![]() |
![]() |
Your cart is empty |
||
Showing 1 - 25 of 35 matches in All Departments
On a remote island off the west coast of Ireland, lifelong friends Padraic and Colm find themselves at an impasse when Colm unexpectedly puts an end to their friendship. A stunned Padraic, aided by his sister Siobhan and troubled young islander Dominic, endeavours to repair the relationship, refusing to take no for an answer. But Padraic's repeated efforts only strengthen his former friend’s resolve and when Colm delivers a desperate ultimatum, events swiftly escalate, with shocking consequences. 9 Academy Award nominations for Best Picture, Best Director, Best Actor, Best Supporting Actor, Best Supporting Actor, Best Supporting Actress, Best Original Screenplay, Best Film Editing, Best Musical Score.
On a remote island off the west coast of Ireland, lifelong friends Padraic and Colm find themselves at an impasse when Colm unexpectedly puts an end to their friendship. A stunned Padraic, aided by his sister Siobhan and troubled young islander Dominic, endeavours to repair the relationship, refusing to take no for an answer. But Padraic's repeated efforts only strengthen his former friend’s resolve and when Colm delivers a desperate ultimatum, events swiftly escalate, with shocking consequences. 9 Academy Award nominations for Best Picture, Best Director, Best Actor, Best Supporting Actor, Best Supporting Actor, Best Supporting Actress, Best Original Screenplay, Best Film Editing, Best Musical Score.
Family comedy sequel featuring a blend of CGI animation and live action and based on the iconic characters created by Peyo for the 1980s television series. When the dastardly Gargamel (Hank Azaria) kidnaps Smurfette (voice of Katy Perry) and steals her away to Paris, the rest of the Smurf gang team up with their human friends Patrick (Neil Patrick Harris) and Grace (Jayma Mays) to try and retrieve her from his clutches. However, with Smurfette the key to Gargamel's plans to transform his latest minions, the Naughties (voiced by Christina Ricci and J.B. Smoove), into Smurfs, this will be no simple task - not least because Smurfette seems rather taken by the Naughties...
Double bill of children's features that mix CGI animation and live action to follow the adventures of the Smurfs. In 'The Smurfs' (2011) after being chased by dark wizard Gargamel (Hank Azaria), the Smurfs find themselves transported from their village in the Middle Ages to modern-day New York. There they seek shelter in the home of Patrick Winslow (Neil Patrick Harris) and his wife, Grace (Jayma Mays), but with Gargamel on the loose, the Smurfs are running out of time to get back to their village. In 'The Smurfs 2' (2013) when Gargamel kidnaps Smurfette (voice of Katy Perry) and steals her away to Paris, the rest of the Smurf gang team up with their human friends Patrick and Grace to try and retrieve her from his clutches. However, with Smurfette the key to Gargamel's plans to transform his latest minions, the Naughties (voiced by Christina Ricci and J.B. Smoove), into Smurfs, this will be no simple task - not least because Smurfette seems rather taken by the Naughties...
This book is about cities as engines of consumption of the world's environment, and the spread of policies to reduce their impact. It looks at these issues by examining the impact of the Rio Declaration and assesses the extent to which it has made a difference. Consuming Cities examines this impact using case studies from around the world including: the USA, Japan, Germany, the UK, China, India, Sweden, Poland, Australia and Indonesia The contributors all have direct experience of the urban environment and urban policies in the countries on which they write and offer an authoritative commentary which brings the urban 'consumption' dimension of sustainable development into focus.
As the crises of capitalism continue to intensify, radical thinkers must conjure realistic and inspirational alternative futures beyond this failing social order. This book presents a stimulating array of essays exploring such post-capitalist futures. With contributions and perspectives from the Global North and Global South, central topics include ecosocialism, ecofeminism, degrowth, community economies, and the Green New Deal. There are also chapters offering analyses of land, energy, technology, universal basic services, and (re)localisation of economies. The book is in three parts. The first presents various alternative paradigms for thinking about - and working toward - post-capitalist futures. The second section offers perspectives on alternative governance strategies and approaches for post-capitalist futures. The closing section gathers various analyses of post-capitalist geographies and resistance. Going beyond critique and instead envisioning alternative imaginaries, this collection should challenge and inspire readers to think and act upon the range of possibilities immanent in our crisis-ridden present.
