The Pink Panther diamond has been stolen again and Inspector Clouseau (Peter Sellers) is called in to find the thief. Christopher Plummer has taken over David Niven's role as number one suspect, but this time he is innocent and decides he'll have to find the culprit himself if he wants to avoid a life behind bars. Clouseau, meanwhile, conducts the police investigation in his idosyncratic style.

The Pink Panther diamond has been stolen again and Inspector Clouseau (Peter Sellers) is called in to find the thief. Christopher Plummer has taken over David Niven's role as number one suspect, but this time he is innocent and decides he'll have to find the culprit himself if he wants to avoid a life behind bars. Clouseau, meanwhile, conducts the police investigation in his idosyncratic style.

While holidaying in Barbados, widowed Foreign Office employee Judith (Julie Andrews) begins a romance with handsome Russian military attaché Feodor (Omar Sharif). However, Feodor is in reality the second-in-command of the KGB, and when Judith returns to England she finds herself under suspicion of deliberately liaising with an enemy agent.

"Five, six, seven, eight!" Defines the life of actress, dancer, choreographer, and director Miriam Nelson. Miriam's life reads like a 1930's musical. While still in her twenties, she appeared in six Broadway shows. On the day she moved to Los Angeles, Miriam ran into old friend Billy Daniels from New York who took her to lunch at Paramount. During lunch, Miriam ran into another New York friend, Paramount president Buddy de Sylva, who hired her on the spot for Lady in the Dark starring Ginger Rogers. Miriam has been dancing with the stars ever since! Nelson has tapped and chassd with countless stars, including Julie Andrews, Ingrid Bergman, Doris Day, Judy Garland, Bette Davis, Bing Crosby, Gene Kelly, John Travolta and Billy Bob Thornton. Miriam was there for the opening day at Disneyland - Walt Disney hired her to choreograph dance numbers around the Park, including the famous Golden Horseshoe Revue. Miriam's career spans both the famous and infamous eras of stage, screen, and television. Encouraged by friends and family to recall her special "behind the scenes" moments, Miriam sorted through memories, scrapbooks and mountains of photographs to enable readers to share the excitement and anticipation, the joy and the sorrow that chronicled her extraordinary life. Fortunately, for those who love to dance and those who love to watch dance, Miriam Nelson remains an exciting part of the professional American dance scene. "You're a darling girl, Miriam, and I love you for all that you did. God bless you always, your dear friend," - Busby Berkley

Blake Edwards' screen adaptation of Truman Capote's novella stars Audrey Hepburn as Holly Golightly, an eccentric high-class escort working in New York. When young writer Paul Varjack (George Peppard) - the kept man of a wealthy older woman - moves into Holly's apartment block, he finds inspiration when he falls in love with her. Daring in its day, it is believed by some that Peppard was chosen because he bore an uncanny resemblance to Capote himself.

Box-set collection of five of Audrey Hepburn's most famous films. In her Hollywood debut 'Roman Holiday' (1953), Hepburn won an Academy Award as Princess Anne, the bored royal who absconds from her duties and meets up with Gregory Peck's American ex-pat journalist. Billy Wilder directs her in 'Sabrina Fair' (1954) as the shy daughter of a wealthy family's chauffeur, who returns from two years in Paris as a sophisticated young woman. The musical romantic comedy 'Funny Face' (1957) sees Hepburn playing alongside Fred Astaire to the music of Gershwin as a young bookshop clerk transformed into an international fashion model. Adapted from the Truman Capote novella, 'Breakfast at Tiffany's' (1961) sees Hepburn in her archetypal role as dizzy call-girl Holly Golightly, trying not to fall for George Peppard's failed writer in New York. In 'Paris When it Sizzles' (1964), Hepburn plays a secretary hired to help alcoholic writer Richard Benson (William Holden) finish up a screenplay for a Hollywood producer, with only two days until the end of his deadline.