In 1985, years before American Psycho, Bret Easton Ellis shocked, stunned and disturbed the world with his debut novel, Less Than Zero. This 40th anniversary edition of the cult classic novel contains an introduction by Rachel Kushner, the Booker Prize-nominated author of Creation Lake and The Mars Room.

Eighteen-year-old Clay has come home to LA for Christmas break after his first term at college. Clay is three things: rich, bored, and looking to get high. Reacquainting himself with a world of privilege and limitless indulgence, Clay steps back into the hedonism and moral depravity of his life in California. With its relentless scenes of grotesque brutality, Less Than Zero is an unflinching portrait of a lost generation in revolt.

Published when he was just twenty-one, Less Than Zero held an excoriating mirror up to the culture of excess and vapidity of 1980s Los Angeles and made Bret Easton Ellis an instant literary sensation.

Celebrating Fifty Years of Picador Books I like to dissect girls. Did you know I'm utterly insane? Patrick Bateman has it all: good looks, youth, charm, a job on Wall Street, and reservations at every new restaurant in town. He is also a psychopath. A man addicted to his superficial, perfect life, he pulls us into a dark underworld where the American Dream becomes a nightmare . . . With an introduction by Irvine Welsh, Bret Easton Ellis's American Psycho is one of the most controversial and talked-about novels of all time. A multi-million-copy bestseller hailed as a modern classic, it is a violent and outrageous black comedy about the darkest side of human nature. Part of the Picador Collection, a series showcasing the best of modern literature.

In Lunar Park, Bret Easton Ellis, author of American Psycho, rips into his most frightening subject yet: himself. He became a bestselling novelist while still in college, immediately famous and wealthy. He watched his insufferable father reduced to a bag of ashes in a safety-deposit box. He was lost in a haze of booze, drugs and vilification. Then he was given a second chance. This is the life of Bret Easton Ellis, the author and subject of this remarkable novel. Confounding one expectation after another, Lunar Park is equally hilarious, horrifying and heartbreaking. It’s the most original novel of an extraordinary career – and best of all: it all happened, every word is true. Part of the Picador Collection, a series showcasing the best of modern literature.

The Sunday Times Bestseller 'A full-spectrum triumph' Guardian A sensational new novel from the bestselling author of Less Than Zero and American Psycho that tracks a group of privileged Los Angeles high school friends as a serial killer strikes across the city. His first novel in 13 years, The Shards is Bret Easton Ellis at his inimitable best. LA, 1981. Buckley College in heat. 17-year-old Bret is a senior at the exclusive Buckley prep school when a new student arrives with a mysterious past. Robert Mallory is bright, handsome, charismatic, and shielding a secret from Bret and his friends, even as he becomes a part of their tightly knit circle. Bret’s obsession with Mallory is equalled only by his increasingly unsettling preoccupation with The Trawler, a serial killer on the loose who seems to be drawing ever closer to Bret and his friends, taunting them with grotesque threats and horrific, sharply local acts of violence. Can he trust his friends – or his own mind – to make sense of the danger they appear to be in? Thwarted by the world and by his own innate desires, buffeted by unhealthy fixations, Bret spirals into paranoia and isolation as the relationship between The Trawler and Robert Mallory hurtles inexorably toward a collision. Gripping, sly, suspenseful, deeply haunting and often darkly funny, The Shards is a mesmerizing fusing of fact and fiction that brilliantly explores the emotional fabric of Bret’s life at 17 – sex and jealousy, obsession and murderous rage.

The centre of the world: 1990s Manhattan. Victor Ward, a model with perfect abs and all the right friends, is seen and photographed everywhere, even in places he hasn't been and with people he doesn't know. On the eve of opening the trendiest nightclub in New York history, he's living with one beautiful model and having an affair with another. Now it's time to move to the next stage. But the future he gets is not the one he had in mind.

'Does for the cold, minimal '90s what "American Psycho" did for the Wall Street greed of the '80s. You name it, he manages to get it all in' " Vogue"

'Gets under the skin of our celebrity culture in a way that is both illuminating and frightening' "Daily Telegraph"

'A "Bonfire of the Vanities"? "Glamorama" is more like a Semtex attack on our superficialities' "Face"

'An epic that takes his blank surrealism into a realm equalled only by DeLillo' "Arena "

'A master stylist with hideously interesting new-fangled manners and the heart of an old-fashioned moralist' "Observer "

'Brilliant . . . He is fast becoming a writer of real American genius' " GQ"

'An American masterpiece' "Scotland on Sunday"

Incisive, controversial and startlingly funny, The Rules of Attraction examines a group of affluent students at a small, self-consciously bohemian, liberal-arts college on America’s East Coast. Lauren, who changes the man in her bed even more often than she changes course, is dating Victor but sleeping with Sean. Sean – cool, ambivalent and deeply cynical – might be in love with Lauren, but he’s not going to let that stop him from bedding Paul. Paul, as shrewd as he is passionate, is Lauren’s ex-lover and the final point in this curious triangle. From the author of American Psycho, Bret Easton Ellis's The Rules of Attraction is a breathtaking tale of sex, expectation, desire and frustration. Part of the Picador Collection, a series showcasing the best of modern literature.

