Elaborating on themes of resilience, memory, critique and metal beyond metal, this volume highlights how the development and future of metal music scholarship is predicated on the engagement with other forms of popular culture such as comics, documentaries, and popular music. Drawing from a range of theoretical perspectives and methodological approaches, Heavy Metal Studies and Popular Culture's transnational approach and rootedness in metal scholarship provides the collection with a breadth and depth that makes it a critical resource for academics and students interested in the theories and trends shaping the future of Metal Music Studies.

The fear of parasites - with their power to invade, infest, and transform the self - writhes and wriggles through cultures and religions across the globe, reflecting a very human revulsion of being invaded and consumed by both internal and external forces. However, in ancient China, the parasitic wasp and the worm illuminate the relationship between the sage and his pupil. On the Indian sub-continent, Hindu cultures worship Nagas, entities who protect sources of drinking water from parasitic contamination, and the reciprocal relationship between parasite and host is a recurring theme in Vedic literature and ayurvedic texts. In medieval Europe, worms are symbols of both corruption through sin and redemption through Christ. In traditional African American culture, disease is attributed to infestation by supernatural spiders, bugs, and worms, while in the rainforests of southern Argentina, parasitologists fight against very real parasitic invaders. The worm represents our Jungian shadow, and we fear their bodies for they are our own - soft and vulnerable, powerfully destructive, mindlessly living off the corpses of others, and feeding on the corpse of the world. This book gathers together scholarly research from diverse disciplines, including anthropology, the health sciences, history, literature, the medical humanities, parasitology, sociology, and religious studies.