'As unexpectedly beguiling as it is affecting.' Daily Mail Since his award-winning debut collection of stories, Last Days of the Dog-Men, Brad Watson's work has been as melancholy, witty, strange, and lovely as any in America. Inspired by the true story of his own great-aunt, he explores the life of Miss Jane Chisolm, born in rural, early-twentieth-century Mississippi with a genital birth defect that would stand in the way of the central "uses" for a woman in that time and place - namely, sex and marriage. From the country doctor who adopts Jane to the hard tactile labor of farm life, from the sensual and erotic world of nature around her to the boy who loved but was forced to leave her, the world of Miss Jane Chisolm is anything but barren. Free to satisfy only herself, she mesmerizes those around her, exerting an unearthly fascination that lives beyond her still.

Shortlisted for the 2002 National Book Award in Fiction: a dark, riotous Southern novel of sex, death, and transformation.

Brad Watson's first novel has been eagerly awaited since his breathtaking, award-winning debut collection of short stories, Last Days of the Dog-Men. Here, he fulfills that literary promise with a humorous and jaundiced eye. Finus Bates has loved Birdie Wells since the day he saw her do a naked cartwheel in the woods in 1916. Later he won her at poker, lost her, then nearly won her again after the mysterious poisoning of her womanizing husband. Does Vish, the old medicine woman down in the ravine, hold the key to Birdie's elusive character? Or does Parnell, the town undertaker, whose unspeakable desires bring lust for life and death together? Or does the secret lie with some other colorful old-timer in Mercury, Mississippi, not such a small town anymore? With "graceful, patient, insightful and hilarious" prose (USA Today), Brad Watson chronicles Finus's steadfast devotion and Mercury's evolution from a sleepy backwater to a small city. With this "tragicomic story of missed opportunities and unjust necessities" (Fred Chappell), "Southern storytelling is alive and well in Watson's capable hands" (Kirkus Reviews starred review). "His work may remind readers of William Faulkner, Toni Morrison, or Flannery O'Connor, but has a power—and a charm—all its own, more pellucid than the first, gentler than the second, and kinder than the third" (Baltimore Sun).

A potent cocktail of Southern gothic and classical mythology, this is a novel only Brad Watson could have written—an unforgettable portrait of the most romantic aspirations and most twisted inclinations of the bleak and lovely human heart. National Book Award finalist, a Booksense 76 Top Ten selection. Reading group guide included.

"Southern storytelling is alive and well in Watson's capable hands. An excellent debut."—Kirkus Reviews starred review

"Sort of a calm wail. Each page a deep pleasure."—Barry Hannah, author of Airships, Ray, and Yonder Stands Your Orphan

"A novel so fine you don't want it to ever end."—Larry Brown, author of Father and Son and Fay

"Vividly peopled, full of surprises, The Heaven of Mercury is a deeply satisfying novel."—Margot Livesey, author of Eva Moves the Furniture

"The best thing to come out of the South since A Confederacy of Dunces."—Gregory Rabassa, translator of One Hundred Years of Solitude and other novels

"With sublimely bleak humor, Watson does more than exceed expectations—he explodes them."—Men's Journal

"An intensity reminiscent of Faulkner, a bleak humor that recalls Flannery O'Connor, a whimsy inspired by Eudora Welty and a spontaneity suggesting prime Barry Hannah.... reading The Heaven of Mercury certainly restores one's faith in Southern literature's ability to startle and surprise."—Memphis Commercial Appeal

"[A] superb novel, graced with lush and exciting prose in the Southern high rhetorical tradition."—Raleigh News and Observer

"The Heaven of Mercury is a tragicomic story of missed opportunities and unjust necessities that wittily explores the souls of its highly colorful cast of characters. It is suffused with an almost savage lyricism that illumines every accurate detail and nuance of place and speech. The light this novel casts is so brilliant it makes even its own shadows luminous. Brad Watson has struck a fresh and thrilling note." —Fred Chappell, author of Look Back All the Green Valley

"His work may remind readers of William Faulkner, Toni Morrison, or Flannery O'Connor, but has a power—and a charm—all its own, more pellucid than the first, gentler than the second, and kinder than the third."—Merle Rubin, Baltimore Sun