This book presents the findings of a major Economic and Social Research Council (ESRC) project into urban austerity governance in eight cities across the world (Athens, Baltimore, Barcelona, Melbourne, Dublin, Leicester, Montréal and Nantes). It offers comparative reflections on the myriad experiences of collaborative governance and its limitations. An international collaborative from across the social sciences, the book discusses ways that citizens, activists and local states collaborate and come into conflict in attempting to build just cities. It examines the development of egalitarian collaborative governance strategies, provides innovative ideas and tools to extend emancipatory governance practices and shows hopeful possibilities for cities beyond austerity and neoliberalism.
This book addresses a central dilemma of the urban age: how to make the vast suburban landscapes that ring the globe safe and sustainable in the face of planetary ecological crisis. The authors argue that degrowth, a planned contraction of economic overshoot, is the only feasible principle for suburban renewal. They depart from the anti-suburban sentiment of much environmentalism to show that existing suburbia can be the centre-ground of transition to a new social dispensation based on the principle of self-limitation. The book offers a radical new urban imaginary, that of degrowth suburbia, which can arise Phoenix like from the increasingly stressed cities of the affluent Global North and guide urbanisation in a world at risk. This means dispensing with much contemporary green thinking, including blind faith in electric vehicles and high-density urbanism, and accepting the inevitability and the benefits of planned energy descent. A radical but necessary vision for the times.
Sweeping American Civil War drama based on the novel by Charles Frazier, directed by Anthony Minghella (The English Patient, The Talented Mr Ripley). Jude Law stars as Inman, a wounded Confederate soldier who is slowly making the perilous journey back to his home town of Cold Mountain in North Carolina, meeting a string of colourful characters along the way (played by actors including Philip Seymour Hoffman, Natalie Portman, Ray Winstone and Kathy Baker). At home waits Ada Monroe (Nicole Kidman), the pre-war sweetheart to whom he has vowed to return. In his absence Ada, the shy and reserved daughter of a preacher (Donald Sutherland), has befriended the feisty Ruby (Renée Zellweger), a tough-talking young woman who can work the land as well as any man. Ruby supports Ada both emotionally and practically as she waits for Inman's return - but as the war drags on and her letters go unanswered, Ada finds it increasingly difficult to keep the faith.
This book will speak to the new human epoch, the Urban Age. A majority of humanity now lives for the first time in cities. The city, the highest invention of the modern age, is now the human heartland. And yet the same process that brought us the city and its wonders, modernisation, has also thrown up challenges and threats, especially climate change, resource depletion, social division and economic insecurity. This book considers how these threats are encountered and countered in the urban age, focusing on the issue of human knowledge and self-awareness, just as Hannah Arendt's influential The Human Condition did half a century ago. The Human Condition is now The Urban Condition. And it is this condition that will define human prospects in an age of default and risk. Gleeson expertly explores the concept through three main themes. The first is an exploration of what defines the current human condition, especially the expanding cities that are at the heart of an over-consumptive world economic order. The second exposes and reviews the reawakening of forms of knowledge ('naturalism') that are likely to worsen not improve our comprehension of the crisis. The new 'science of urbanism' in popular new literature exemplifies this dangerous trend. The third and last part of the book considers prospects for a new urban, and therefore human, dispensation, 'The Good City'. We must first journey in our urban vessels through troubled times. But can we now start to plot the way to new shores, to a safer, more resilient city that provides for human flourishing? The Urban Condition attempts this ideal, conceiving a new urbanism based on the old idea of self-limitation. The Urban Condition is an original, timely book that reconsiders and redeploys Arendt's famous notion of The Human Condition in an age of cities and risk. It brings together several important strands of human consideration, urbanisation, climate threat, resource depletion, economic default and critical knowledge and weaves them into a new analysis of the times. It also looks to a future that is nearly with us-of changed climate, resource scarcity and economic stress. The book journeys into these troubled times, proposing the idea of Lifeboat Cities as a way of thinking about the human journey to come
This book presents the findings of a major Economic and Social Research Council (ESRC) project into urban austerity governance in eight cities across the world (Athens, Baltimore, Barcelona, Melbourne, Dublin, Leicester, Montreal and Nantes). It offers comparative reflections on the myriad experiences of collaborative governance and its limitations. An international collaborative from across the social sciences, the book discusses ways that citizens, activists and local states collaborate and come into conflict in attempting to build just cities. It examines the development of egalitarian collaborative governance strategies, provides innovative ideas and tools to extend emancipatory governance practices and shows hopeful possibilities for cities beyond austerity and neoliberalism.
