSO, E.C. FERNIE, WILLIAM AIRD, J.O. PRESTWICH, G.W.S. BARROW, VALERIE WALL, PAUL DALTON, ALAN YOUNG, HENRY SUMMERSON, MARTIN ALLEN, P.D.A. HARVEY, MARTIN LEYLAND, M.W. THOMPSON, BERNARD MEEHAN, CHRISTOPHER NORTON, ANNE LAWRENCE, DOMINIC MARNER, DAVID HOWLETT