The controversial Sunday Times bestseller.

Candid, fearless and provocative – the author of American Psycho on who he is and what he thinks is wrong with the world today.

Bret Easton Ellis is most famous for his era-defining novel American Psycho and its terrifying anti-hero, Patrick Bateman. With that book, and many times since, Ellis proved himself to be one of the world’s most fearless and clear-sighted observers of society – the glittering surface and the darkness beneath.

In White, his first work of non-fiction, Ellis offers a wide-ranging exploration of what the hell is going on right now. He tells personal stories from his own life. He writes with razor-sharp precision about the music, movies, books and TV he loves and hates. He examines the ways our culture, politics and relationships have changed over the last four decades. He talks about social media, Hollywood celebrities and Donald Trump.

Ellis considers conflicting positions without flinching and adheres to no status quo. His forthright views are powered by a fervent belief in artistic freedom and freedom of speech. Candid, funny, entertaining and blisteringly honest, he offers opinions that are impossible to ignore and certain to provoke.

What he values above all is the truth. ‘The culture at large seemed to encourage discourse,’ he writes, ‘but what it really wanted to do was shut down the individual.’ Bret Easton Ellis will not be shut down.

Now a major motion picture from Lion's Gate Films starring Christian Bale (Metroland), Chloe Sevigny (The Last Days of Disco), Jared Leto (My So Called Life), and Reese Witherspoon (Cruel Intentions), and directed by Mary Harron (I Shot Andy Warhol).

In American Psycho, Bret Easton Ellis imaginatively explores the incomprehensible depths of madness and captures the insanity of violence in our time or any other.  Patrick Bateman moves among the young and trendy in 1980s Manhattan.  Young, handsome, and well educated, bateman earns his fortune on Wall Street by day while spending his nights in ways we cannot begin to fathom.  Expressing his true self through torture and murder, Bateman prefigures an apocalyptic horror that no society could bear to confront.

Bret Easton Ellis is most famous for his era-defining novel American Psycho and its terrifying anti-hero, Patrick Bateman. With that book, and many times since, Ellis proved himself to be one of the world’s most fearless and clear-sighted observers of society – the glittering surface and the darkness beneath.

In White, his first work of non-fiction, Ellis offers a wide-ranging exploration of what the hell is going on right now. He tells personal stories from his own life. He writes with razor-sharp precision about the music, movies, books and TV he loves and hates. He examines the ways our culture, politics and relationships have changed over the last four decades. He talks about social media, Hollywood celebrities and Donald Trump.

Ellis considers conflicting positions without flinching and adheres to no status quo. His forthright views are powered by a fervent belief in artistic freedom and freedom of speech. Candid, funny, entertaining and blisteringly honest, he offers opinions that are impossible to ignore and certain to provoke.

What he values above all is the truth. ‘The culture at large seemed to encourage discourse,’ he writes, ‘but what it really wanted to do was shut down the individual.’ Bret Easton Ellis will not be shut down.

With an introduction by Otessa Moshfegh, author of Lapvona. In 1985, Bret Easton Ellis shocked, stunned and disturbed with his debut novel, Less Than Zero. Published when he was just twenty-one, this extraordinary and instantly infamous work has become a rare thing: a cult classic and a timeless embodiment of the zeitgeist. Filled with relentless drinking in seamy bars and glamorous nightclubs, wild, drug-fuelled parties, and dispassionate sexual encounters, Less Than Zero – narrated by Clay, an eighteen-year-old student returning home to Los Angeles for Christmas – is a fierce coming-of-age story, justifiably celebrated for its unflinching depiction of hedonistic youth, its brutal portrayal of the inexorable consequences of such moral depravity, and its author’s refusal to condone or chastise such behaviour. Less Than Zero has done more than simply define a genre: it continues to be a landmark in the lives of successive generations of readers across the globe. Part of the Picador Collection, a series showcasing the best of modern literature.

