The collapse of the Iron Curtain, the renationalization of eastern Europe, and the simultaneous eastward expansion of the European Union have all impacted the way the past is remembered in today's eastern Europe. At the same time, in recent years, the Europeanization of Holocaust memory and a growing sense of the need to stage a more "self-critical" memory has significantly changed the way in which western Europe commemorates and memorializes the past. The increasing dissatisfaction among scholars with the blanket, undifferentiated use of the term "collective memory" is evolving in new directions. This volume brings the tension into focus while addressing the state of memory theory itself.

The collapse of the Iron Curtain, the renationalization of eastern Europe, and the simultaneous eastward expansion of the European Union have all impacted the way the past is remembered in today's eastern Europe. At the same time, in recent years, the Europeanization of Holocaust memory and a growing sense of the need to stage a more "self-critical" memory has significantly changed the way in which western Europe commemorates and memorializes the past. The increasing dissatisfaction among scholars with the blanket, undifferentiated use of the term "collective memory" is evolving in new directions. This volume brings the tension into focus while addressing the state of memory theory itself.

A Cultural History of Memory presents an authoritative survey from ancient times to the present. The set of six volumes covers over 2500 years of history, charting the evolving nature and role of memory throughout history. This volume, A Cultural History of Memory in the Long Twentieth Century explores memory in the ‘long nineteenth century’. As with all the volumes in the illustrated Cultural History of Memory set, this volume presents essays on memory and: power and politics; time and space; media and technology; science and education; philosophy, religion and history, high culture and popular culture; rituals, faith, practices and the everyday; and remembering and forgetting. A Cultural History of Memory in the Long Twentieth Century is the most authoritative and comprehensive survey available on memory since 1900.

Since the unification of East and West Germany in 1990, many new factors have helped its people come to terms with the horrendous history of the 1930s and 40s. Facing the Nazi Past examines how the communist East viewed the events of these years very differently from West Germany during the Cold War. Following the unification of Germany, these contrasting memories of the Third Reich have contributed to a new perspective on this period of German history.
Facing the Nazi Past explores the developments and debates that were symptomatic of this shift towards a more open confrontation with the past, such as:
* the image of resistance to Hitler in united Germany
* changes at concentration camp memorial sites since 1990
* the commemoration of 8 May 1945 in 1995
* how the revelations in Goldhagen's startling book Hitler's Willing Executioners triggered new discussion
* the plans for the construction of a Holocaust Memorial.

Since the unification of East and West Germany in 1990, many new factors have helped its people come to terms with the horrendous history of the 1930s and 40s. Facing the Nazi Past examines how the communist East viewed the events of these years very differently from West Germany during the Cold War. Following the unification of Germany, these contrasting memories of the Third Reich have contributed to a new perspective on this period of German history.
Facing the Nazi Past explores the developments and debates that were symptomatic of this shift towards a more open confrontation with the past, such as:
* the image of resistance to Hitler in united Germany
* changes at concentration camp memorial sites since 1990
* the commemoration of 8 May 1945 in 1995
* how the revelations in Goldhagen's startling book Hitler's Willing Executioners triggered new discussion
* the plans for the construction of a Holocaust Memorial.

Contents:
1. The state of the nation; 2. The division of Germany; 3. The two German state: realities and images; 4. The intervening years: long-term factors in change; 5. The events of 1989/1990; 6. Unification?; 7. Coming to terms with the past; 8. Germany into the new millenium.

A concise introduction to the process which led to the division of Germany in 1949, and its unification in 1990. It also explores the economic, social and cultural divisions between and east and west, which still exist in post-unification Germany.
Dividing and Uniting Germany covers all important aspects of the subject including:
* the role of the allies in the post-war division of the country
* the integration of West and East Germany into their respective blocs
* the problems of integrating east and west after 1990
* Germany's Nazi and socialist past.

Since the 1960s and certainly the 1980s, Germans have been confronting the Nazi past and the legacy of German perpetration. However, over recent years, Germany has become increasingly preoccupied with German suffering during the war and the post-war period. Arguably, it is no longer the Holocaust that takes centre-stage in the contemporary German culture of memory but the trauma caused by Allied bombing of German cities, and by the expulsion of millions of Germans from eastern Europe at the end of the war. This thought-provoking and lively collection of essays, by a team of leading scholars in the field, explores current memory trends in Germany. What has triggered this preoccupation with German suffering? How dangerous is it? Is it really new, or have the Germans always tended to empathise more with their own losses than with Nazi victims? Together these essays are an invaluable resource for students and teachers, and are essential reading for all with an interest in how Germans, in the new millennium, are facing up to their past.

A Cultural History of Memory presents an authoritative survey from ancient times to the present. The set of six volumes covers over 2500 years of history, charting the evolving nature and role of memory throughout history. This volume, A Cultural History of Memory in the Long Twentieth Century explores memory in the 'long nineteenth century'. As with all the volumes in the illustrated Cultural History of Memory set, this volume presents essays on memory and: power and politics; time and space; media and technology; science and education; philosophy, religion and history, high culture and popular culture; rituals, faith, practices and the everyday; and remembering and forgetting. A Cultural History of Memory in the Long Twentieth Century is the most authoritative and comprehensive survey available on memory since 1900.

How objective are our history books? This addition to the Writing History series examines the critical role that memory plays in the writing of history. This book includes: - Essays from an international team of historians, bringing together analysis of forms of public history such as museums, exhibitions, memorials and speeches - Coverage of the ancient world to the present, on topics such as oral history and generational and collective memory - Two key case studies on Holocaust memorialisation and the memory of Communism

An expose of Hitler's relationship with film and his influence on the film industry A presence in Third Reich cinema, Adolf Hitler also personally financed, ordered, and censored films and newsreels and engaged in complex relationships with their stars and directors. Here, Bill Niven offers a powerful argument for reconsidering Hitler's fascination with film as a means to further the Nazi agenda. In this first English-language work to fully explore Hitler's influence on and relationship with film in Nazi Germany, the author calls on a broad array of archival sources. Arguing that Hitler was as central to the Nazi film industry as Goebbels, Niven also explores Hitler's representation in Third Reich cinema, personally and through films focusing on historical figures with whom he was associated, and how Hitler's vision for the medium went far beyond "straight propaganda." He aimed to raise documentary film to a powerful art form rivaling architecture in its ability to reach the masses.