A complex and intense portrait of the mechanics of a family - and a marriage - through the eyes of four siblings struggling to define themselves beyond their parents' love and expectations. Bob and Fran have worked hard to give their four children the opportunities they never had. Now, with the kids ready to make lives of their own, it's time to sit back and smell the roses. But the change of the seasons reveals some shattering truths, leaving us asking whether it's possible to love too much. Andrew Bovell's beautifully touching, funny and bold play Things I Know To Be True was premiered in Adelaide, Australia, as a co-production between Frantic Assembly and the State Theatre Company of South Australia. It received its British premiere in 2016, co-produced with Warwick Arts Centre in association with Chichester Festival Theatre and the Lyric Hammersmith.

During the summer holidays of 2009 Corey dreams of nothing but hanging around with his friends while ordering as much Morley's as possible... until Jodie comes along. Meeting her makes Corey realise the changes that are happening within his beloved Lewisham Borough and, for the first time, thinking about what path his future takes. 'Corey Bovell is a master story-teller who oozes charisma, captivating his audience throughout. He is able to truly capture those moments he describes, drawing you in, even when he's just telling you about ordering his Chicken Burger N Chips. It's a deeply personal play and this comes through in both the writing and the performance... Kwame Asiedu's direction brings it to life with energy and emotion...I hope it gets a further run so more people are able to experience this.' Dress Circle Reviews 'For 75 breathless, high energy minutes, writer/performer Corey painted a vivid picture of life on the mean streets of Lewisham, with good friends, a loving family, and the best fried chicken in South London... Corey Bovell enacts that significance with brilliant effect and makes the story of "a good boy in a bad borough" powerful and telling... I loved the powerful performance.' London Pub Theatres

Modern society is a tangled skein of interdependent lives. Yet somehow them ore closely we encounter each other, the less we resemble a community. This play is about our overwhelming need for trust in modern life, and the consequences of living without it. Based on the award-winning play by Andrew Bovell, 'Speaking in Tongues'. (6 male, 5 female).

Convict William Thornhill, exiled from the stinking slums of early 19th century London, discovers that the penal colony offers something that he never dared to hope for before: a place of his own. A stretch of land on the Hawkesbury River is Thornhill's for the taking. As he and his family seek to establish themselves in this unfamiliar territory, they find that they are not the only ones to lay a claim to the land. The Hawkesbury is already home to a family of Dharug people, who are reluctant to leave on account of these intruders. As Thornhill's attachment to the place and the dream deepens, he is driven to make a terrible decision that will haunt him for the rest of his life.

A black comedy set in a suburban pub-bistro on a Friday night. 5 single people set out in pursuit of a good time, determined to forget their 9--5 routine (2 acts, 2 men, 3 women).

On the white frontier in mid-nineteenth century Australia, a lone, bloodied woman arrives at a travellers rest in the midst of a violent desert storm with a shocking story to tell. Aborigines have allegedly murdered her husband and stolen her infant child. But an Aboriginal woman has a different story to tell. What would cause a missionarys wife to lie? What chance does the word of an Aboriginal woman have against hers? A chilling mystery that draws together the lives of four extraordinary women and their men, all struggling to survive in a hostile and misunderstood landscape. (1 act, 4 male, 4 female).

William Thornhill arrives in New South Wales a convict from the slums of London. Upon earning his pardon he discovers that this new world offers something he didn't dare dream of: a place to call his own. But as he plants a crop and lays claim to the soil on the banks of the Hawkesbury River, he finds that this land is not his to take. Its ancient custodians are the Dharug people. A deeply moving and unflinching journey into Australia's dark history, Andrew Bovell's adaptation of Kate Grenville's acclaimed novel The Secret River was first performed by the Sydney Theatre Company in 2013. The play had its UK premiere in August 2019, as part of the Edinburgh International Festival, before transferring to the National Theatre, London. This edition includes an introduction by adapter Andrew Bovell, a foreword by historian Henry Reynolds, and music used in the original production. 'The Secret River is a sad book, beautifully written and, at times, almost unbearable with the weight of loss, competing distresses and the impossibility of making amends' Observer on the novel The Secret River