Edward Said is perhaps best known as the author of the landmark study Orientalism, a book which changed the face of critical theory and shaped the emerging field of post-colonial studies, and for his controversial journalism on the Palestinian political situation.

Looking at the context and the impact of Said's scholarship and journalism, this book examines Said's key ideas, including:

• the significance of 'worldliness', 'amateurism', 'secular criticism', 'affiliation' and 'contrapuntal reading'
• the place of text and critic in 'the world'
• knowledge, power and the construction of the 'Other'
• links between culture and imperialism
• exile, identity and the plight of Palestine
• a new chapter looking at Said's later work and style

This popular guide has been fully updated and revised in a new edition, suitable for readers approaching Said's work for the first time as well as those already familiar with the work of this important theorist. The result is the ideal guide to one of the twentieth century's most engaging critical thinkers.

Contents:
General Editor's Preface. Acknowledgements. Introduction: What are post-colonial literatures?, Post-colonial literatures and English Studies, Development of post-colonial literatures, Hegemony, Language, Place and displacement, Post-coloniality and theory. 1. Cutting the ground: critical models of post-colonial literatures: National and regional models, Comparisons between two or more regions, The 'Black writing' model, Wider comparative models, Models of hybridity and syncreticity. 2. Re-placing language: textual strategies in post-colonial writing: Abrogation and appropriation, Language and abrogation, A post-colonial linguistic theory: the Creole continuum, The metonymic function of language variance, Strategies of appropriation in post-colonial writing. 3. Re-placing the text: the liberation of post-colonial writing: The imperial moment: control of the means of communication, Colonialism and silence: Lewis Nkosi's Mating Birds, Colonialism and 'authenticity': V.S Naipaul's The Mimic Men, Radical Otherness and hybridity: Timothy Findley's Not Wanted on the Voyage, Appropriating marginality: Janet Frame's The Edge of the Alphabet, Appropriating the frame of power: R.K. Narayan's The Vendor of Sweets. 4. Theory at the crossroads: indigenous theory and post-colonial reading: Indian literary theories, African literary theories, The settler colonies, Caribbean theories. 5. Re-placing theory: post-colonial writing and literary theory: Post-colonial literatures and postmodernism, Post-colonial reconstructions: literature, meaning, value, Post-colonialism as a reading strategy, Re-thinking the Post-colonial. Conclusion: More english than English. Reader's guide. Notes. Bibliography. Index.

This hugely popular A-Z guide provides a comprehensive overview of the issues which characterize post-colonialism: explaining what it is, where it is encountered and the crucial part it plays in debates about race, gender, politics, language and identity. For this third edition over thirty new entries have been added including: Cosmopolitanism Development Fundamentalism Nostalgia Post-colonial cinema Sustainability Trafficking World Englishes. Post-Colonial Studies: The Key Concepts remains an essential guide for anyone studying this vibrant field.

Postcolonial Studies is more often found looking back at the past, but in this brand new book, Bill Ashcroft looks to the future and the irrepressible demands of utopia. The concept of utopia - whether playful satire or a serious proposal for an ideal community - is examined in relation to the postcolonial and the communities with which it engages. Studying a very broad range of literature, poetry and art, with chapters focussing on specific regions - Africa, India, Chicano, Caribbean and Pacific - this book is written in a clear and engaging prose which make it accessible to undergraduates as well as academics. This important book speaks to the past and future of postcolonial scholarship.

In Shakespeare's Tempest, Caliban says to Miranda and Prospero: "...you taught me language, and my profit on't Is, I know how to curse. " With this statement, he gives voice to an issue that lies at the centre of post-colonial studies. Can Caliban own Prospero's language? Can he use it to do more than curse? Caliban's Voice examines the ways in which post-colonial literatures have transformed English to redefine what we understand to be 'English Literature'. It investigates the importance of language learning in the imperial mission, the function of language in ideas of race and place, the link between language and identity, the move from orature to literature and the significance of translation. By demonstrating the dialogue that occurs between writers and readers in literature, Bill Ashcroft argues that cultural identity is not locked up in language, but that language, even a dominant colonial language, can be transformed to convey the realities of many different cultures. Using the figure of Caliban, Ashcroft weaves a consistent and resonant thread through his discussion of the post-colonial experience of life in the English language, and the power of its transformation into new and creative forms.

