Bobby C. Rogers's second collection, Social History, listens hard to the voices of American characters and celebrates the gestures of ordinary life. The long lines of his narrative poems trace the undulations of southern speech, and his careful eye for detail reflects the influence of generations of storytellers, from authors like Robert Penn Warren and Eudora Welty to Rogers's own distant family members, living in ""decrepit houses where the floors sagged and the front rooms reeked/of snuff, bitter as the smell off a pile of clods beside an open grave, the scent of time that hadn't succeeded in passing."" In his beguiling evocations of the past, Rogers looks back with affection to the rhythms and rituals of growing up in small-town Tennessee. While his poems speak of a living connection to community and to the earth, they also acknowledge the growing need to question what we have been taught and to break free and make our own way in this world. Graceful and plainspoken, the poems of Social History bear witness to ways of living that, though past, are never truly lost.

Shift Work gathers a chorus from the storytelling working classes of the Upper South. In narrative poems made of sinewy, Whitmanesque lines, Bobby C. Rogers composes portraits of dwellers in the small towns, unincorporated communities, and hard-edged cities they have flown to, always packing their past with them, an inheritance as ephemeral as vapor, made mostly of memory even as it was being lived.