This book informs the readers about the life of a Southeastern Kentuckian and his struggles with 17 years of religious teachings coupled with, once into real world employment, corruption in the government of the United States of America and treasonous acts by members of the executive and legislative branches of the federal government.

Every American should read this book and take immediate action thereafter to recall their state's US delegation to Washington. As a military enlistee, as do members of Congress, we sore an oath to defend the United States Constitution against all enemies foreign and domestic. the same Constitution which we swore the oath dictates the Congress of the United Sates will proclaim a Declaration of War against any aggressor attacking this great nation. Congress has not proclaimed a Declaration of War since the December 7, 1941, Imperial Japanese Navy air and sea attack on Pearl Harbor, Hawaii. However, Congress has funded and ordered the President of the United States to commit acts of war against sovereign nations, not because of military aggression, but to acquire fossil fuel reserves, critical industrial minerals, and a new Religious Crusade. Disabled American military veterans, i believe understand and accept the hardships, deaths injuries and unexpected from their combat and/or support duty in a hazardous environment and unwanted divorces and domestic issues to preserve and defend the US Constitution. However, to enrich the owners of the Federal Reserve, wall Street Investors and members of Congress is un-Constitutional.

In the stark expanse of Northern Alberta, a queer Indigenous doctoral student steps away from his dissertation to write a novel, informed by a series of poignant encounters: a heart-to-heart with fellow doctoral student River over the mounting pressure placed on marginalized scholars; a meeting with Michael, a closeted man from his hometown whose vulnerability and loneliness punctuate the realities of queer life on the fringe. Woven throughout these conversations are memories of Jack, a cousin caught in the cycle of police violence, drugs, and survival. Jack's life parallels the narrator's own; the possibilities of escape and imprisonment are left to chance with colonialism stacking the odds. A Minor Chorus introduces a dazzling new literary voice whose vision and fearlessness shine much-needed light on the realities of Indigenous survival.

Literature on the ethics and politics of food and that on human–animal relationships have infrequently converged. Representing an initial step toward bridging this divide, Messy Eating features interviews with thirteen prominent and emerging scholars about the connections between their academic work and their approach to consuming animals as food. The collection explores how authors working across a range of perspectives—postcolonial, Indigenous, black, queer, trans, feminist, disability, poststructuralist, posthumanist, and multispecies—weave their theoretical and political orientations with daily, intimate, and visceral practices of food consumption, preparation, and ingestion. Each chapter introduces a scholar for whom the tangled, contradictory character of human–animal relations raises difficult questions about what they eat. Representing a departure from canonical animal rights literature, most authors featured in the collection do not make their food politics or identities explicit in their published work. While some interviewees practice vegetarianism or veganism, and almost all decry the role of industrialized animal agriculture in the environmental crisis, the contributors tend to reject a priori ethical codes and politics grounded in purity, surety, or simplicity. Remarkably free of proscriptions, but attentive to the Eurocentric tendencies of posthumanist animal studies, Messy Eating reveals how dietary habits are unpredictable and dynamic, shaped but not determined by life histories, educational trajectories, disciplinary homes, activist experiences, and intimate relationships. These accessible and engaging conversations offer rare and often surprising insights into pressing social issues through a focus on the mundane—and messy— interactions that constitute the professional, the political, and the personal. Contributors: Neel Ahuja, Billy-Ray Belcourt, Matthew Calarco, Lauren Corman, Naisargi Dave, Maneesha Deckha, María Elena García, Sharon Holland, Kelly Struthers Montford, H. Peter Steeves, Kim TallBear, Sunaura Taylor, Harlan Weaver, Kari Weil, Cary Wolfe

The new edition of a prize-winning memoir-in-poems, a meditation on life as a queer Indigenous man—available for the first time in the United States “i am one of those hopeless romantics who wants every blowjob to be transformative.� Billy-Ray Belcourt’s debut poetry collection, This Wound Is a World, is “a prayer against breaking,� writes trans Anishinaabe and Métis poet Gwen Benaway. “By way of an expansive poetic grace, Belcourt merges a soft beauty with the hardness of colonization to shape a love song that dances Indigenous bodies back into being. This book is what we’ve been waiting for.� Part manifesto, part memoir, This Wound Is a World is an invitation to “cut a hole in the sky / to world inside.� Belcourt issues a call to turn to love and sex to understand how Indigenous peoples shoulder their sadness and pain without giving up on the future. His poems upset genre and play with form, scavenging for a decolonial kind of heaven where “everyone is at least a little gay.� Presented here with several additional poems, this prize-winning collection pursues fresh directions for queer and decolonial theory as it opens uncharted paths for Indigenous poetry in North America. It is theory that sings, poetry that marshals experience in the service of a larger critique of the coloniality of the present and the tyranny of sexual and racial norms.

Gary Ross directs this sci-fi action film based on the best-selling novel by Suzanne Collins. Jennifer Lawrence stars as 16-year-old Katniss Everdeen, a citizen of the totalitarian post-apocalyptic country of Panem, formerly the United States. Every year, the all-powerful ruling agency known as the Capitol selects one boy and one girl from each of Panem's 12 impoverished rival districts to fight to the death on live national television in a contest known as 'The Hunger Games', in which the winner is given food to feed their entire district for a year. When her younger sister Primrose (Willow Shields) is selected as a contestant, Katniss steps up to take her place in the match. Under the tutelage of inebriated former champion Haymitch Abernathy (Woody Harrelson), Katniss goes into training for the fight of her life.

In his follow-up to This Wound is a World, Billy-Ray Belcourt's Griffin Poetry Prize-winning collection, NDN Coping Mechanisms: Notes from the Field is a provocative, powerful, and genre-bending new work that uses the modes of accusation and interrogation. He aims an anthropological eye at the realities of everyday life to show how they house the violence that continues to reverberate from the long twentieth century. In a genre-bending constellation of poetry, photography, redaction, and poetics, Belcourt ultimately argues that if signifiers of Indigenous suffering are everywhere, so too is evidence of Indigenous peoples' rogue possibility, their utopian drive. In NDN Coping Mechanisms: Notes from the Field, the poet takes on the political demands of queerness, mainstream portrayals of Indigenous life, love and its discontents, and the limits and uses of poetry as a vehicle for Indigenous liberation. In the process, Belcourt once again demonstrates his extraordinary craft, guile, and audacity, and the sheer dexterity of his imagination.

An Arizona wife and mother is murdered while on holiday in Mexico. Bailey Crane is an auxiliary cop with the Phoenix PD and is obliquely involved in the case until he visits close friends in Pueblo del Mar. The local police chief seeks Bailey's help in this most unusual caper about a philandering husband and a transvestite lover. There is of course the ever-loving musings of our southern Sherlock, an encounter with a mysterious mystic seer of 'Time and Place, ' and just about all the emotions in the human heart and soul. Bailey gets banged around and challenged at the highest level of his endurance. When family and friends are caught in the ugly web of corruption, drugs, and sex, our hero's Cherokee blood hits the boiling point. The brutally devastating climax comes in a 'Whale Shack' on the scrub brush and sand near the Sea of Cortez. This tale was inspired by an actual murder some years ago, and it's one you won't want to miss