This book analyses a cultural phenomenon that goes to the very roots of Western civilization: the centrality of death in our sense of human existence. It does so through a close reading of seminal works by the most creative authors of modern French thought, such as Maurice Blanchot, Jacques Lacan, and Jacques Derrida. These works encode an entire ethics of postmodernism. Betty Rojtman offers the reader a prism through which to see anew the key issues of the twentieth century: tragedy, finitude, nothingness-but also contestation, liberty, and sovereignty. Little by little we understand that this fascination with death may be just the other side of humankind's great protest, its thirst for the infinite and its desire to be. Finally, Rojtman tries to offer another view on these fundamental questions by shifting to a parallel cultural reference: Kabbalah.

Using the tools of contemporary semiotic theory to analyze classical rabbinic hermeneutics and medieval mystical exegesis, Betty Rojtman unveils a modernity in these early forms of textual interpretation. The metaphor from rabbinic literature that describes the writing of the Torah - black fire on white fire - becomes, in Rojtman's analysis, a figure for the differential structures that can be found throughout rabbinic discourse. Moving through the successive levels of traditional commentary, from early Midrash to modern Kabbalah, Rojtman examines the tension betweeen the fluidity and nuance of the biblical text and the fixed commitment to ideological and theological content. To examine this strain between open text and sacred language, Rojtman scrutinizes the demonstrative, "this," as a word whose signi-ficance changes with every change in context. Her analysis suggests a double-layered meaning for "this," which refers to the existential world in its multiplicity but also to transcendence and the eternal presence of God.