In March 1987 a radical coalition of queer activists converged on Wall Street ... their target, 'Business, Big Business, Business as Usual ' It was ACT UP's first demonstration. In November 1999 a radical coalition of environmental, labor, anarchist, queer, and human rights activists converged in Seattle--their target was similar, a system of global capitalism. Between 1987 and 1999 a new project in activism had emerged unshackled from past ghosts. Through innovative use of civil rights' era non-violent disobedience, guerrilla theatre, and sophisticated media work, ACT UP has helped transform the world of activism.
This anthology offers a history of ACT UP for a new generation of activists and students. It is divided into five sections which address the new social movements, the use of street theater to reclaim public space, queer and sexual politics, new media/electronic civil disobedience, and race and community building. Contributions range across a diverse spectrum: The Northwest Bronx Community and Clergy Coalition, Jubilee 2000, Students for an Undemocratic Society, Fed Up Queers, Gender Identity Center of Colorado, Triangle Foundation, Jacks of Color, National Coalition for Sexual Freedom, Lower East Side Collective, Community Labor Coalition, Church of Stop-Shopping, Indy Media Collective, Black Radical Congress, The Theater of the Oppressed Laboratory, Adelante Street Theater; HealthGAP, Housing Works, SexPanic and, of course, ACT UP itself.

The Reverend Billy is a revivalist preacher who leads the Church of Stop Shopping, an anticonsumerist communion devoted to putting the odd into God. Created by the actor Bill Talen, the Reverend first appeared alongside the sidewalk preachers in New York’s Times Square during the Giuliani years, bringing his new post-religious theology to eager crowds. Now Reverend Billy has a cult following across the country and was recently featured in a profile in the New York Times Magazine. In these pages we go inside the Disney Store on 42nd Street (“the high church of retail”) to witness staged dramas against consumerism that employ eight hundred Disney characters with their “reeling eyeballs and sky-cracking grins” as the mise-en-scène. We encounter the icon-twisting logic of credit card exorcism performed in front of astonished tourists and listen to a gospel choir made up of “recovered preachers’ kids” singing anti-Starbucks anthems at the cash register of the $5 latte. We watch as the defense of a community garden is turned into an Off-Broadway hit and join with the Reverend as he preaches love and peace to the crowds that gathered spontaneously in Union Square after the attacks of September 11.