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"A trove of well-wrought, luminous, soul-bracing gifts." -Thomas
Lynch (on the 2010 edition)
In each of the short poems in Billy Collins’s Musical Tables, the former United States Poet Laureate tempers his characteristically jocular voice with what he calls the “thrill of mortality” – flashes of profundity amongst the mundane, startling reminders of the wonder of being alive. Through the brevity of these poems, Collins’ knack for coaxing the poetry out of the everyday becomes ever more refined. Whether reflecting on mornings spent in the thicket of Los Angeles traffic, or turning over clichés on the tongue until old metaphors become new again, Musical Tables is Billy Collins at his most meditative: brief, and all the more brilliant for it.
The Trouble with Poetry is the new collection from probably the most popular poet in the entire planet, and finds everyone's favourite contemporary Pre-Socratic in as funny and wise (and sometimes joyfully silly) form as ever. Billy Collins's tone is inimitable. Drawled and knowing, yet without a hint of world-weariness or cynicism, he fearlessly addresses the reader as friend and intimate -- and comrade, inviting them to square up to the various collective crises of the bald ape in the 21st century. Collins remains the only poet who can write about the next-to-nothing of our lives, the little boredoms, habits and frustrations of our daily and domestic existence, revealing their true importance and meaning -- and demonstrating that the same historical and cosmic forces bear upon them as upon the great events of the age. 'Billy Collins is one of my favourite poets in the world' Carol Ann Duffy 'I'd follow this man's mind anywhere' Michael Donaghy 'Billy Collins's poems describe all the worlds that are and were and some others besides' John Updike
A collection of poems from the US Poet Laureate. While Billy Collins' poems often begin in the everyday and domestic, they might end anywhere - and readers might lift their heads from the book to a world startlingly different from the one they had left moments before.
'We should've seen this coming. We did. We did see this coming. The world will not be kind to us because we haven't given it a reason to be.' The world turns. Dark clouds gather. Chaos is on the horizon. On his fifteenth birthday, Noble transforms into a bird. Thousands of miles away, his sister Cleo is stationed on a remote island with the British Antarctic Survey. The birds have disappeared. Noble needs to reach her. Lying low until it's time to take flight, he finds solace in misfit Ellis while his mum Fiona desperately tries to stop their home from falling apart. Billie Collins' play Too Much World at Once is an urgent coming-of-age story for our times, a lyrical, theatrical journey that spans continents and lives. It is premiered by Box of Tricks Theatre on a UK tour in 2023.
Playfulness, spare elegance, and wit epitomize the poetry of Billy
Collins." "With his distinct voice and accessible language,
America's two-term Poet Laureate has opened the door to poetry for
countless people for whom it might otherwise remain closed. "From the Hardcover edition."
Richard Brautigan was a literary idol of the 1960s and 1970s whose
comic genius and iconoclastic vision of American life caught the
imagination of young people everywhere. He came of age during the
Haight-Ashbury period and has been called "the last of the Beats."
His early books became required reading for the hip generation, and
on its publication "Trout Fishing in America" became an
international bestseller. An indescribable romp, the novel is best
summed up in one word: mayonnaise.
Ralph Waldo Emerson issued a call for a great poet to capture and
immortalize the unique American experience. In 1855, an answer came
with "Leaves of Grass."
'Funny but serious, accessible but rich in meaning, consistently surprising - the world looks slightly different after reading a Billy Collins poem. He's a one-off, an American treasure' Nick Laird These are poems of whimsy and imaginative acrobatics, but they are grounded in the familiar, common things of everyday experience. Collins takes us for a walk with an impossibly ancient dog, discovers the proper way to eat a banana, meets an Irish spider, and invites us to his own funeral. Facing both the wonders of being alive and the thrill of mortality, these new poems can only solidify Collins's reputation as one of America's most durable and interesting poets.
Emily Dickinson lived as a recluse in Amherst, Massachusetts, dedicating herself to writing a "letter to the world"--the 1,775 poems left unpublished at her death in 1886. Today, Dickinson stands in the front rank of American poets. This enthralling collection includes more than four hundred poems that were published between Dickinson's death and 1900. They express her concepts of life and death, of love and nature, and of what Henry James called "the landscape of the soul." And as Billy Collins suggests in his Introduction, "In the age of the workshop, the reading, the poetry conference and festival, Dickinson reminds us of the deeply private nature of literary art."
