Eine Minute und dreissig Sekunden ist die durchschnittliche Lange, die fur einen Beitrag in einem Nachrichtenblock vorgesehen ist. Die Kunstlerin Monika Huber fotografiert seit uber zehn Jahren taglich Bilder aus Nachrichtenbeitragen, die von Protest, Aufruhr, Krieg, Gewalt und deren Folgen zeugen. Sie speichert die Bilder digital, druckt sie aus und uberarbeitet sie mit den Mitteln der Malerei und Zeichnung. UEber die Jahre ist so ein Archiv entstanden, das eine "Grammatik" der Nachrichtenbilder offenlegt und uns zu einer kritischen Auseinandersetzung mit der Krisenberichterstattung in Fernsehnachrichten einladt. Die Auswahl von uber 100 Bildern aus dem Archiv wird begleitet von Beitragen, die das Archiv Einsdreissig aus kunsthistorischer, philosophischer, politikwissenschaftlicher und journalistischer Perspektive verorten. Kunstlerische Entlarvung der Rhetorik der Medienbilder Mit Beitragen von Ernst van Alphen, Mieke Bal, James W. Davis, Antje Kapust, Ute Schaeffer, Ulrich Wilmes und einer Einfuhrung von Bernhart Schwenk

Gisbert Stach's (b. 1963) monograph Jewellery and Experiment presents a multifaceted opus from twenty-five years of gold- and silversmithing. In his oeuvre the primarily conceptual artist combines jewellery with video, photography and performance. One focus of his work deals with processes of transformation and experiment - pieces disappear through chemical dissolution, and form is determined by agencies of growth in nature. Stach works with means of alienation and irritation. Ground amber serves as pigment, which he works into jewellery pieces in the form of fish fingers, sliced bread or schnitzel. A further characteristic of his work is the performative act, for example when brooches are pelted with knives. Gisbert Stach is represented in numerous museums and collections, including Die Neue Sammlung - The Design Museum, Munich (DE); Fondazione Cominelli, Brescia (IT); Museo de Arte Moderno, Tarragona (ES); Museum of Arts & Crafts, Itami (JP); Gallery of Art, Legnica (PL); Museum of Bohemian Paradise, Turnov (CZ); Amber Museum, Gdansk (PL). Published to accompany exhibitions at Arnoldsche Art Publishers, Stuttgart (DE), 9-11 November 2018, and Bayerischer Kunstgewerbeverein (BKV), Munich (DE) 28 February-24 March 2019. Text in English and German.

One minute and thirty seconds is the average length allotted to a news feature. For more than ten years, artist Monika Huber has been photograph- ing images from daily news reports that bear witness to protest, riots, war and violence, as well as their conse- quences. She saves the images digital- ly, prints them out and reworks them by means of painting and drawing.Over the years, an archive has been created; it reveals a "grammar" of news images and invites us to examine the crisis reporting of television news in a critical way. This selection of over 100 images from the archive is accom- panied by contributions positioning Archive OneThirty from art-historical, philosophical, political-scientific and journalistic perspectives. Artistic exposure of media images and their rhetoric With contributions by Ernst van Alphen, Mieke Bal, James W. Davis, Antje Kapust, Ute Schaeffer, Ulrich Wilmes, and an introduction by Bernhart Schwenk