What is a popular image of science and where does it come from? Little is known about the formation of science images and their transformation into popular images of science. In this anthology, contributions from two areas of expertise: image theory and history and sociology of the sciences explore techniques of constructing science images and transforming them into highly ambivalent images that represent the sciences. The essays, most of them with illustrations, present evidence that popular images of the sciences are based upon abstract theories rather than facts, and, equally, images of scientists are stimulated by imagination rather than historical knowledge.

In this interdisciplinary anthology, essays study the relationship between the imagination and images both material and mental. Through case studies on a diverse array of topics including photography, film, sports, theater, and anthropology, contributors focus on the role of the creative imagination in seeing and producing images and the imaginary.

What is a popular image of science and where does it come from? Little is known about the formation of science images and their transformation into popular images of science. In this anthology, contributions from two areas of expertise: image theory and history and the sociology of the sciences, explore techniques of constructing science images and transforming them into highly ambivalent images that represent the sciences. The essays, most of them with illustrations, present evidence that popular images of the sciences are based upon abstract theories rather than facts, and, equally, images of scientists are stimulated by imagination rather than historical knowledge.

In this interdisciplinary anthology, essays study the relationship between the imagination and images both material and mental. Through case studies on a diverse array of topics including photography, film, sports, theater, and anthropology, contributors focus on the role of the creative imagination in seeing and producing images and the imaginary.

Is the world en route to becoming a linguistic colony of the United States? Or is this dramatic view an exaggeration, and there is no danger to linguistic diversity at all? The German language is at the center of an intensive debate on this issue. Its position in the world is under increasing pressure due to the growing importance of (American) English as the language of globalization. The articles in this volume deal with the national and international position of German in relation to English, language policies, the future of German as a language of science, German in the USA, and the intellectual and aesthetic dimensions of encountering a foreign language. They present critical assessments addressing the dangers for the future of languages other than English, as well as positions which perceive the growing importance of English as a challenge and resource rather than as a threat. Key features: reknown editors famous contributors, among them Wolfgang Thierse (president of the German Bundestag), Peter Eisenberg (involved in the German spelling reform), David Crystal (famous linguist), representatives of the Goethe institute current and politically controversial topic: how does globalization influence the diversity of languages

This volume will explore the specific role which war has played in the constitution of a modern mentality. It will be divided into three parts: one dealing with issues of conceptualizing war, violence, and modernity/ modernism, one devoted to issues of the First World War as an exemplary experience in the 20th century; and one concerned with issues of violence and its representation in the aftermath of the first modern war.

"The volume's broad geographic scope and inventive exploration of diverse vernacular expressions will convince readers that modernization and modernism were far more open-ended and heterogeneous than previously acknowledged."--H-Net Reviews
"This collection of essays imaginatively and with great insight discusses the various vernaculars within modernist architectural practice, thereby altering our understanding of modernism's relationship to the past, its uses of memory, and its embeddedness in historically and geographically specific contexts." --Andreas Huyssen, Columbia University

"The volume's broad geographic scope and inventive exploration of diverse vernacular expressions will convince readers that modernization and modernism were far more open-ended and heterogeneous than previously acknowledged."--H-Net Reviews
"This collection of essays imaginatively and with great insight discusses the various vernaculars within modernist architectural practice, thereby altering our understanding of modernism's relationship to the past, its uses of memory, and its embeddedness in historically and geographically specific contexts." --Andreas Huyssen, Columbia University