"The Postcolonial Studies" "Reader "is the essential introduction to the most important texts in post-colonial theory and criticism. Updating and expanding the coverage of the highly successful first edition, this second edition now offers 121 extracts from key works in the field, arranged in clearly introduced sections on:
- Issues and Debates
- Universality and Difference
- Representation and Resistance
- Nationalism
- Hybridity
- Indigeneity
- Ethnicity
- Race
- Feminism
- Language
- The Body and Performance
- History
- Place
- Education
- Production and Consumption
- Diaspora
- Globalization
- Environment
- The Sacred
Leading figures in the areas of post-colonial writing, theory and criticism are represented, as are critics who are as yet less well-known. As in the first edition, the "Reader "ranges as widely as possible in order to reflect the remarkable diversity of work in the discipline and the vibrancy of anti-imperialist writing both within and without the metropolitan centres. Covering more debates, topics and critics than any comparable book in its field, "The Postcolonial Studies Reader" provides the ideal starting point for students and issues a potent challenge to the ways in which we think and write about literature and culture.

In his new book, Bill Ashcroft gives us a revolutionary view of the ways in which post-colonial societies have responded to colonial control. The most comprehensive analysis of major features of post-colonial studies ever compiled, "Post-Colonial Transformation": * demonstrates how widespread the strategy of transformation has been
* investigates political and literary resistance
* examines the nature of post-colonial societies' engagement with imperial language, history, allegory, and place
* offers radical new perspectives in post-colonial theory in principles of habitation and horizonality.
"Post-Colonial Transformation" breaks new theoretical ground while demonstrating the relevance of a wide range of theoretical practices, and extending the exploration of topics fundamentally important to the field of post-colonial studies.

Postcolonial Studies is more often found looking back at the past, but in this brand new book, Bill Ashcroft looks to the future and the irrepressible demands of utopia. The concept of utopia - whether playful satire or a serious proposal for an ideal community - is examined in relation to the postcolonial and the communities with which it engages. Studying a very broad range of literature, poetry and art, with chapters focussing on specific regions - Africa, India, Chicano, Caribbean and Pacific - this book is written in a clear and engaging prose which make it accessible to undergraduates as well as academics. This important book speaks to the past and future of postcolonial scholarship.

This hugely popular A-Z guide provides a comprehensive overview of the issues which characterize post-colonialism: explaining what it is, where it is encountered and the crucial part it plays in debates about race, gender, politics, language and identity. For this third edition over thirty new entries have been added including: Cosmopolitanism Development Fundamentalism Nostalgia Post-colonial cinema Sustainability Trafficking World Englishes. Post-Colonial Studies: The Key Concepts remains an essential guide for anyone studying this vibrant field.

This new research in English on the work of the Mozambican writer Mia Couto provides a comprehensive introduction to the critical terrain of Couto's literary thought. Already well-established in the Lusophone world, Mia Couto is increasingly acknowledged as a major voice in World literature. Winner of the Camoes Prize for Literature in 2013, the most prestigious literary prize honouring Lusophone writers, he was awarded the Neustadt International Prize for Literature in 2014, and in 2015 was shortlisted for the Man Booker International Prize. Yet, despite this high profile there are very few full-length critical studiesin English about his writing. Mia Couto is known for his imaginative re-working of Portuguese, making it distinctively Mozambican in character. This book brings together some of the key scholars of his work such as Phillip Rothwell, Luis Madureira, and his long-time English translator David Brookshaw. Contributors examine not only his early works, which were written in the context of the 16-year post-independence civil war in Mozambique, but alsothe wide span of Couto's contemporary writing as a novelist, short story writer, poet and essayist. There are contributions on his work in ecology, theatre and journalism, as well as on translation and Mozambican nationalist politics. Most importantly the contributors engage with the significance of Couto's writing to contemporary discussions of African literature, Lusophone studies and World literature. Grant Hamilton is Associate Professor of English literature at the Chinese University of Hong Kong. He is the editor of Reading Marechera (James Currey, 2013). David Huddart is Associate Professor of English literature at the Chinese University of Hong Kongand is author of Involuntary Associations: World Englishes and Postcolonial Studies (Liverpool University Press, 2014]