"Creating Child Friendly Cities" seeks to assess the extent to
which the physical and social make up of Western cities
accommodates and nourishes the needs of children and youth.
Examining the areas of planning, design, social policy, transport,
housing, it outlines strengths and deficiencies in the processes
that govern urban development and change from the perspective of
children and youth.
Paul Mees' urban ideal counted on watchful, confident and well-informed citizenry to work collectively in a quest for fair and just cities. As such, The Public City is largely a critique of neo-liberalism and its arguably negative influence on urban prospects. As Mees explained it, neo-liberal urbanism was much more than a political aberration; it was a threat that imposed many costly failures in an age overshadowed by grave ecological challenges. Fifteen of Australia and New Zealand's leading urban scholars, including Professor Emeritus Jean Hillier and Professor Brendan Gleeson, have contributed to this collection. The Public City includes a foreword by the late Professor Sir Peter Hall, a world leader in urban planning from Britain. Kenneth Davidson, one of Australia's top economic columnists, has also contributed a chapter. The collective works in this book extend beyond an analysis of urban patterns to provide a blueprint for the improvement of civic and institutional purpose in the creation of the public city.
This book will speak to the new human epoch, the Urban Age. A majority of humanity now lives for the first time in cities. The city, the highest invention of the modern age, is now the human heartland. And yet the same process that brought us the city and its wonders, modernisation, has also thrown up challenges and threats, especially climate change, resource depletion, social division and economic insecurity. This book considers how these threats are encountered and countered in the urban age, focusing on the issue of human knowledge and self-awareness, just as Hannah Arendt's influential The Human Condition did half a century ago. The Human Condition is now The Urban Condition. And it is this condition that will define human prospects in an age of default and risk. Gleeson expertly explores the concept through three main themes. The first is an exploration of what defines the current human condition, especially the expanding cities that are at the heart of an over-consumptive world economic order. The second exposes and reviews the reawakening of forms of knowledge ('naturalism') that are likely to worsen not improve our comprehension of the crisis. The new 'science of urbanism' in popular new literature exemplifies this dangerous trend. The third and last part of the book considers prospects for a new urban, and therefore human, dispensation, 'The Good City'. We must first journey in our urban vessels through troubled times. But can we now start to plot the way to new shores, to a safer, more resilient city that provides for human flourishing? The Urban Condition attempts this ideal, conceiving a new urbanism based on the old idea of self-limitation. The Urban Condition is an original, timely book that reconsiders and redeploys Arendt's famous notion of The Human Condition in an age of cities and risk. It brings together several important strands of human consideration, urbanisation, climate threat, resource depletion, economic default and critical knowledge and weaves them into a new analysis of the times. It also looks to a future that is nearly with us-of changed climate, resource scarcity and economic stress. The book journeys into these troubled times, proposing the idea of Lifeboat Cities as a way of thinking about the human journey to come
Leading planning and geography authors present this comprehensive assessment of the extent to which the physical and social make up of Western cities accommodates and nourishes the needs of children and youth. Examining the areas of planning, design, social policy, transport and housing, Creating Child Friendly Cities outlines strengths and deficiencies in the processes that govern urban development and change from the perspective of children and youth. Issues explored include children's view of the city and why this is unique; the 'obesity epidemic': is it caused by cities?; the journey to school and children's transport needs generally. With illustrations and case studies, Creating Child Friendly Cities presents planning professionals with a solid case for child-friendly cities and an action plan to create places for children to play.
Sequel to the hugely successful 1996 spin-off of the popular Sixties espionage series. Impossible Missions Force's Ethan Hunt (Tom Cruise) is charged with tracking down renegade fellow agent Sean Ambrose (Dougray Scott), who has stolen the only known supply of Bellophron - the antidote to man-made virus Chimera. Ethan enlists the help of Ambrose's ex-girlfriend, Nyah Nordoff-Hall (Thandie Newton), and although the pair have fallen in love, Nyah agrees to return to Ambrose in order to gain information. However, Ambrose now intends to trigger off an epidemic of Chimera in order to sell Bellophron to the highest bidder, and when he becomes suspicious of Nyah decides to use her as a guinea pig.