In this beautiful collection of poems and paintings, Billy Collins, former U.S. poet laureate, joins with David Allen Sibley, America's foremost bird illustrator, to celebrate the winged creatures that have inspired so many poets to sing for centuries. From Catullus and Chaucer to Robert Browning and James Wright, poets have long treated birds as powerful metaphors for beauty, escape, transcendence, and divine expression. Here, in this substantial anthology, more than one hundred contemporary and classic poems are paired with close to sixty original, ornithologically precise illustrations. Part poetry collection, part field guide, part art book, "Bright Wings" presents verbal and visual interpretations of the natural world and reminds us of our intimate connection to the "bright wings" around us. Each in their own way, these poems and pictures honor the enchanting creatures that have been, and continue to be, longtime collaborators with the poet's and painter's art. Poet and bird pairings include: Wallace Stevens and the Blackbird; Emily Dickinson and the Robin; Marianne Moore and the Frigate Pelican; Thomas Hardy and the Goldfinch; Sylvia Plath and the Pheasant; John Updike and the Seagull; Walt Whitman and the Eagle; Billy Collins and the Sparrow.
It is no understatement to say that Billy Collins has found poetry a whole new audience across the English-speaking world. No poet writing today insists on such open, direct and courteous engagement with the reader, and no poet has shown the common experience to be such an astonishing and singular one. Collins' gift is to make the reader believe that everything is unfolding in real time and in living speech; his poetry always has the sheen and vibrancy of the present moment. While "Ballistics" addresses the most grave and serious of subjects - death and love, solitude and aging - Collins' light touch and lighter spirit never desert him. Even in his darkest verses, Collins never fails to remind us of the sheer miracle, comedy and strangeness of our simply being here. 'The teasing, buoyant images in "Ballistics" are firmly anchored in visions of too-quiet mornings, droplets of water, cold marble and bare light bulbs. But he now writes, more simply and assuredly than he used to, about the flights of imagination that keep melancholy at bay . . . "Ballistics" glows with the confidence of a writer fully aware of his work's power to delight' "New York Times"
As a record of poetry, The Poets Laureate Anthology is groundbreaking, charting the course of American poetry over the last seventy-five years, while being, at the same time, a pleasure to read, full of some of the world s best-known poems and many new surprises. Elizabeth Hun Schmidt has gathered and introduced poems by each of the forty-three poets who have been named our nation s poets laureate since the post (originally called Consultant in Poetry to the Library of Congress) was established in 1937. Poets range from Robert Pinsky, William Carlos Williams, and Elizabeth Bishop to Charles Simic, Billy Collins, and Rita Dove. Schmidt s spirited introductions place the poets and their poems in historical and literary context and shine light on the interesting and often uneasy relationship between politics and art. This is an inviting, monumental collection for everyone s library, containing much of the best poetry written in America over the last century."
It would have pleased Walt Whitman, that poet of urban motion, to envision his words coursing by electrified rail through a diverse, global city of 8 million souls. Since 1992, with the presentation of an excerpt from Walt Whitman's "Crossing Brooklyn Ferry," the Poetry in Motion program-co-sponsored by MTA Arts & Design and the Poetry Society of America-has brought more than 200 poems, in whole or in part, before the eyes of millions of subway and bus riders, offering a moment of timelessness in the busy day. The poems are by an eclectic mix of writers, from Sappho and Sylvia Plath to W. H. Auden, Rita Dove, Seamus Heaney, Nikki Giovanni, Patrick Phillips, and Aracelis Girmay. Each of the 100 poems gathered here has, in sixteen lines or less, the power to enliven the quotidian, provide nourishment for the soul, and enchant even the youngest among us.
However arresting, outlandish, or hilarious, the poems in Horoscopes for the Dead are typically prompted by the familiar things of the world: dogs, stars, food, love, and marriage as well as life's local triumphs and disappointments, joys and shames. Collins's gift is to unlock the mysterious in the ordinary, and he is always careful to take his reader with him. Indeed, no other living poet has done more to reengage and revitalize poetry's readership, or so deservedly earned its trust. Few poets have his ability to mix bold, unadorned statements with lyric invention and imaginative richness. And here in these new poems, Collins's inimitable tone - wry, smart, funny, and wise - takes on a darker shade, as the poems declare a deep awareness of transience and mortality. The result is the revelation of a world more precious, more fragile, richer in colour and form than ever. Praise for Billy Collins 'A writer . . . fully aware of his work's power to delight' New York Times 'A poet of plentitude, irony, and Augustan grace' New Yorker
"NEW YORK TIMES "BESTSELLER "From the Hardcover edition."