In Shakespeare's Tempest, Caliban says to Miranda and Prospero: "...you taught me language, and my profit on't Is, I know how to curse. " With this statement, he gives voice to an issue that lies at the centre of post-colonial studies. Can Caliban own Prospero's language? Can he use it to do more than curse? Caliban's Voice examines the ways in which post-colonial literatures have transformed English to redefine what we understand to be 'English Literature'. It investigates the importance of language learning in the imperial mission, the function of language in ideas of race and place, the link between language and identity, the move from orature to literature and the significance of translation. By demonstrating the dialogue that occurs between writers and readers in literature, Bill Ashcroft argues that cultural identity is not locked up in language, but that language, even a dominant colonial language, can be transformed to convey the realities of many different cultures. Using the figure of Caliban, Ashcroft weaves a consistent and resonant thread through his discussion of the post-colonial experience of life in the English language, and the power of its transformation into new and creative forms.

Contents:
General Editor's Preface. Acknowledgements. Introduction: What are post-colonial literatures?, Post-colonial literatures and English Studies, Development of post-colonial literatures, Hegemony, Language, Place and displacement, Post-coloniality and theory. 1. Cutting the ground: critical models of post-colonial literatures: National and regional models, Comparisons between two or more regions, The 'Black writing' model, Wider comparative models, Models of hybridity and syncreticity. 2. Re-placing language: textual strategies in post-colonial writing: Abrogation and appropriation, Language and abrogation, A post-colonial linguistic theory: the Creole continuum, The metonymic function of language variance, Strategies of appropriation in post-colonial writing. 3. Re-placing the text: the liberation of post-colonial writing: The imperial moment: control of the means of communication, Colonialism and silence: Lewis Nkosi's Mating Birds, Colonialism and 'authenticity': V.S Naipaul's The Mimic Men, Radical Otherness and hybridity: Timothy Findley's Not Wanted on the Voyage, Appropriating marginality: Janet Frame's The Edge of the Alphabet, Appropriating the frame of power: R.K. Narayan's The Vendor of Sweets. 4. Theory at the crossroads: indigenous theory and post-colonial reading: Indian literary theories, African literary theories, The settler colonies, Caribbean theories. 5. Re-placing theory: post-colonial writing and literary theory: Post-colonial literatures and postmodernism, Post-colonial reconstructions: literature, meaning, value, Post-colonialism as a reading strategy, Re-thinking the Post-colonial. Conclusion: More english than English. Reader's guide. Notes. Bibliography. Index.

The essential introduction to the most important texts in post-colonial theory and criticism, this second edition has been thoroughly revised and updated to include 121 extracts from key works in the field.

Leading, as well as lesser known figures in the fields of writing, theory and criticism contribute to this inspiring body of work that includes sections on Nationalism, Hybridity, Diaspora and Globalization. The Reader s wide-ranging approach reflects the remarkable diversity of work in the discipline along with the vibrancy of anti-imperialist writing both within and without the metropolitan centres. Covering more debates, topics and critics than any comparable book in its field, The Postcolonial Studies Reader is the ideal starting point for students and issues a potent challenge to the ways in which we think and write about literature and culture.

In his new book, Bill Ashcroft gives us a revolutionary view of the ways in which post-colonial societies have responded to colonial control.
The most comprehensive analysis of major features of post-colonial studies ever compiled, Post-Colonial Transformation:
* demonstrates how widespread the strategy of transformation has been
* investigates political and literary resistance
* examines the nature of post-colonial societies' engagement with imperial language, history, allegory, and place
* offers radical new perspectives in post-colonial theory in principles of habitation and horizonality.
Post-Colonial Transformation breaks new theoretical ground while demonstrating the relevance of a wide range of theoretical practices, and extending the exploration of topics fundamentally important to the field of post-colonial studies.