This book presents a series of urban investigations undertaken in the metropolis of Melbourne. It is based on the idea that 'enchantment' as an affective state is important to ethical and political engagement. Alexander and Gleeson argue that a sense of enchantment can give people the impulse to care and engage in an increasingly troubled world, whereas disenchantment can lead to resignation. Applying and extending this theory to the urban landscape, the authors walk their home city with eyes open to the possibility of seeing and experiencing the industrial city in different ways. This unique methodology, described as 'urban tramping', positions the authors as freethinking freewalkers of the city, encumbered only with the duty to look through the delusions of industrial capitalism towards its troubled, contradictory soul. These urban investigations were disrupted midway by COVID-19, a plague that ended up confirming the book's central thesis of a fractured modernity vulnerable to various internal contradictions.
Playwright Martin McDonagh makes an impressive feature film debut as the writer and director of this tragicomedy that is as rich, dark, and complex as Belgian chocolate. The story unfolds over the course of a few days, as Irish hitmen Ken (the appealingly bear-like Brendon Gleeson, KINGDOM OF HEAVEN) and Ray (Colin Farrell, MIAMI VICE, in a loose and sympathetic performance) are ordered to lay low in the tourist-laden town of Bruges, Belgium, after a bungled shooting. Their only directive is to stay grounded and wait for further orders from crime boss Harry (Ralph Fiennes, THE CONSTANT GARDENER, gleefully playing evil), but both underlings--nervous and delightfully talky--chafe with the waiting. The childlike Ray is inconsolably agitated and withdrawn, and after a time we learn that his restlessness is borne of something deeper and more disturbing than mere ADD. The more paternal and patient of the duo, Ken, takes the opportunity to enjoy Bruges's lush, buttressed beauty, but he, too, undergoes some soul-searching by the movie's end. The plot snakes cleverly (and at times touchingly) around flashbacks of the murder as the garrulous killers philosophise and interact with locals and tourists, including an acerbic American dwarf, the owner of the B and B, Dutch prostitutes, and a local enchantress. McDonagh's absurdist black humour asserts itself as hilarious dialogue and dreamlike visuals (supported by Carter Burwell's unsettling score) that shift seamlessly from sweet to grotesque, like a Grimm's fairytale come to the big screen. McDonagh's command of the film medium, which he first demonstrated with the Oscar-winning short film SIX SHOOTER, puts to rest any reservations about playwrights-turned-directors. Viewers will enjoy the crackling banter, vibrant performances, and beautiful scenery.
This book addresses a central dilemma of the urban age: how to make the vast suburban landscapes that ring the globe safe and sustainable in the face of planetary ecological crisis. The authors argue that degrowth, a planned contraction of economic overshoot, is the only feasible principle for suburban renewal. They depart from the anti-suburban sentiment of much environmentalism to show that existing suburbia can be the centre-ground of transition to a new social dispensation based on the principle of self-limitation. The book offers a radical new urban imaginary, that of degrowth suburbia, which can arise Phoenix like from the increasingly stressed cities of the affluent Global North and guide urbanisation in a world at risk. This means dispensing with much contemporary green thinking, including blind faith in electric vehicles and high-density urbanism, and accepting the inevitability and the benefits of planned energy descent. A radical but necessary vision for the times. |
![]() ![]() You may like...
Deaf around the World - The Impact of…
Gaurav Mathur, Donna Jo Napoli
Hardcover
R1,928
Discovery Miles 19 280
Naturalism in Theatre - Its Development…
Kenneth Pickering, Jayne Thompson
Hardcover
R3,346
Discovery Miles 33 460
2nd EAI International Conference on Big…
Anandakumar Haldorai, Arulmurugan Ramu, …
Hardcover
R5,230
Discovery Miles 52 300
Information and Communication Technology…
Simon Fong, Shyam Akashe, …
Hardcover
R5,308
Discovery Miles 53 080
|