The Songs The Beatles Gave Away' was inspired by the 2009 BBC Radio 2 documentary of the same name on which Colin worked with/for Bob Harris and his wife, Trudie Myerscough-Harris. For his book, Bob and Trudie have kindly given Colin permission to access the interviews they conducted in 2008/9 with Sir Paul McCartney, Sir George Martin, Cilla Black, Mary Hopkin, Jackie Lomax, Billy Hatton and others. Previously only small extracts from these exclusive interviews have ever been available but now, for the first time, these gems are accessed in full. Among the last interviews they gave, Sir George and Cilla spoke candidly about their work and experiences. To read their words is a moving reminder not only of their individual talents but of a period in recent musical history, the impact of which, still resonates to this day. Since making the original Radio 2 documentary Colin has been able to speak to artists who did not contribute directly to the programme such as Billy J. Kramer, Peter Asher, Megan Davies of The Applejacks and John Clay who played with the Black Dyke Mills Brass Band in 1968 when Paul McCartney visited Saltaire, in Yorkshire, to record 'Thingumybob', an instrumental tune, he had written especially for a brass band to play. For extra background detail, and to further contextualise the songwriting of John, Paul and George, Colin has unearthed extensive interviews he conducted with Astrid Kirchherr and Klaus Vormann before he became custodian of the Lennon house in Liverpool in 2004. He has also spoken with eye-witness, and former member of the Plastic Ono Band, Alan White who played on many Apple recording sessions. 'The Songs The Beatles Gave Away' is illustrated with photographs of records culled from Colin's private collection of original 45rpm vinyl singles, together with photographs kindly donated to the project by his friends, some of his own personal photographs as well as many promotional photographs from the period. While encompassing the origins of the Beatles as a group and the emergence of John, Paul, and George as composers, the central focus of 'The Songs The Beatles Gave Away' is on tunes John, Paul and George wrote for other artistes rather than just for The Beatles themselves. As such the stories featured here are not about 'covers' of songs the Beatles had already released. It is about songs The Beatles did not release commercially or even record at all during the active lifetime of the group. Such 'giveaways' were unique and each song and its singer are discussed in detail and side stories and background explored. This is the first time a book focusing on this aspect of The Beatles' legacy has been attempted.

In this autobiography Billy J. Kramer (born William Ashton) tells his rags to riches story, from his working class childhood in Liverpool to the racy world of international pop music. Managed by Brian Epstein, produced by George Martin, and friend, confidante and colleague of the Beatles, Kramer gives a definitive insider's account of the birth of the Liverpool sound and also the "British Invasion" of the USA. But there are dark secrets in the Kramer story. Before he reached his twenties, he was in the grip of drugs and alcohol, and there were constant tensions between him and his backing band, the Dakotas. When the screaming stopped, he reinvented himself as a cabaret performer, and some of his best records were made in the years he was out of the limelight. With a young family, drink and pills made his domestic life, and eventually his professional life, a struggle. In this no-holds-barred account, Kramer brings to life the vibrancy of the sixties. He then reveals how he exorcised his demons and forged a new career in the United States. He assembles his current band, shows a growing mastery of songwriting, and returns to national tours of Britain and the USA, keeping the flame of the Mersey sound alive. The lifetime of experience he brings to his new songs infuses every page of this enthralling read.

When Billy J. Kramer’s record of Lennon and McCartney’s “Do You Want To Know A Secret?” topped the New Musical Express charts in 1963, he became the first singer in the world to have a number one hit with a Beatles song, apart from the Fab Four themselves. This success propelled the teenage Kramer into the fast lane, and he followed it with another five top twenty singles within the space of two years. In this autobiography Billy J. Kramer (born William Ashton) tells his rags to riches story, from his working class childhood in Liverpool, via a British Rail engineering apprenticeship in the dying days of steam, to the racy world of international pop music. Managed by Brian Epstein, produced by George Martin, engineered by Hurricane Smith, and friend, confidante and colleague of the Beatles, Kramer gives a definitive insider’s account of the birth of the Liverpool sound and also the “British Invasion” of the US. We follow him to the Star Club in Hamburg, to Abbey Road, into the BBC studios, and onto package tours and stage shows with the Beatles, Cilla Black, Gerry and the Pacemakers, Tommy Quickly and other stars of the age. He shares a dressing room with James Brown, and appears alongside other 1960s giants of the American music business. Kramer also brilliantly evokes the world of variety, as he goes behind the scenes with comedian Tommy Cooper, and learns about the stagecraft of artistes from another era. On the surface, Kramer’s career seems like a dream come true, but there are dark secrets in the Kramer story. Even before he’d reached his twenties, he was already in the grip of drugs and alcohol, and there were constant tensions between him and his Mancunian backing band, The Dakotas. When the screaming stopped, he reinvented himself as a cabaret performer, and some of his best records were made during the years he was out of the limelight. He brought up a young family, but the drink and pills made his domestic life, and eventually his professional life, a struggle. In this no-holds-barred account of his life, Kramer evokes the vibrancy of the sixties and reveals how he exorcised his demons and forged a new career in the US. He assembles his current band, shows a growing mastery of songwriting and recording, and returns to national tours, keeping the flame of the Mersey sound alive. The lifetime of experience he brings to his new songs infuses every page of this enthralling read.