Visual representations are an essential but highly contested means of understanding and remembering the Holocaust. Photographs taken in the camps in early 1945 provided proof of and visceral access to the atrocities. Later visual representations such as films, paintings, and art installations attempted to represent this extreme trauma. While photographs from the camps and later aesthetic reconstructions differ in origin, they share goals and have raised similar concerns: the former are questioned not as to veracity but due to their potential inadequacy in portraying the magnitude of events; the latter are criticized on the grounds that the mediation they entail is unacceptable. Some have even questioned any attempt to represent the Holocaust as inappropriate and dangerous to historical understanding. This book explores the taboos that structure the production and reception of Holocaust images and the possibilities that result from the transgression of those taboos. Essays consider the uses of various visual media, aesthetic styles, and genres in representations of the Holocaust; the uses of perpetrator photography; the role of trauma in memory; aesthetic problems of mimesis and memory in the work of Lanzmann, Celan, and others; and questions about mass-cultural representations of the Holocaust. David Bathrick is Emeritus Professor of German at Cornell University, Brad Prager is Associate Professor of German at the University of Missouri, and Michael D. Richardson is Associate Professor of German at Ithaca College.

Many years after the United States initiated a military response to the terrorist attacks of September 11th, 2001, the nation continues to prosecute what it considers an armed conflict against transnational terrorist groups. Understanding how the law of armed conflict applies to and regulates military operations executed within the scope of this armed conflict against transnational non-state terrorist groups is as important today as it was in September 2001. In The War on Terror and the Laws of War seven legal scholars, each with experience as military officers, focus on how to strike an effective balance between the necessity of using armed violence to subdue a threat to the nation with the humanitarian interest of mitigating the suffering inevitably associated with that use. Each chapter addresses a specific operational issue, including the national right of self-defense, military targeting and the use of drones, detention, interrogation, trial by military commission of captured terrorist operatives, and the impact of battlefield perspectives on counter-terror military operations, while illustrating how the law of armed conflict influences resolution of that issue. This Second Edition carries on the critical mission of continuing the ongoing dialogue about the law from an unabashedly military perspective, bringing practical wisdom to the contentious topic of applying international law to the battlefield.

ward-winning historical drama starring Matthew McConaughey and Jared Leto. Rodeo cowboy and homophobic redneck Ron Woodroof (McConaughey)'s life is transformed drastically when a work-related accident results in him being diagnosed with AIDS. Given a life-expectancy of 30 days by his doctors, Ron initially continues his life in a state of denial but as the clock keeps ticking he becomes more and more interested in the background of the disease and its treatments.

Learning that FDA-unapproved drugs are freely available over the border in Mexico, he takes matters into his own hands and begins transporting them into the United States. As word gets out about Ron's new venture, he is introduced to the local homosexual community and together with his new transgendered friend Rayon (Leto) he establishes the 'Dallas Buyers Club' which offers treatments to those in need. However, with the success of his business comes the attention of the FDA and local drug enforcement and he is soon engaged in a battle with the authorities who want to shut down the club.

The film was nominated for six Academy Awards and won three, including Best Actor (McConaughey) and Best Supporting Actor (Leto). Both actors also received the corresponding accolades at the Golden Globes.

In this collection, scholars from diverse geographical locations revisit a cluster of five biblical texts: Ruth, Song of Songs, Qoheleth (Ecclesiastes), Lamentations and Esther. The volume presents various viewpoints and contexts-geographical, communal, religious, social, economical and ethical. Matching scholarship with social awareness, the contributors keep asking themselves and their readers a dual-faced question: how does our life context influence our scholarly and non-scholarly readings of the Bible, and how does reading the Bible critically influence our life? To answer this question and to show it at work the contributors employ a range of contextual lenses. Geography is a major factor of the contributors' contexts - with contributors from South Africa, Argentina, Israel, the Pacific Islands - but not the only one to influence their readings. Issues of society, culture and community are at the foreground for all contributors and their reading agendas with specific focus on the AIDs crisis in Africa, issues of migration and asylum, and feminist approaches to biblical texts.

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This volume presents recent developments in identity theory and research. Identities are the basic building blocks of society and hold a central place in every social science discipline. Identity theory provides a systematic conceptualization of identities and their relationship to behavior. The research in this volume demonstrates the usefulness of this theory for understanding identities in action in a variety of areas and settings. The volume is organized into three general areas: ethnicity and race; family, religion, and work; and networks, homophily, and the physical environment. This comprehensive and authoritative volume is of interest to a wide readership in the social and behavioral sciences, including students and researchers of sociology, social psychology, psychology, and other social science disciplines.

More than fifteen thousand rose species and cultivars are grown worldwide. Every one of these plants has its own distinctive name, given perhaps by the person who first picked it for a sweetheart, a botanist who dissected it long ago or a horticulturist who nurtured it. Douglas Brenner and Stephen Sanniello tackle the thorny task of digging up the history behind rose names. Their stores are filled with enough romance, tragedy, mystery and scandal to satisfy even those who would never dream of actually tending a plant. For instance, did you know the gallica rose's perfume wafted through Pliny's Roman villa and lulled Marie Antoinette on the night before her wedding, or that roses in the fifteenth and sixteenth centuries were mainly raised for medicinal purposes? With ornate vintage art and photographs, "A Rose by Any Name" unearths the roots or rose lore and reveals how people, communities and cultures across the globe and throughout the ages have identified the living things that matter to them most.

Memory-'authentic', manufactured, imagined, innocent or deliberate-becomes remembrance through its performance, that is, through being narrated orally or in writing. And when it is narrated, memory becomes a shaper of identities and a social agent, a tool for shaping a community's present and future as much as, if not more so, than a near-simplistic recording of past history and a sense of belonging. In this volume, various aspects of narrated 'memories' in the Bible and beyond it are examined for their literary and sociological charge within biblical literature as well as in its cultural afterlives-Jewish, Christian and 'secular'. From inner-biblical memory shaping claims to contemporaneous retellings, the shifts of tradition to story are explored for ways, means and aims that, authorially intentional or otherwise, become influential in adapting the Bible for the postmodern scene and adapting the postmodern scene to the Bible. This compilation of articles is the result of a collective research project with participants from the University of Amsterdam and Utrecht University (The Netherlands), Tel Aviv University and Haifa University (Israel), Poznan University (Poland), Bowdoin College and Brite Divinity School (USA). This is Volume 3 in the subseries Amsterdam Studies in the Bible and Religion.