One of world cinema's most exciting filmmakers, Pedro Almodovar has been delighting, provoking, arousing, shocking, and-above all-entertaining audiences around the globe since he first burst onto the international film scene in the early 1980s. All about Almodovar offers new perspectives on the filmmaker's artistic vision and cinematic preoccupations, influences, and techniques. Through overviews of the filmmaker's oeuvre and in-depth analyses of specific films, the essays here explore a diverse range of subjects: Almodovar's nuanced use of television and music in his films; his reworkings of traditional film genres such as comedy, horror, and film noir; his penchant for melodrama and its relationship to melancholy, violence, and coincidence; his intricate questioning of sexual and national identities; and his increasingly sophisticated inquiries into visuality and its limits. Closing with Almodovar's own diary account of the making of Volver and featuring never-before-seen photographs from El Deseo studio, All about Almodovar both reflects and illuminates its subject's dazzling eclecticism. Contributors: Mark Allinson, U of Leicester; Pedro Almodovar; Isolina Ballesteros, Baruch College; Leo Bersani, UC Berkeley; Marvin D'Lugo, Clark U; Ulysse Dutoit, UC Berkeley; Peter William Evans, Queen Mary U of London; Victor Fuentes, UC Santa Barbara; Marsha Kinder, USC; Steven Marsh, U of Illinois, Chicago; Andy Medhurst, U of Sussex; Ignacio Olivia, Universidad Castilla-La Mancha, Cuenca; Paul Julian Smith, U of Cambridge; Kathleen M. Vernon, SUNY Stony Brook; Linda Williams, UC Berkeley; Francisco A. Zurian, U Carlos III, Madrid.

"Islamicate Sexualities: Translations across Temporal Geographies of Desire" explores different genealogies of sexuality and questions some of the theoretical emphases and epistemic assumptions affecting current histories of sexuality. Concerned with the dynamic interplay between cultural constructions of gender and sexuality, the anthology moves across disciplinary fields, integrating literary criticism with social and cultural history, and establishes a dialogue between historians (Kathryn Babayan, Frederic Lagrange, Afsaneh Najmabadi, and Everett Rowson), comparative literary scholars (Sahar Amer and Leyla Rouhi), and critical theorists of sexualities (Valerie Traub, Brad Epps, and Dina al-Kassim). As a whole, the anthology challenges Middle Eastern Studies with questions that have arisen in recent studies of sexualities, bringing into conversation Euro-American scholarship of sexuality with that of scholars engaged in studies of sexualities across a vast cultural (Iberian, Arabic, and Iranian) and temporal field (from the tenth century to the medieval and the modern).

"Passing Lines" seeks to stimulate dialogue on the role of sexuality and sexual orientation in immigration to the U.S. from Latin America and the Caribbean. The book looks at the complexities, inconsistencies, and paradoxes of immigration from the point of view of both academics and practitioners in the field.

"Passing Lines" takes a close look at the debates that surround eyewitness testimony, expertise, and advocacy regarding immigration and sexuality, bringing together work by scholars, activists, and others from both sides of the border.