Border and Bordering: Politics, Poetics, Precariousness focuses on the idea of border and its various geopolitical, sociocultural, and cognitive incarnations. In recent times, border has emerged as a common trope in contemporary language with phenomena such as bordering, borderless, building borders, breaking borders, crossing borders, porous borders, and shifting borders. Whether concrete or shadow, borders are omnipresent. The volume contains sixteen essays on various aspects of thinking border as well as border-thinking in literature, philosophy, historiography, strategic studies, films, and TV series. Such a collection is symptomatic of the very interdisciplinarity of border and the varied experiences of bordering as manifested in different modes of expression. This study of the multiplicity of experiences is intrinsic to our understanding of border, so much so that borders can only be read through an interdisciplinary approach. This interdisciplinarity is immanent to the concept of border and imminent (to come) to the phenomenon of bordering. Also, the volume quite explicitly deals with themetaphorsof border(s): as border(s) may not necessarily be always visible and tangible but also cognitive and metaphysical. This volume intends to attract not only academics but all readers, and that is precisely the reason why it has been designed in such a way.This book, therefore, is not yet-another volume on critical border studies and area studies. In doing border, the book enables us to go beyond the boundaries of border studies and area studiesas its authors believe that studies of border studies and area studies have become as regimented as the borders of the nation-state.

Variously understood as literary genius and enfant terrible of African literature, Dambudzo Marechera's work as novelist, poet, playwright and essayist is discussed here in relation to other free-thinking writers. Considered one of Africa's most innovative and subversive writers, the Zimbabwean novelist, poet, playwright and essayist Dambudzo Marechera is read today as a significant voice in contemporary world literature. Marechera wrote ceaselessly against the status quo, against unqualified ideas, against expectation. He was an intellectual outsider who found comfort only in the company of other free-thinking writers - Shelley, Bakhtin, Apuleius, Fanon, Dostoyevsky, Tutuola. It is this universe of literary thought that one can see written into the fiction of Marechera that this collection of essays sets out to interrogate. In this important and timely contribution to African literarystudies, Grant Hamilton has gathered together essays of world-renowned, established, and young academics from Africa, Europe, Asia and Australia in order to discuss the important literary and philosophical influences that course through Marechera's prose, poetry and drama. From classical allusion to the political philosophy of anarchism, this collection of new research on Marechera's work makes clear the extraordinary breadth and quality of thought that Marechera brought to his writing. Grant Hamilton is Assistant Professor of English Literature at the Chinese University of Hong Kong. He is the author of On Representation: Deleuze and Coetzee on the Colonized Subject (Rodopi, 2011), as well as a number of articles on contemporary African, postcolonial, and world literatures. He is currently working on his second book, Deleuze and African Literature.

Written by internationally acclaimed scholars on futures of critical theory, this book attempts to renew and reinvigorate critical theory by extending its range and its intellectual trajectories through strategies of inclusiveness that respect and build on parallel traditions. The authors reinterpret the work of Nietzsche, Wittgenstein, and Heidegger in relation to central figures (Kant, Marcuse, Foucault) and themes of critical theory-the critique of modernity, theory of the self, and the question concerning technology. Key chapters address the critical significance of the work of the French theorists Levinas, Deleuze, Derrida, Lyotard, Irigaray, and Bourdieu and while other chapters focus on thinkers as diverse as Zizek, Giddens, Said, and Guattari, and deal with contemporary topics such as cyberfeminism and antiglobalization.

During the past two decades, postcolonial studies has proven to be one of the fastest growing fields of critical inquiry. Postcolonialism has established itself as an important specialist field within literature disciplines, and it has strong resonances across other disciplines (history, sociology, anthropology, geography, cultural studies) and is a field which has inspired genuinely interdisciplinary research. Linked Histories: Postcolonial Studies in a Globalized World, collected from the journal ARIEL (A Review of International English Literataure), take up some of the most pressing issues in postcolonial debates: the challenges which new theories of globalization present for postcolonial studies, the difficulties of rethinking how "marginality" might be defined in a new globalized world, the problems of imagining social transformation within globalization. The editors' goal in bringing together this collection of articles is not to provide any definitive statement on these urgent questions; rather, it is to assemble a group of essays which "think through" the issues and which therefore has the potential to move the discipline forward. The contributors represented include a balance of senior scholars with international reputations and scholars who represent the next generation. With Contributions By: Bill Ashcroft Rey Chow Rob Cover Wendy Faith Monika Fludernik Revathi Krishnaswamy Mary Lawlor Victor Li Pamela McCallum Vijay Mishra Wang Ning Kalpana Sheshadri-Crooks

