'A scrupulous biography' - Publishers Weekly 'Fresh, incisive, and uplifting' - Kirkus Bill V. Mullen celebrates the life of the great African-American writer who created some of the most important literary work of his time, including the novels Go Tell It on the Mountain and If Beale Street Could Talk. As a lifelong anti-imperialist, black queer advocate, and feminist, James Baldwin was a passionate chronicler of the rise of the Civil Rights Movement, the US war against Vietnam, the Palestinian liberation struggle and the rise of LGBTQ+ rights. In James Baldwin: Living in Fire, Mullen pays homage to Baldwin's truly radical approach to his life, writing and activism. Fighting towards what he hoped would be a post-racial society, Baldwin's philosophy was tragically ahead of its time, predicting what has become the new civil rights movement of today.

In the first major biography of Baldwin in more than a decade, Bill V. Mullen celebrates the personal and political life of the great African-American writer who changed the face of Western politics and culture. As a lifelong anti-imperialist, black queer advocate, and feminist, Baldwin (1924-1987) was a passionate chronicler of the rise of the Civil Rights Movement, the U.S. war against Vietnam, Palestinian liberation struggle, and the rise of LGBTQ rights. Mullen explores how Baldwin's life and work channel the long history of African-American freedom struggles, and explains how Baldwin both predicted and has become a symbol of the global Black Lives Matter movement.

On the 27th August, 1963, the day before Martin Luther King electrified the world from the steps of the Lincoln Memorial with the immortal words, 'I Have a Dream', the life of another giant of the Civil Rights movement quietly drew to a close in Accra, Ghana: W.E.B. DuBois. In this new biography, Bill V. Mullen interprets the seismic political developments of the Twentieth Century through Du Bois's revolutionary life. Du Bois was born in Massachusetts in 1868, just three years after formal emancipation of America's slaves. In his extraordinarily long and active political life, he would emerge as the first black man to earn a PhD from Harvard; surpass Booker T. Washington as the leading advocate for African American rights; co-found the NAACP, and involve himself in anti-imperialist and anti-colonial struggles across Asia and Africa. Beyond his Civil Rights work, Mullen also examines Du Bois's attitudes towards socialism, the USSR, China's Communist Revolution, and the intersectional relationship between capitalism, poverty and racism. An accessible introduction to a towering figure of American Civil Rights, perfect for anyone wanting to engage with Du Bois's life and work.

On the 27th August, 1963, the day before Martin Luther King electrified the world from the steps of the Lincoln Memorial with the immortal words, "I Have a Dream", the life of another giant of the Civil Rights movement quietly drew to a close in Accra, Ghana: W.E.B. Du Bois. In this new biography, Bill V. Mullen interprets the seismic political developments of the Twentieth Century through Du Bois's revolutionary life. Du Bois was born in Massachusetts in 1868, just three years after formal emancipation of America's slaves. In his extraordinarily long and active political life, he would emerge as the first black man to earn a PhD from Harvard; surpass Booker T. Washington as the leading advocate for African American rights; co-found the NAACP, and involve himself in anti imperialist and anti-colonial struggles across Asia and Africa. Beyond his Civil Rights work, Mullen also examines Du Bois's attitudes towards socialism, the USSR, China's Communist Revolution, and the intersectional relationship between capitalism, poverty and racism. An accessible introduction to a towering figure of American Civil Rights, perfect for anyone wanting to engage with Du Bois's life and work.

With contributions from activists, artists, and scholars, Afro Asia is a groundbreaking collection of writing on the historical alliances, cultural connections, and shared political strategies linking African Americans and Asian Americans. Bringing together autobiography, poetry, scholarly criticism, and other genres, this volume represents an activist vanguard in the cultural struggle against oppression.Afro Asia opens with analyses of historical connections between people of African and of Asian descent. An account of nineteenth-century Chinese laborers who fought against slavery and colonialism in Cuba appears alongside an exploration of African Americans' reactions to and experiences of the Korean "conflict." Contributors examine the fertile period of Afro-Asian exchange that began around the time of the 1955 Bandung Conference, the first meeting of leaders from Asian and African nations in the postcolonial era. One assesses the relationship of two important 1960s Asian American activists to Malcolm X and the Black Panthers. Mao Ze Dong's 1963 and 1968 statements in support of black liberation are juxtaposed with an overview of the influence of Maoism on African American leftists. Turning to the arts, Ishmael Reed provides a brief account of how he met and helped several Asian American writers. A Vietnamese American spoken-word artist describes the impact of black hip-hop culture on working-class urban Asian American youth. Fred Ho interviews Bill Cole, an African American jazz musician who plays Asian double-reed instruments. This pioneering collection closes with an array of creative writing, including poetry, memoir, and a dialogue about identity and friendship that two writers, one Japanese American and the other African American, have performed around the United States. Contributors: Betsy Esch, Diane C. Fujino, royal hartigan, Kim Hewitt, Cheryl Higashida, Fred Ho, Everett Hoagland, Robin D. G. Kelley, Bill V. Mullen, David Mura, Ishle Park, Alexs Pate, Thien-bao Thuc Phi, Ishmael Reed, Kalamu Ya Salaam, Maya Almachar Santos, JoYin C. Shih, Ron Wheeler, Daniel Widener, Lisa Yun

Un-American is Bill Mullen's revisionist account of renowned author and activist W.E.B. Du Bois's political thought toward the end of his life, a period largely dismissed and neglected by scholars. He describes Du Bois's support for what the Communist International called "world revolution" as the primary objective of this aged radical's activism. Du Bois was a champion of the world's laboring millions and critic of the Cold War, a man dedicated to animating global political revolution. Mullen argues that Du Bois believed that the Cold War stalemate could create the conditions in which the world powers could achieve not only peace but workers' democracy. Un-American shows Du Bois to be deeply engaged in international networks and personal relationships with revolutionaries in India, China, and Africa. Mullen explores how thinkers like Karl Marx, Jawaharlal Nehru, Mohandas Gandhi, and C.L.R. James helped him develop a theory of world revolution at a stage in his life when most commentators regard him as marginalized. This original political biography also challenges assessments of Du Bois as an American "race man."

For more than three decades, Fred Ho has been a radical artist and activist. As a composer and baritone saxophonist, he is famed for creating a new music that fuses Asian and African traditions. The influence of the Black Power and Black Arts movements during his coming of age inspired him to become one of the leading radical Asian American activist-artists. Ho’s passions for art and justice have always been linked—his music seeks to express his politics and his activism has injected revolution into his art. Wicked Theory, Naked Practice is a groundbreaking collection of Ho’s writings, speeches, and interviews of the past three decades on topics ranging from Mao to Coltrane, from Sun Ra to selling out, and from fighting oppression to battling cancer. His work insists on connections among creative and artistic processes, political theorization, and activist organizing. As Robin D. G. Kelley says in the foreword, “Ho writes, speaks, and plays in order to persuade and inspire, to expose the crimes of the ruling class, and to challenge the status quo so that we imagine a different future.” Through Wicked Theory, Naked Practice, Ho’s contributions merge political and cultural theory, shedding new light on the radical movements of the 1960s and 1970s and revealing the fascinating story behind a prolific and politically engaged artist across all genres.