Through historical coincidence that almost takes on a mythical character, 'Michelangelo' was the given name not only of the Florentine sculptor, but also of the painter who grew up in Caravaggio, a provincial town in Lombardy, about 25 miles east of Milan. Michelangelo Merisi da Caravaggio, commonly called by reference to his hometown, produced revolutionary paintings whose impact was as great - at the beginning of the 1600s - as the other Michelangelo's art had been a century earlier. In this book, author Bette Talvacchia explores the significant, but little-discussed, connection between the 'two Michelangelos'. She exposes the dynamic relationship between their work through looking at the ways in which Caravaggio creatively responded to the art of his namesake from the start of his youthful arrival in Rome. In addition, she suggests how Michelangelo's overwhelming achievement was a model that helped to drive the young Caravaggio's powerful ambition and shape his identity as an artist. With lucid and intelligent prose, this fascinating book sheds light on the similar 'artistic temperament' constructed in the biographies of each artist - glorifying their rebellious, anti-social behaviour and uncompromising artistic principles - examined both in its historical and contemporary configurations. Why does our culture find these two artists so compelling, and how were they seen in their time and in the intervening centuries until our own day? Linking the past to the present, Talvacchia encourages readers to appreciate more fully the individual works discussed, and to reflect upon the continuing relevance of these two artists to the culture of the present day.

Europe saw such revolutionary cultural change between 1450 and 1650 that those who witnessed the transformations conceived of the period as a time of rebirth. Ideas and practices around sexuality were transformed as much as any other aspect of society. Religious change, the growth of empires, educational development, social mobility, the theater and the printing press, and medical advances all radically reshaped sexuality in the West. Focusing on texts, images, and social practices, this volume examines the changing attitudes to sexuality during the Renaissance and the strategies used both to enforce and subvert public assumptions and standards. A Cultural History of Sexuality in the Renaissance presents an overview of the period with essays on heterosexuality, homosexuality, sexual variations, religious and legal issues, health concerns, popular beliefs about sexuality, prostitution and erotica.

Phaidon's classic illustrated monograph on Raphael, updated with an elegantly crafted design for today's burgeoning art aficionados. Reviving a much beloved group of artist monographs from the Phaidon archive, the new Phaidon Classics bring to life the fine craftsmanship and design of Phaidon books of the 1930s, 40s and 50s. Updated with a contemporary "classic" design, full color images and new introductions by leading specialists on the work of each artist, these elegantly crafted volumes revive the fine bookmaking of the first half of the twentieth century, making Phaidon Classics instant collectors' items. A magnificent study of Raphael (1438-1520), one of the greatest painters of the Italian Renaissance, whose brief career produced such masterpieces as The School of Athens and The Three Graces. The large-format images bring to life Raphael's radiant colors and brushwork in the religious paintings of the Madonna and saints, mythological paintings, and portraits ranging from Pope Julius II to Baldassare Castiglione.

Europe saw such revolutionary cultural change between 1450 and 1650 that those who witnessed the transformations conceived of the period as a time of rebirth. Ideas and practices around sexuality were transformed as much as any other aspect of society. Religious change, the growth of empires, educational development, social mobility, the theater and the printing press, and medical advances all radically reshaped sexuality in the West. Focusing on texts, images, and social practices, this volume examines the changing attitudes to sexuality during the Renaissance and the strategies used both to enforce and subvert public assumptions and standards. A Cultural History of Sexuality in the Renaissance presents an overview of the period with essays on heterosexuality, homosexuality, sexual variations, religious and legal issues, health concerns, popular beliefs about sexuality, prostitution and erotica.