This work proposes a radical view of the influence that colonised societies have had on their former colonisers. In this work, Bill Ashcroft extends the arguments posed in "The Empire Writes Back" to investigate the transformative effects of post-colonial resistance and the continuing relevance of colonial struggle. The book demonstrates the remarkable capacity for change and adaptation emanating from post-colonial cultures both in everyday life and in the intellectual spheres of literature, history and philosophy. The transformations of post-colonial literary study have not been limited to a simple rewriting of the canon but have also affected the ways in which all literature can be read and have let to a more profound understanding of the network of cultural practices that influence creative writing.

Opposing all claims that theory has come to an end, this book presents a fresh perspective on our reading, understanding, and application of theory and its affect on our interpretation of texts. (In)fusion theory challenges efforts to see theory as inhibiting by presenting an approach that is innovative, eclectic, and subtle in order to draw out competing and constellating ideas and opinions. This collected volume of essays examines (In)fusion theory and demonstrates how the theory can be applied to the reading of various works of Indian English novelists such as Salman Rushdie, Amitav Ghosh, Anita Desai, and Vikram Seth.

Edward Said is perhaps best known as the author of the landmark study Orientalism, a book which changed the face of critical theory and shaped the emerging field of post-colonial studies, and for his controversial journalism on the Palestinian political situation.

Looking at the context and the impact of Said's scholarship and journalism, this book examines Said's key ideas, including:

• the significance of 'worldliness', 'amateurism', 'secular criticism', 'affiliation' and 'contrapuntal reading'
• the place of text and critic in 'the world'
• knowledge, power and the construction of the 'Other'
• links between culture and imperialism
• exile, identity and the plight of Palestine
• a new chapter looking at Said's later work and style

This popular guide has been fully updated and revised in a new edition, suitable for readers approaching Said's work for the first time as well as those already familiar with the work of this important theorist. The result is the ideal guide to one of the twentieth century's most engaging critical thinkers.

This work proposes a radical view of the influence that colonised societies have had on their former colonisers. In this work, Bill Ashcroft extends the arguments posed in "The Empire Writes Back" to investigate the transformative effects of post-colonial resistance and the continuing relevance of colonial struggle. The book demonstrates the remarkable capacity for change and adaptation emanating from post-colonial cultures both in everyday life and in the intellectual spheres of literature, history and philosophy. The transformations of post-colonial literary study have not been limited to a simple rewriting of the canon but have also affected the ways in which all literature can be read and have let to a more profound understanding of the network of cultural practices that influence creative writing.

This volume marks the birth centenary of a giant amongst contemporary writers: the Australian Nobel prize-winning novelist, Patrick White (1912-1990). It proffers an invaluable insight into the current state of White studies through commentaries drawn from an international galaxy of eminent critics, as well as from newer talents.The book proves that interest in White's work continues to grow and diversify. Every essay offers a new insight: some are re-evaluations by seasoned critics who revise earlier positions significantly; others admit new light onto what has seemed like well-trodden terrain or focus on works perhaps undervalued in the past-his poetry, an early short story or novel-which are now subjected to fresh attention. His posthumous work has also won attention from prominent critics. New comparisons with other international writers have been drawn in terms of subject matter, themes and philosophy. The expansion of critical attention into fields like photography and film opens new possibilities for enhancing further appreciation of his work.White's interest in public issues such as the treatment of Australia's Indigenous peoples, human rights and Australian nationalism is refracted through the inclusion of relevant commentaries from notable contributors. For the first time in Australian literary history, Indigenous scholars have participated in a celebration of the work of a white Australian writer. All of this highlights a new direction in White studies-the appreciation of his stature as a public intellectual. The book demonstrates that White's legacy has limitless possibilities for further growth.