Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

How should a motorist converse with the police? Should you switch off your headlights when another car approaches? What parts of the engine can you fix with a sheet of emery paper, insulating tape and copper wire? The 1920s heralded the age of motoring with the arrival of the 'affordable' Austin Seven and the increasing popularity of Morris Motors in Britain. Yet the first edition of the Highway Code would not appear for another decade and the rules of the road were rudimentary to say the least. This charming and practical guide provides enduring advice to novice motorists on how to cope with such hazards as skidding, headlight dazzle and sheep on the road, much of which is still instructive on today's car journeys. Many of the author's observations will strike a chord with the modern driver: 'When driving, look on all other drivers as fools...'. Others evoke the style and etiquette of a glamorous bygone era: 'A good chauffeur... will save his employer a great deal of expense'; 'an average speed of twenty miles per hour... allows you and your passengers to see something of the countryside'. Covering such topics as unscrupulous second-hand car dealers, women drivers and 'dashboard delights', this little book provides all the information needed to get maximum enjoyment out of the open road, complete with leisurely picnics and a little light motor-car maintenance.

When American troops arrived in Paris to help maintain order at the end of the Second World War they were, at first, received by the local population with a sense of euphoria. However, the French soon began to resent the Americans for their display of wealth and brashness, while the US soldiers found the French and their habits irritating and incomprehensible. To bridge the cultural divide, the American generals came up with an innovative solution. They commissioned a surprisingly candid book which collated the GIs' 'gripes' and reproduced them with answers aimed at promoting understanding of the French and their country. The 'gripes' reveal much about American preconceptions: 'The French drink too much', 'French women are immoral', 'The French drive like lunatics ', 'The French don't bathe', 'The French aren't friendly' are just some of the many complaints. Putting the record straight, the answers cover topics as diverse as night-clubs, fashion, agriculture and sanitation. They also offer an unusual insight into the reality of daily life immediately after the war, evoking the shortage of food and supplies, the acute poverty and the scale of the casualties and destruction suffered by France during six years of conflict. Illustrated with delightfully evocative cartoons and written in a direct, colloquial style, this gem from 1945 is by turns amusing, shocking and thought-provoking in its valiant stand against prejudice and stereotype.

'Without a revolutionary theory there can be no revolutionary movement.' Vladimir Ilyich Lenin, leader of the Bolshevik Revolution and founder of the USSR, was profoundly aware of the power of words. As a zealous orator and prolific writer, he used his words to launch a soaring critique of imperialist society and to theorize the development of the world's first socialist state. Much of his writing was translated into English in order to further the Socialist cause. This book is a compilation of some of Lenin's most famous sayings, taken from speeches, tracts, letters and recorded conversations. They expose his views on topics ranging from democracy to terrorism, from religion to Stalin's untrustworthiness and from education to music. Accompanied by a range of arresting images, including contemporary propaganda posters, photographs, portraits, illustrations and Soviet art, these aphoristic proclamations offer an insight into the atmosphere of pre- and post-Revolutionary Russia and the mind of one of the twentieth century's most defining political figures.

"I have decided to prepare for, and if necessary to carry out, an invasion against England."--Adolph Hitler, July 16, 1940
Operation Sealion was the codename for the Nazi invasion of Britain that Hitler ordered his generals to plan after France fell in June 1940. Although the plan ultimately never came to fruition, a few sets of the Germans' detailed strategy documents are housed in the rare book rooms of libraries across Europe. But now the Bodleian Library has made documents from their set available for all to peruse in this unprecedented collection of the invasion planning materials.
The planned operation would have involved landing 160,000 German soldiers along a forty-mile stretch of coast in southeast England. Packets of reconnaissance materials were put together for the invading forces, and the most intriguing parts are now reproduced here. Each soldier was to be given maps and geographical descriptions of the British Isles that broke down the country by regions, aerial photographs pinpointing strategic targets, an extensive listing of British roads and rivers, strategic plans for launching attacks on each region, an English dictionary and phrase book, and even a brief description of Britain's social composition.
Augmenting the fascinating documents is an informative introduction that sets the materials in their historical and political context. A must-have for every military history buff, "German Invasion Plans for the British Isles, 1940" is a remarkable revelation of the inner workings of Hitler's most famous unrealized military campaign.

Invented to entertain Alice Liddell on boat-trips down the river Thames in Oxford, Alice’s Adventures in Wonderland has become one of the most famous and influential works of children’s literature of all time. It is hard to imagine Alice’s Adventures in Wonderland without picturing the illustrations made by Sir John Tenniel for the first edition of the story. Sir John Tenniel (1820–1914) was the principal satirical cartoonist for Punch magazine for over fifty years and much in demand as an illustrator in Victorian Britain. At Lewis Carroll’s request, he illustrated the first edition of Alice’s Adventures in Wonderland, published by Macmillan in 1865. In 1889, he made coloured versions of the drawings for The Nursery Alice, an adaptation of the story created especially for 0-5 year-olds. Ten years later, Gertrude E. Thompson modified Tenniel’s illustrations for a card entitled ‘The New and Diverting Game of Alice in Wonderland’. These unforgettable illustrations, including the Mad Hatter, the Mock Turtle and the Queen of Hearts, among many others, are featured in these special journals. Beautifully produced in hardback with lined paper, coloured page edges, ribbon marker and printed endpapers, this Alice in Wonderland journal is the perfect gift for Wonderland fans.

The Bodleian Library's exciting new range of journals showcases gorgeous illustrations from our collections on the covers. Designed to be easily portable or to fit in a small bag, each hard cover journal is 207 x 140mm, with 160 lined pages of high quality paper. Every journal is finished with a sturdy elastic band closure, ribbon marker and elastic pen holder. An expanding wallet for storing papers is also included on the inside back cover. Produced to a high standard with careful attention to finishing and details, they make the perfect gift for all writers and stationery lovers.

