John Chrysostom remains, along with Augustine, one of the most prolific witnesses to the world of late antiquity. As priest of Antioch and bishop of Constantinople, he earned his reputation as an extraordinary preacher. In this first unified study of emotions in Chrysostom’s writings, Blake Leyerle examines the fourth-century preacher’s understanding of anger, grief, and fear. These difficult emotions, she argues, were central to Chrysostom’s program of ethical formation and were taught primarily through narrative means. In recounting the tales of scripture, Chrysostom consistently draws attention to the emotional tenor of these stories, highlighting biblical characters’ moods, discussing their rational underpinnings, and tracing the outcomes of their reactions. By showing how assiduously Chrysostom aimed not only to allay but also to arouse strong feelings in his audiences to combat humanity’s indifference and to inculcate zeal, Leyerle provides a fascinating portrait of late antiquity’s foremost preacher.

Ascetic Culture honors Philip Rousseau's pathbreaking work on early Christian asceticism in a series of essays exploring how quickly the industrious and imaginative practitioners of asceticism, from the early fourth through the mid-fifth century, adapted the Greco-Roman social, literary, and religious culture in which they had been raised. Far from rejecting the life of the urban centers of the ancient world, they refined and elaborated that life in their libraries, households, and communities. The volume begins with a discussion of Egyptian monastic reading programs and the circulation of texts, especially the hugely influential Life of Antony. A second group of essays engages the topic of disciplinary culture in ascetic spaces such as the monastery, the household, and the city. A third group focuses on the topic of imaginary landscapes and ascetic self-fashioning. Ascetic Culture concludes by surveying the scholarly study of asceticism over the last one hundred and fifty years, arguing that previous generations of scholars have regarded asceticism either as a product of the inner dynamism of early Christianity or as a distortion of its earliest aims. Together, the contributors recognize, reflect upon, and extend the themes explored in Rousseau's work on early Christianity's ascetic periphery-a region whose inhabitants reflect in various ways the aspirations of their religion, from the daily to the otherworldly.

This book provides an original and rewarding context for understanding the prolific fourth-century Christian theologian John Chrysostom and the religious and social world in which he lived. Blake Leyerle analyzes two highly rhetorical treatises by this early church father attacking the phenomenon of "spiritual marriage." Spiritual marriage was an ascetic practice with a long history in which a man and a woman lived together in an intimate relationship without sex. What begins as an analysis of Chrysostom's attack on spiritual marriage becomes a broad investigation into Chrysostom's life and work, the practice of spiritual marriage itself, the role of the theater in late antique city life, and the early history of Christianity. Though thoroughly grounded in the texts themselves and in the cultural history of late antiquity, this study breaks new ground with its focus on issues of rhetoric, sexuality, and power.
Leyerle argues that Chrysostom used images and tropes drawn from the theater to persuade religious men and women that spiritual marriage was wrong. In addition to her analysis of the significance of the rhetorical strategies used by Chrysostom, Leyerle gives a thorough discussion of the role of the theater in late antiquity, particularly in Antioch, one of the gems among late antique cities. She also discusses gender in the context of late antique religion, shedding new light on early Christian attitudes toward sexuality. Throughout Leyerle weaves an ongoing conversation with contemporary theory in film and gender studies that gives her study an important analytic dimension.