Women in Catholic Higher Education: Border Work, Living Experiences, and Social Justice examines the contemporary contradictions and tensions faced by women who teach and work in Catholic institutions of higher learning. Delving into discourse traditionally silenced by the Catholic hierarchy, this edited collection observes the ways in which patriarchal structures often hinder women's advancement within these institutions. The contributors describe their own conflicts and successes in their attempts to negotiate their academic careers and personal lives in the context of the clash between secular and Catholic patriarchal values. In their critical analysis, they extrapolate from their particular experiences and suggest concrete steps toward social justice for women in Catholic higher education. The risk-taking and creative thought inaugurated here by editors Sharlene Hesse-Biber and Denise Leckenby will undoubtedly serve as a model for other scholars fully engaged, both as professionals and as social individuals, in careers and lives on Catholic campuses.

This is the story of my growing-up years in South Korea from the mid-1930s to early 1956, when I came to the United States to receive more substantial undergraduate education. South Korea was in the throes of reconstruction-both chaotic and uneven-after the end of the Koran War, which lasted three years and left a devastated country in ruins. Little learning went on even in the most prominent institution of higher education in Korea, Seoul National University. My desire to lay a firm intellectual foundation for my adult life during my undergraduate years overcame all possible negative consequences of leaving my parents and home for the first time in my life. Never did it occur to me at the time that I would not return to my native land to live but instead make a home in this country. I came to study for just a few years. I have now lived in United States for 57 years. The title, Phoenix in a Jade Bowl, is the literal translation of my given name Bongwan, which consists of two Chinese characters, bong, a phoenix, and wan, a jade bowl. My father gave me an atypical name for a girl because he believed that a typical girl's name can prejudice a child from an early age. He wanted me to convince myself that I must not feel limited as a female and be strong enough to rise from the ashes like a phoenix (bong), a legendary bird, but at the same time, be grounded (wan) in a solid jade bowl. The book attempts to capture the rapidly disappearing old Korea, before the Miracle on the Han, a phenomenal economic development. As poor and economically underdeveloped as it was, the old Korea had its charm: multi-generational household of my grand parents, their sprawling traditional house, and the delicately balanced husband-wife relationship of my parents. But the Korea of my childhood also endured unbearable pain of Japanese colonialism, the division of the land along the 38th parallel and chaos and turmoil following the end of WWII, the another foreign rule of the American Military Government, the establishment of separate governments in the north and south of the parallel, the Korean War, and the starvation bordering refugee life during and after the war. All during these times, I, Bongwan, Phoenix-in-a-Jade-Bowl, grew up and matured, at first unaware of stormy world outside my parents' house, experienced self-awareness, and discovered the wider world. It is the story of a young girl's coming of age in a small, unknown, underdeveloped, unsettled Asian country of Korea and her drive to go beyond the boundaries of her natal home and country.