Aimless Love is Billy Collins' first compilation of poems in twelve years, and a wonderful successor to his first, the bestselling Taking Off Emily Dickinson's Clothes. Aimless Love presents more than fifty new poems together with generous selections from his four previous books. No poet writing today communicates so directly and effectively, and no living poet has managed to both enrich the tapestry of contemporary poetry and expand it so dramatically: his poems appeal to readers and live audiences across the globe, and have been translated into more than a dozen languages. By turns playful, ironic and serious, Collins's poetry unearths the wonder in the everyday: in his own words, his poems 'begin in Kansas and end in Oz'. Weaving the themes of love, loss, joy and poetry itself, these poems showcase the best work of this 'poet of plenitude, irony, and Augustan grace'.
Special issue featuring self-portraits in poems and art.
Billy Collins has emerged as the most beloved American poet since Robert Frost, garnering critical acclaim and broad popular appeal. Annie Proulx admits, ""I have never before felt possessive about a poet, but I am fiercely glad that Billy Collins is ours."" This special, limited edition celebrates Billy Collins's years as U.S. Poet Laureate. Questions About Angels--one of the books that helped establish and secure his reputation and popularity during the 1990s--is remarkable for its wry, inquisitive voice and its sheer imaginative range. Edward Hirsch selected this classic book for the National Poetry Series, and each of Collins's poems-from his meditation on forgetfulness to his musings on the behavior of angels-is an exploration of imaginative possibilities. Whether reading him for the first time or the fiftieth, this collector's edition is a must-have for anyone interested in the poet the New York Times calls simply ""the real thing.""
Winner of the 1999 Paterson Poetry Prize Over the past decade, Billy Collins has emerged as the most beloved American poet since Robert Frost, garnering critical acclaim and broad popular appeal. Annie Proulx admits, "I have never before felt possessive about a poet, but I am fiercely glad that Billy Collins is ours." John Updike proclaims his poems "consistently startling, more serious than they seem, they describe all the worlds that are and were and some others besides." This special, limited edition celebrates Billy Collins's years as U.S. Poet Laureate. Picnic, Lightning-one of the books that helped establish and secure his reputation and popularity during the 1990s-combines humor and seriousness, wit and sublimity. His poems touch on a wide range of subjects, from jazz to death, from weather to sex, but share common ground where the mind and heart can meet. Whether reading him for the first time or the fiftieth, this collector's edition is a must-have for anyone interested in the poet the New York Times calls simply "the real thing."
A dazzling new anthology of 180 contemporary poems, selected and introduced by America’s Poet Laureate, Billy Collins.
Sailing Alone Around the Room, by America’s Poet Laureate, Billy Collins, contains both new poems and a generous gathering from his earlier collections The Apple That Astonished Paris, Questions About Angels, The Art of Drowning, and Picnic, Lightning. These poems show Collins at his best, performing the kinds of distinctive poetic maneuvers that have delighted and fascinated so many readers. They may begin in curiosity and end in grief; they may start with irony and end with lyric transformation; they may, and often do, begin with the everyday and end in the infinite. Possessed of a unique voice that is at once plain and melodic, Billy Collins has managed to enrich American poetry while greatly widening the circle of its audience.
In Nine Horses, Billy Collins, America’s Poet Laureate for 2001–2003, continues his delicate negotiation between the clear and the mysterious, the comic and the elegiac. The poems in this collection reach dazzling heights while being firmly grounded in the everyday. Traveling by train, lying on a beach, and listening to jazz on the radio are the seemingly ordinary activities whose hidden textures are revealed by Collins’s poetic eye. With clarity, precision, and enviable wit, Collins transforms those moments we too often take for granted into brilliant feats of creative imagination. Nine Horses is a poetry collection to savor and to share.
The New York Times Bestseller From former U.S. Poet Laureate Billy Collins comes a twelfth collection of poetry offering nearly fifty new poems that showcase his trademark generosity, wit, and imaginative play. The Rain in Portugal - a title that admits he's not much of a rhymer - sheds Collins's ironic light on such subjects as travel and art, cats and dogs, loneliness and love, beauty and death. His tones range from the whimsical - 'the dogs of Minneapolis . . . / have no idea they're in Minneapolis' - to the elegiac in a reaction to the death of Seamus Heaney. A student of the everyday, here Collins contemplates a weathervane, a still-life painting, the calendar, and a child lost at a beach. His imaginative fabrications have Shakespeare flying comfortably in first class and Keith Richards supporting the globe on his head. By turns entertaining, engaging, and enlightening, The Rain in Portugal amounts to another chorus of poems from one of the most respected and familiar voices in the world of poetry. |
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