"Extraordinary.... Mixes whimsy and hard truth in a way that's heartbreaking.... Pungently erotic, and as affectionate as it is acidic....a perfect modern southern gothic."—Mark Rozzo, The Los Angeles Times Book Review

"A fast-paced, myth-echoing, tragic-comic commentary on our modern lives."—Bookpage

"A dark but resonant journey through the world of the Southern gothic."—Publishers Weekly

"Gimcrack storytelling...grounded by generous humanity."—Entertainment Weekly

"[A] lushly written novel of Deep Southern dream and landscape."—New York Times

"A vivid mythology of a small Southern town that moves to a strange, electrifying beat."—Atlanta Journal-Constitution

"In a Southern Gothic style reminiscent of Faulkner, Watson lays bare the lives and most intimate secrets of the richest and poorest families of Mercury, MS. Highly recommended."—Library Journal

"Watson's keen eye for the human condition alone makes Heaven a worthwhile read, and you may find yourself accruing a particular type of knowledge that not even Faulkner could impart."—Literal Latte

"Lovely, poignant, funny first novel, a book filled with fascinating, unpredictable, original characters."—The State

"[A]n unforgettable story... . The accidents, the disappointments, the corrections, and the secrets each life contains are woven into a deeply sympathetic portrait of small town life at its worst and best."—The Advocate

"A strange novel, this one—strange and uncommonly fine."—Central Journal News

"Watson imbues his work with an elegance that sets it apart from the rest."—Boston Herald

"Watson has written a novel at once intimate and epic, magical and real—a dazzling Southern gothic in which love and hate claim equal hold on the human heart."—The Jackson Advocate

Since his award-winning debut collection of stories, Last Days of the Dog-Men, Brad Watson has been expanding the literary traditions of the South in work as melancholy, witty, strange, and lovely as any in America. Drawing on the true story of his great-aunt, he explores the life of Miss Jane Chisolm, born in rural, early-twentieth-century Mississippi with a genital birth defect that excludes her from the roles traditional for a woman of her time and place and frees her to live her life as she pleases. With irrepressible vitality and generosity of spirit, Miss Jane mesmerizes those around her, exerting an unearthly fascination that lives beyond her still.

The Mississippi Delta is known for many things. It is a land of stark contrast, in which rich soil produces an agricultural bounty as well as fearsome economic want. The Delta has compelled generations of writers, musicians, and artists to chronicle and engage its harsh and mysterious beauty. Seen through the penetrating lens of noted photographer Maude Schuyler Clay, the nearly deserted buildings and landscapes of the Delta are brought to life by the dogs that roam the wide fields and swamp-soaked shadows.

For the past fifteen years, Clay has been driving the back roads photographing her native Delta. In the darkroom of her hundred-year-old family homestead in Sumner, Mississippi, she has developed hundreds of images of eroding architecture, misty bayous, small stands of woods, endless rows of crops. And dogs. Clay has spotted and captured the elemental spirit of dogs eking out existences from this majestic landscape. In her iconic book "Delta Land," Clay introduced the "Dog in the Fog," the muscular lab standing watch in the mist and trees of Cassidy Bayou. This photo became widely recognized, and Clay wanted to further explore the relationship between the land and the numerous dogs populating its fields, bayous, and abandoned spaces.

This new book, "Delta Dogs," celebrates the canines who roam this most storied corner of Mississippi. Some of Clay's photographs feature lone dogs dwarfed by kudzu-choked trees and hidden among the brambles adjacent to plowed fields. In others, dogs travel in amiable packs, trotting toward a shared but mysterious adventure. Her Delta dogs are by turns soulful, eager, wary, resigned, menacing, and contented.

Writers Brad Watson and Beth Ann Fennelly ponder Clay's dogs and their connections to the Delta, speculating about their role in the drama of everyday life and about their relationships to the humans who share this landscape with them. In a photographer's afterword, Clay writes about discovering the beauty of her native land from within. She finds that the ubiquitous presence of the Delta dog gives scale, life, and sometimes even whimsy and intent to her Mississippi landscape.