"Don't think that your wife has placed waste-paper baskets in the rooms as ornaments."
" "
"Don't forget that very true remark that while face powder may catch a man, baking powder is the stuff to hold him."
Marriage can be a series of humorous miscommunications, a power struggle, or a diplomatic nightmare. Men and women have long struggled to figure each other out--and the misunderstandings can continue well after they've been joined in matrimony. But long before "Men Are From Mars, Women Are From Venus," couples turned to self-help booklets such as "How to Be a Good" "Husband "and "How to Be a Good Wife," two historic advice books that are now delightfully reproduced by the Bodleian Library.
The books, originally published in the 1930s for middle-class British couples, are filled with witty and charming aphorisms on how wives and husbands should treat each other. Some advice is unquestionably outdated--"It is a wife's duty to look her best. If you don't tidy yourself up, don't be surprised if your husband begins to compare you unfavorably with the typist at the office"--but many other pieces of advice are wholly applicable today. They include such insightful sayings as: "Don't tell your wife terminological inexactitudes, which are, in plain English, lies. A woman has wonderful intuition for spotting even minor departures from the truth"; "After all is said and done, husbands are not terribly difficult to manage"; or "Don't squeeze the tube of toothpaste from the top instead of from the bottom. This is one of the small things of life that always irritates a careful wife."
Entertaining and charmingly illustrated, "How to Be a Good Husband" and "How to Be a Good Wife"offer enduringly useful advice for all couples, from the newly engaged to those celebrating their golden anniversary.

"Don't be too ready to listen to stories told by attractive women. They may be acting under orders." This was only one of the many warnings given to the 30,000 British troops preparing to land in the enemy territory of Nazi Germany nine-and-a-half months after D-Day. The newest addition to the Bodleian Library's bestselling series of wartime pamphlets, "Instructions for British Servicemen in Germany, 1944" opens an intriguing window into the politics and military stratagems that brought about the end of World War II.
The pamphlet is both a succinct survey of German politics, culture, and history and a work of British propaganda. Not only does the pamphlet cover general cultural topics such as food and drink, currency, and social customs, but it also explains the effect of years of the war on Germans and their attitudes toward the British. The book admonishes, "The Germans are not good at controlling their feelings. They have a streak of hysteria. You will find that Germans may often fly into a passion if some little thing goes wrong." The mix of humor and crude stereotypes--"If you have to give orders to German civilians, give them in a firm, military manner. The German civilian is used to it and expects it"--in the text make this pamphlet a stark reminder of the wartime fears and hopes of the British.
By turns a manual on psychological warfare, a travel guide, and a historical survey, "Instructions for British Servicemen in Germany, 1944" offers incomparable insights into how the British, and by extension the Allied forces, viewed their fiercest enemy on the eve of its defeat.

In 1934 Sir Giles Gilbert Scott began work on designs for a substantial new library building opposite the Old Bodleian Library site in Broad Street, Oxford in order to provide much-needed space for the growing numbers of books housed in the library and the number of readers using them. Opened in 1946 (having been delayed by the Second World War), for seventy years the New Bodleian served the academic community and readers visiting Oxford, housing 3.5 million items. Scott's innovative designs meant that the New Bodleian became a Grade II-listed building in 2003. In 2009, thanks to a generous bequest from the Garfield Weston Foundation, plans got underway for a complete refurbishment of the building to meet the needs of twenty-first-century research and the Bodleian's expanding collections. The architects Wilkinson Eyre were appointed to develop the project adapting the Grade II listed building for its new use as a special collections library while keeping the facade intact. Their brief was to redesign reading rooms for the consultation of rare books, manuscripts, archives, music and maps, provide new research facilities (including support for digital scholarship), new teaching facilities, improved conservation laboratories, state-of-the-art storage for Bodleian Libraries' valuable special collections and enhanced public access through a new entrance hall and exhibition space. This book tells the story of how the vision for the Weston Library was realized. Like the project itself, it represents a collaboration between clients and consultants as they place the project in context, describing in detail the many architectural, academic, curatorial and heritage issues addressed throughout the process, and the challenges of meeting the needs of an internationally renowned, four-hundred-year-old institution in the twenty-first century.

"Don't think that your wife has placed waste-paper baskets in the rooms as ornaments."
" "
"Don't forget that very true remark that while face powder may catch a man, baking powder is the stuff to hold him."
Marriage can be a series of humorous miscommunications, a power struggle, or a diplomatic nightmare. Men and women have long struggled to figure each other out--and the misunderstandings can continue well after they've been joined in matrimony. But long before "Men Are From Mars, Women Are From Venus," couples turned to self-help booklets such as "How to Be a Good" "Husband "and "How to Be a Good Wife," two historic advice books that are now delightfully reproduced by the Bodleian Library.
The books, originally published in the 1930s for middle-class British couples, are filled with witty and charming aphorisms on how wives and husbands should treat each other. Some advice is unquestionably outdated--"It is a wife's duty to look her best. If you don't tidy yourself up, don't be surprised if your husband begins to compare you unfavorably with the typist at the office"--but many other pieces of advice are wholly applicable today. They include such insightful sayings as: "Don't tell your wife terminological inexactitudes, which are, in plain English, lies. A woman has wonderful intuition for spotting even minor departures from the truth"; "After all is said and done, husbands are not terribly difficult to manage"; or "Don't squeeze the tube of toothpaste from the top instead of from the bottom. This is one of the small things of life that always irritates a careful wife."
Entertaining and charmingly illustrated, "How to Be a Good Husband" and "How to Be a Good Wife"offer enduringly useful advice for all couples, from the newly engaged to those celebrating their golden anniversary.