Clay is a successful screenwriter, middle-aged and disaffected; he's in LA to cast his new movie. However, this trip is anything other than professional, and he's soon drifting through a louche and long-familiar circle - a world largely populated by the band of infamous teenagers first introduced in Bret Easton Ellis's first novel Less Than Zero. After a meeting with a gorgeous but talentless actress determined to win a role in his movie, Clay finds himself connected with Kelly Montrose, a producer whose gruesomely violent death is suddenly very much the talk of the town. Imperial Bedrooms follows Clay as his debauched reverie is interrupted by a violent plot for revenge and his seemingly endless proclivity for betrayal and exploitation looks set to land him somewhere darker and more ominous than ever before.

Now a major film starring Mickey Rourke, Winona Ryder, Kim Basinger and Billy Bob Thornton

Capturing the lives of a group of people in Los Angeles, "The Informers" is an intense narrative that blurs genders, generations and even identities. The characters go to the same schools and eat at the same restaurants. Their voices enfold us as seamlessly as those of DJs heard over a car radio. They have sex with the same boys and girls and buy from the same dealers. In short, they are connected in the only way people can be in L.A. - suffering from nothing less than the death of the soul.

'"The Informer"s is spare, austere, elegantly designed, telling in details, coolly ferocious, sardonic in its humour, every vestige of authorial sentiment is expunged'

"New York Times"

'A well-observed and bleakly funny indictment of a culture with money, cars and drugs, where the nearest things to spiritual values are health food and good looks'

"Times Literary Supplement"

'Ellis has the ability to capture modern reality with the ferocity of a collector driving a pin through a social butterfly'

"Guardian"

Set in Los Angeles in the early 1980's, this coolly mesmerizing novel is a raw, powerful portrait
of a lost generation who have experienced sex, drugs, and disaffection at too early an age, in a
world shaped by casual nihilism, passivity, and too much money a place devoid of feeling or
hope.

Clay comes home for Christmas vacation from his Eastern college and re-enters a landscape of
limitless privilege and absolute moral entropy, where everyone drives Porches, dines at Spago,
and snorts mountains of cocaine.  He tries to renew feelings for his girlfriend, Blair, and for his
best friend from high school, Julian, who is careering into hustling and heroin.  Clay's holiday
turns into a dizzying spiral of desperation that takes him through the relentless parties in glitzy
mansions, seedy bars, and underground rock clubs and also into the seamy world of L.A. after dark.

This powerful and poignant novel of L.A., from the author of Less Than Zero and American Psycho, depicts a generation's overwhelming dissatisfaction with the way things are, and its insistence on remaining as detached and isolated as possible.

Set at a small, affluent liberal-arts college in New England at the height of the Reagan 80s, The Rules of Attraction is a startlingly funny, kaleidoscopic novel about three students with no plans for the future--or even the present--who become entangled in a curious romantic triangle. Bret Easton Ellis trains his incisive gaze on the kids at self-consciously bohemian Camden College and treats their sexual posturings and agonies with a mixture of acrid hilarity and compassion while exposing the moral vacuum at the center of their lives.

Lauren changes boyfriends every time she changes majors and still pines for Victor who split for Europe months ago and she might or might not be writing anonymous love letter to ambivalent, hard-drinking Sean, a hopeless romantic who only has eyes for Lauren, even if he ends up in bed with half the campus, and Paul, Lauren's ex, forthrightly bisexual and whose passion masks a shrewd pragmatism. They waste time getting wasted, race from Thirsty Thursday Happy Hours to Dressed To Get Screwed parties to drinks at The Edge of the World or The Graveyard. The Rules of Attraction is a poignant, hilarious take on the death of romance.

"Arguably the novel of the 1990s...Glamorama should establish Ellis as the most fearless and ambitious writer of his generation...A must read." --The Seattle Times

The author of American Psycho and Less Than Zero continues to shock and haunt us with his incisive and brilliant dissection of the modern world.  In his most ambitious and gripping book yet, Bret Easton Ellis takes our celebrity obsessed culture and increases the volume exponentially.

Victor Ward, a model with perfect abs who exists in magazines and gossip columns and whose life resembles an ultra-hip movie, is living with one beautiful model and having an affair with another.  And then it's time to move on to the next stage.  But the future he gets is not the one he had in mind.

He became a bestselling novelist while still in college, immediately famous and wealthy. He watched his insufferable father reduced to a bag of ashes in a safety-deposit box. He was lost in a haze of booze, drugs and vilification. Then he was given a second chance. This is the life of Bret Easton Ellis, the author and subject of this remarkable novel. Confounding one expectation after another, Lunar Park is equally hilarious, horrifying and heartbreaking. It's the most original novel of an extraordinary career and best of all: it all happened, every word is true.