The 52 micro-memoirs in genre-defying Heating & Cooling offer bright glimpses into a richly lived life, combining the compression of poetry with the truth-telling of non-fiction into one heartfelt, celebratory book. Ranging from childhood recollections to quirky cultural observations, these micro-memoirs build on one another to arrive at a portrait of Beth Ann Fennelly as a wife, mother, writer and deeply original observer of life's challenges and joys. Some pieces are wistful, some wry and many reveal the humour buried in our everyday interactions. Heating & Cooling: 52 Micro-Memoirs shapes a life from unexpectedly illuminating moments and awakens us to these moments as they appear in the margins of our lives.

In 1927, as rains swell the Mississippi, the river threatens to burst its banks and engulf everything in its path, including the tiny hamlet of Hobnob, where federal agents Ted Ingersoll and Ham Johnson arrive to investigate the disappearance of two fellow agents--and find a baby boy abandoned in the middle of a crime scene.

Ingersoll finds a home for the infant with local woman Dixie Clay Holliver, unaware that she's the best bootlegger in the county and has many tender and consequential secrets of her own.

The Tilted World is an extraordinary tale of murder and moonshine, sandbagging and saboteurs, and a man and a woman who find unexpected love.

Hailed as "a brilliant blueprint of the imagination" (David Baker), Open House established Beth Ann Fennelly as "an ambitious and spacious young talent" (Paul Zimmer) and introduced us to her "passion, compassion, inventiveness, and intelligence" (Alison Hawthorne Deming).

Beth Ann Fennelly is fearless in delineating the joys, absorptions, and yes jealousies of new motherhood. Having studied motherhood "as if for an exam," reality proved "wilder and deeper and funnier" than anything she'd anticipated."Tender Hooks" is Fennelly's spirited exploration of parenting, with all its contradictions and complexities."

The Mississippi Delta is known for many things. It is a land of stark contrast, in which rich soil produces an agricultural bounty as well as fearsome economic want. The Delta has compelled generations of writers, musicians, and artists to chronicle and engage its harsh and mysterious beauty. Seen through the penetrating lens of noted photographer Maude Schuyler Clay, the nearly deserted buildings and landscapes of the Delta are brought to life by the dogs that roam the wide fields and swamp-soaked shadows.

For the past fifteen years, Clay has been driving the back roads photographing her native Delta. In the darkroom of her hundred-year-old family homestead in Sumner, Mississippi, she has developed hundreds of images of eroding architecture, misty bayous, small stands of woods, endless rows of crops. And dogs. Clay has spotted and captured the elemental spirit of dogs eking out existences from this majestic landscape. In her iconic book "Delta Land," Clay introduced the "Dog in the Fog," the muscular lab standing watch in the mist and trees of Cassidy Bayou. This photo became widely recognized, and Clay wanted to further explore the relationship between the land and the numerous dogs populating its fields, bayous, and abandoned spaces.

This new book, "Delta Dogs," celebrates the canines who roam this most storied corner of Mississippi. Some of Clay's photographs feature lone dogs dwarfed by kudzu-choked trees and hidden among the brambles adjacent to plowed fields. In others, dogs travel in amiable packs, trotting toward a shared but mysterious adventure. Her Delta dogs are by turns soulful, eager, wary, resigned, menacing, and contented.

Writers Brad Watson and Beth Ann Fennelly ponder Clay's dogs and their connections to the Delta, speculating about their role in the drama of everyday life and about their relationships to the humans who share this landscape with them. In a photographer's afterword, Clay writes about discovering the beauty of her native land from within. She finds that the ubiquitous presence of the Delta dog gives scale, life, and sometimes even whimsy and intent to her Mississippi landscape.