W.E.B. Du Bois was one of the most profound and influential African American intellectuals of the twentieth century. His tenacious engagement with racism, and his contributions to African American studies are unparalleled. Yet scholarly attention to his work has been sporadic and uneven. This collection of essays is intended as both an addition and spur to the current renaissance of interest in Du Bois's work.
Interpreting Du Bois' thoughts on race and culture in a broadly philosophical sense, this volume assembles original essays by some of the leading philosopher, literary critics, historians, and sociologists in the field of Du Bois work. Its three sections engage in a critical dialogue on different important theoretical and practical issues that concerned him throughout his long career: the conundrum of race, the issue of gender equality, and the perplexities of pan-Africanism.
Contributors: Bernard Bell, Bernard Boxill, Segun Gbadegesin, Cheryl Townsend Gilkes, Robert Gooding-Williams, Emily Grosholz, Joy James, Manning Marable, Wilson Moses, Lucius Outlaw, Arnold Rampersad and James Stewart.

In 1987 Bernard W. Bell published The Afro-American Novel and Its Tradition, a comprehensive interpretive history of more than 150 novels written by African Americans from 1853 to 1983. The book won the Distinguished Scholarship Award of the College Language Association and was reprinted five times. Now Bell has produced a new volume that serves as a sequel and companion to the earlier work, expanding the coverage to 2001. Bell also refines and extends his interpretive model for reading texts by African American writers, a model based on the vernacular forms of expression of his childhood, the literary theories of Ralph Ellison, and the writings on double-consciousness of W. E. B. Du Bois. T he book begins with a personal essay in which Bell traces the evolution of his thinking about sociohistorical and sociocultural approaches to literature. He goes on to apply these approaches to the work of hundreds of black novelists whose work has been published since 1853. His primary focus, however, is on some forty novels and romances published between 1983 and 2001, including works by Gayl Jones, Toni Cade Bambara, Toni Morrison, Paule Marshall, Albert Murray, Gloria Naylor, Al Young, David Bradley, Leon Forrest, and Charles Johnson, as well as the neo-Black Aesthetic novelists Nathaniel Mackey, Trey Ellis, Percival L. Everett, and Colson Whitehead. In acknowledging the diversity of the tradition of the novel, Bell also examines the science fiction of Samuel Delany and Octavia Butler, the gay novels of E. Lynn Harris, Larry Duplechan, and Randall Kenan, and the detective narratives of Barbara Neely and Walter Mosley. The result is a book of impressive scope and accomplishment - an essential work for any serious student of African American literature.