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On August 19, 1958, Clara Luper and thirteen Black youth walked
into Katz Drug Store in Oklahoma City and sat down at the lunch
counter. When they tried to order, they were denied service. As
they sat in silence, refusing to leave, the surrounding white
customers unleashed a torrent of threats and racial slurs. This
first organized sit-in in Oklahoma—almost two years before the
more famous sit-ins in Greensboro, North Carolina—sparked other
demonstrations in Oklahoma and other states. Behold the Walls is
Luper’s engrossing firsthand account of how the movement she
helped launch ended legal racial segregation. First published in
1979, Behold the Walls now features a new introduction and 33 newly
selected historical photos. Luper’s direct, unvarnished account
captures the immediacy of the events she witnessed. As a Black
woman, Luper refused to let either her race or her gender deter her
from stepping forth as a leader. Born in 1923, Clara Luper taught
history in Oklahoma public schools and led the NAACP Youth Council.
The students who sat in at Katz Drug and other businesses belonged
to that organization. Luper highlights the contributions of others,
especially young people, in breaking down the walls of segregation
in Oklahoma through numerous demonstrations, marches, and voter
registration campaigns. This commemorative edition of Luper’s
eye-opening autobiography, published near what would have been her
100th birthday, as well as the 65th anniversary of the sit-ins,
offers invaluable insight into the history of protest in the early
years of the civil rights movement. With racial inequality still at
the forefront of national debate, Behold the Walls places Luper’s
efforts in the larger national context of the struggle to resist
injustice and inspire positive change.
Oklahoma was in the throes of the Great Depression when Preston
George acquired a cheap Kodak folding camera and took his first
photographs of steam locomotives. As depression gave way to world
war, George kept taking pictures, now with a Graflex camera that
could capture moving trains. In this first book devoted solely to
George's work, his black-and-white photographs constitute a
striking visual documentary of steam-driven railroading in its
brief but glorious heyday in the American Southwest. The pictures
also form a remarkable artistic accomplishment in their own right.
Prominent among the magnificent action images collected here are
the engines that were George's passion - steam locomotives pulling
long freights or strings of gleaming passenger cars through open
country. But along with the fireworks of the heavier steam engines
slogging through the mountains near the Arkansas border on the
Kansas City Southern or climbing Raton Pass in New Mexico on the
Santa Fe, George's photographs also record humbler fare, such as
the short trains of the Frisco and Katy piloted by ancient light
steamers, and the final years of that state's interurban lines.
Augustus J. Veenendaal Jr.'s brief history of railroads in the
Sooner State puts these images into perspective, as does a
reminiscence by George's daughter Burnis on his life and his
pursuit of railroad photography. With over 150 images and a wealth
of historical and biographical information, this volume makes
accessible to an audience beyond the most avid railfans the extent
of Preston George's extraordinary achievement.
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