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Who Runs the Artworld - Money, Power and Ethics (Paperback): Brad Buckley, John Conomos Who Runs the Artworld - Money, Power and Ethics (Paperback)
Brad Buckley, John Conomos
R906 R795 Discovery Miles 7 950 Save R111 (12%) Ships in 10 - 15 working days

Who Runs the Artworld: Money, Power and Ethics examines the economics and mythologies of today's global artworld. It unmasks the complex web of relationships that now exist among high-profile curators, collectors, museum trustees and corporate sponsors, and the historic and ongoing complicity between the art and money markets. The book examines alternative models being deployed by curators and artists influenced by the 2008 global financial crisis and the international socio-political Occupy movement, with a particular focus on a renewed activism by artists. This activism is coupled with an institutional and social critique led by groups such as Liberate Tate, the Precarious Workers Brigade and Strike Debt. Who Runs the Artworld: Money, Power and Ethics brings together a diverse range of thinkers who draw on the disciplines of art theory, social sciences and cultural economics, and curatorship and the lived experience of artists. The contributors to this book are, in their respective contexts, working at the forefront of these compelling issues.

Ecologies of Invention (Paperback): Andy Dong, John Conomos, Brad Buckley Ecologies of Invention (Paperback)
Andy Dong, John Conomos, Brad Buckley
R1,055 Discovery Miles 10 550 Ships in 12 - 17 working days

Are artists, designers and musicians inventors? Or does the invention originate from scientific discovery alone? Ecologies of Invention is the first collection of essays that brings together writers and scholars of international standing from the University of Sydney and beyond to examine assumptions underlying notions of inventiveness. The writers explain how inventiveness borne out of aesthetic ambitions is impacting on and changing our culture and society. Ecologies of Invention describes the articulation of inventive capacities across disciplines and across multiple scales, from personal capacities to the social, spatial and network configurations that drive people to produce inventions. The book poses new questions for scholars, artists, architects, designers, historians, engineers, scientists, lawyers and economists about the nature, origins and processes of invention. "This is a challenging book which confronts traditional thinking around creativity and inventiveness, and raises issues that need serious debate." -- Barry Jones

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