Cultural texts born out of migration frequently defy easy categorization as they cross borders, languages, histories, and media in unpredictable ways. Instead of corralling them into identity categories, whether German or otherwise, the essays in this volume, building on the influential work of Leslie A. Adelson, interrogate how to respond to their methodological challenge in innovative ways. Investigating a wide variety of twentieth- and twenty-first-century texts that touch upon "things German" in the broadest sense-from print and born-digital literature to essay film, nature drawings, and memorial sites-the contributions employ transnational and multilingual lenses to show how these works reframe migration and temporality, bringing into view antifascist aesthetics, refugee time, postmigrant Heimat, translational poetics, and post-Holocaust affects. With new literary texts by Yoko Tawada and Zafer Senocak and essays by Gizem Arslan, Brett de Bary, Bettina Brandt, Claudia Breger, Deniz Goekturk, John Namjun Kim, Yuliya Komska, Paul Michael Lutzeler, B. Venkat Mani, Barbara Mennel, Katrina L. Nousek, Anna Parkinson, Damani J. Partridge, Erik Porath, Jamie Trnka, Ulrike Vedder, and Yasemin Yildiz.

Ysko Tawada: Voices from Everywhere is the first volume of criticism dedicated to the work of Ysko Tawada, one of the most highly acclaimed writers of her generation. Douglas Slaymaker has collected a range of essays including many that were featured at the 2006 MLA Conference, where a presidential panel featuring Ysko Tawada was organized by MLA President Marjorie Perloff, who has contributed a preface to this volume. The essays explore the plurality of voices and cultures in Tawada's work and push on to explicate the poetics and intellectual underpinnings of her writing. Analyses of her fiction are paired with examinations of its philosophic and aesthetic foundations. The essayists represent a wide range of scholars and translators who are intimate with Tawada's work in German, Japanese, and/or English. Many of the essays begin as close readings of the German and Japanese texts.Ysko Tawada: Voices from Everywhere is an essential collection for anyone with an interest in this important young writer.

Yoeko Tawada: Voices from Everywhere is the first volume of criticism dedicated to the work of Yoeko Tawada, one of the most highly acclaimed writers of her generation. Douglas Slaymaker has collected a range of essays including many that were featured at the 2006 MLA Conference, where a presidential panel featuring Yoeko Tawada was organized by MLA President Marjorie Perloff, who has contributed a preface to this volume. The essays explore the plurality of voices and cultures in Tawada's work and push on to explicate the poetics and intellectual underpinnings of her writing. Analyses of her fiction are paired with examinations of its philosophic and aesthetic foundations. The essayists represent a wide range of scholars and translators who are intimate with Tawada's work in German, Japanese, and/or English. Many of the essays begin as close readings of the German and Japanese texts.Yoeko Tawada: Voices from Everywhere is an essential collection for anyone with an interest in this important young writer.

Over the course of the eighteenth century, European intellectuals shifted from admiring China as a utopian place of wonder to despising it as a backwards and despotic state. That transformation had little to do with changes in China itself, and everything to do with Enlightenment conceptions of political identity and Europe’s own burgeoning global power. China in the German Enlightenment considers the place of German philosophy, particularly the work of Leibniz, Goethe, Herder, and Hegel, in this development. Beginning with the first English translation of Walter Demel’s classic essay “How the Chinese Became Yellow,� the collection’s essays examine the connections between eighteenth-century philosophy, German Orientalism, and the origins of modern race theory.

Master's Thesis from the year 2009 in the subject Law - European and International Law, Intellectual Properties, grade: 1,00, University of Otago (Law), course: LL.M., language: English, comment: Auszeichnung: A with Distinction Approved by the Maori Ethics Committee A thesis submitted for the degree of Master of Laws, Te Whare W nanga o Ot go, The University of Otago. Dunedin, June, abstract: In recent years, there have been several high profile instances where M ori wh nau1 have taken the body of a loved one against the wishes of other immediate family members for the purposes of burying the relative on ancestral land. A high profile incident occurred in 1995, with the uplifting of the entertainer Billy T. James' body from his home by his uncle, so that, in accordance with M ori custom, the body could lie on a marae2 for a period of mourning. Since the Billy T. James case,3 there have been a number of so-called "body snatching" incidents including the "snatching" of the body of John Takamore, and the "snatching" of the body of Tina Marshall-McMenamin.

Explores both constants and changes in representations of warlike and violent women in German culture over the past six centuries. Warlike women are a recurring phenomenon in German literature and culture since 1500. Amazons, terrorists, warrior women -- this volume of essays by leading scholars from the UK and Germany analyzes ideas and portrayals of these figures in the visual arts, society, media, and scholarship, always against the backdrop of Germany's development as a culture and as a nation. The contributors look for patterns in the historical portrayal of warlike women, askingthe questions: What cultural signals are sent when women are shown occupying men's spaces by dressing as warriors or in men's clothing? What can legitimize the woman who bears arms? From what is the erotic potential of images linking women and violence derived? Have recent feminist thought and political developments changed representations of warlike women? Contributors: Bettina Brandt, Sarah Colvin, Mererid Puw Davies, Peter Davies, ChristineEifler, Ute Frevert, Kathrin Hoffmann-Curtius, Ritchie Robertson, Daria Santini, Ruth Seifert, Helen Watanabe-O'Kelly. Sarah Colvin is Eudo C. Mason Chair of German at the University of Edinburgh. Helen Watanabe-O'Kellyis Professor of German at Oxford University and Fellow and Tutor of Exeter College, Oxford.

Two languages--German and Romanian--inform the novels, essays, and collage poetry of Nobel laureate Herta Muller. Describing her writing as "autofictional," Muller depicts the effects of violence, cruelty, and terror on her characters based on her own experiences in Communist Romania under the repressive Nicolae Ceauşescu regime.
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"Herta Muller: Politics and Aesthetics" explores Muller's writings from different literary, cultural, and historical perspectives. Part 1 features Muller's Nobel lecture, five new collage poems, and an interview with Ernest Wichner, a German-Romanian author who has traveled with her and sheds light on her writing. Parts 2 and 3, featuring essays by scholars from across Europe and the United States, address the political and poetical aspects of Muller's texts. Contributors discuss life under the Romanian Communist dictatorship while also stressing key elements of Muller's poetics, which promises both self-conscious formal experimentation and political intervention.

One of the first books in English to thoroughly examine Muller's writing, this volume addresses audiences with an interest in dissident, exile, migration, experimental, and transnational literature.