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This book describes how young Black men on a disadvantaged housing estate in London navigate the estate's expectations for their behaviour as they operate within a street code that endorses violence, knife-carrying and challenging masculinity. This street code informs the men's masculine identities by promoting values of misogyny, violence and the possession of expensive material objects while subduing any performance or features deemed as weak or feminine. Chapters detail the daily pressure on young men to gain respect and perform the estate's street code while also providing examples of young men who have escaped or rejected its influence. King also outlines how youth workers can support those trapped by the estate's street code by embodying personalised or caring masculinity features that seek to transform the dominant masculinity.

Robert Baldick's Life of J.-K. Huysmans has become not just a standard reference work, to be consulted as regularly as the writing of the author whose life it chronicles, but a work of literature in its own right. First published fifty years ago, Baldick's classic biography presents a compelling narrative of Huysmans' life and work in all its various phases - from the Naturalism of the 1870s to the Decadence of the 1880s, and from the occult vogue of the 1890s to the Catholic Revival of the turn of the century - and it is written with such impeccable scholarship that it is still relied on today as regards matters of fact and detail. For this new edition - the first time the biography has been reprinted in English -Baldick's notes have been extensively revised and updated by Brendan King to take account of new developments and publications in the field of Huysmansian studies.

One of the first French novels to tackle the subject of prostitution, this story centres on would-be actress Marthe who lives in one of the lowest dives in Paris and her ultimately doomed relationship with Leo, a romantic searching for something to take place of lost illusions."

First published in 1880, same year as Edgar Degas' "The Dancing Lesson and Edouard Manet's solo show, these "Parisian Sketches share the Impressionist fascination with the contemporary life of Paris, the exuberant Paris of the Opera Garnier and the Folies-Bergers. Like the striking images of the early Impressionists, "Parisian Sketches is an assault on the visual senses. Composed of a series of intense, meticulously observed literary impressions--of cafe concerts and circus performers, of streetwalkers and hot-chestnut sellers, of forgotten quarters in the grimy, shiny 'City of Light'--"Parisian Sketches recreates Paris with an intimacy and immediacy that confirms Huysmans as one of the masters of 19th century French prose.

J.-K. Huysmans' Stranded (En Rade 1887), published just three years after the iconoclastic Against Nature, sees him again breaking new ground and pushing back the boundaries of the novel form. Stamped throughout with his characteristic black humour, Stranded is one of Huysmans' most innovative, most imaginative works. Jacques' waking reveries and daydreams are balanced by a succession of dreams and nightmares that explore the seemingly irrational, often grotesque, world of unconscious desire, producing a series of images that are as unforgettable and unsettling as anything to be found in the decadent fantasies of Against Nature, or the satanic obsessions of L -bas.Hounded by creditors and gripped by a deep existential gloom, Jacques Marles decides to flee Paris for the countryside, hoping to find shelter from the financial storms raging around his head, hoping to find peace. But Jacques soon discovers he cannot escape the problems of modern city life by hiding in the country. Stuck with his sick wife, Louise, in an abandoned ch teau that seems to be rotting to pieces around them, Jacques waits for money to arrive with nothing to do but give himself up to his increasingly disturbing dreams

Against Nature is Huysmans's great fin-de-sicle novel anticipating many strains of modernism in its appreciation of Baudelaire, Moreau, Redon, Mallarm and Poe. A novel like no other, it features a hero, des Esseintes, a neurasthenic aristocrat who has turned his back on the vulgarity of modern life and retreated to an isolated country villa. Here, accompanied only by two silent servants, he pursues his obsessions with exotic flowers, rare gems, and complex perfumes, embarking on a series of increasingly strange aesthetic experiments, starting with the decision to give his giant pet tortoise a jewel-encrusted shell.